On and Off - 1898 - Broadway Articles Page 9

August Strindberg's 'To Damascus, Part 1' will be adapted to Harlem, 1962 in the next production of August Strindberg Repertory Theatre (www.strindberg.org). The play will be presented with a multi-racial cast April 18 to May 11 at the Gene Frankel Theatre, 24 Bond Street (East Village). It is the first part of a trilogy (called 'The Road to Damascus' in earlier translations) that has been described as 'Strindberg's most complex plays' and as 'his greatest plays,' due to their synthesis of a wide variety of myths, symbols and ideas with a profound spiritual analysis in a new dramatic form. August Strindberg Rep will present Part 2 in March, 2015 and Part 3 in 2016. It will be the first time the trilogy will have been presented complete in any language in 99 years.

Fusing theater, dance, music, and video, ArtsEmerson's MAN IN A CASE is an unusual entertainment, something that has to be seen to be appreciated. At the least, it is an example of thinking outside of the box and an opportunity to see one of the world's greatest dancers onstage; at best, it is an opportunity to see that one of the world's greatest dancers has many more tricks up his tights and that his fluid movements have not abandoned him. You can take the dancer out of the ballet, but you cannot take the ballet out of the dancer. Even in a straight play, the man still has all the right moves.

The winner of the 2014 Richard Rodgers Production Award for Musical Theater was announced today by the American Academy of Arts and Letters, which administers the Richard Rodgers Awards.

Tony-nominated and Obie-winning Chekhov director Austin Pendleton helms and appears in Mississippi Mud Productions' SeaGull69, a new version of Anton Chekhov's masterpiece, The SeaGull. This is a world premiere of an adaptation by Austin Pendleton and the acting company drawing on Marian Fell's translation. Set in Los Angeles in the summer of 1969, the play looks at family and friends pursuing the American dream of fame, love, and fortune in Hollywood, the land of dreams. Chekhov's sense of humor along with his tender and honest look at life is explored through the terrain of this family and their circle's life in Hollywood from 1969-1971. Tickets on sale online @ http://seagull69.brownpapertickets.com - $17 general admission, $14 student/senior.

Tony-nominated and Obie-winning Chekhov director Austin Pendleton helms and appears in Mississippi Mud Productions' SeaGull69, a new version of Anton Chekhov's masterpiece, The SeaGull. This is a world premiere of an adaptation by Austin Pendleton and the acting company drawing on Marian Fell's translation. Set in Los Angeles in the summer of 1969, the play looks at family and friends pursuing the American dream of fame, love, and fortune in Hollywood, the land of dreams. Chekhov's sense of humor along with his tender and honest look at life is explored through the terrain of this family and their circle's life in Hollywood from 1969-1971. Tickets on sale online @ http://seagull69.brownpapertickets.com - $17 general admission, $14 student/senior.

The Kurt Weill Foundation for Music has announced the online release of Singing the Story: The Lotte Lenya Competition, a new documentary film about the prestigious international contest for singer-actors.

Tony-nominated and Obie-winning Chekhov director Austin Pendleton helms and appears in Mississippi Mud Productions' SeaGull69, a new version of Anton Chekhov's masterpiece, The SeaGull. This is a world premiere of an adaptation by Austin Pendleton and the acting company drawing on Marian Fell's translation. Set in Los Angeles in the summer of 1969, the play looks at family and friends pursuing the American dream of fame, love, and fortune in Hollywood, the land of dreams. Chekhov's sense of humor along with his tender and honest look at life is explored through the terrain of this family and their circle's life in Hollywood from 1969-1971. Tickets on sale online @ http://seagull69.brownpapertickets.com - $17 general admission, $14 student/senior.

BWW Reviews: SHIPWRECKED! THE AMAZING ADVENTURES OF LOUIS DE ROUGHMONT (AS TOLD BY HIMSELF)

Artistic Director Molly Smith tackles a unique, in-the-round staging of Bertolt Brecht's powerhouse anti-war play Mother Courage and Her Children at Arena Stage at the Mead Center for American Theater. Iconic stage and screen actress and Academy Award nominee Kathleen Turner returns to Arena Stage following her sold-out run of Red Hot Patriot: The Kick-Ass Wit of Molly Ivins to make her professional singing debut as the tough-as-nails matriarch Mother Courage-a single mother determined to keep her family alive and her business afloat during war. Using the David Hare translation, the show fuses politics and satire to paint an unforgettable and provocative portrait of war, incorporating more than 10 pieces of original music composed in a rollicking, gypsy-punk style and performed by cast members doubling as musicians. Mother Courage and Her Children runs January 31-March 9, 2014 in the Fichandler Stage.

Through some 65 bronze sculptures by 28 artists, the traveling exhibition The American West in Bronze, 1850-1925, opening at The Metropolitan Museum of Art on December 18, will explore the aesthetic and cultural impulses behind the creation of statuettes with American western themes so popular with audiences then and now.

Due to extraordinary early demand for the final two productions of its 2013-2014 Season, Huntington Theatre Company announces one-week extensions to the runs of Melinda Lopez's Becoming Cuba and Lydia R. Diamond's Smart People. The Huntington's previous productions by these acclaimed Boston playwrights - Sonia Flew by Melinda Lopez and Stick Fly by Lydia R. Diamond - hold the records as the two highest grossing productions ever staged in the Wimberly Theatre of the Huntington's second home, the Calderwood Pavilion at the BCA.

Through some 65 bronze sculptures by 28 artists, the traveling exhibition The American West in Bronze, 1850-1925, opening at The Metropolitan Museum of Art on December 18, will explore the aesthetic and cultural impulses behind the creation of statuettes with American western themes so popular with audiences then and now.

The Museum of Modern Art presents The Berlin School: Films from the Berliner Schule, a film series that examines the first major movement within German cinema since the fall of the Berlin Wall in 1989, from today, November 20 to December 6, 2013, in the Roy and Niuta Titus Theaters.

On the 30th October, 1938, Orson Welles broadcast a dramatisation of The War of the Worlds. Seventy five years and one day later the South Australian Radio Collective played a recording of that radio play to an audience who assembled especially to hear this work.

The Museum of Modern Art presents The Berlin School: Films from the Berliner Schule, a film series that examines the first major movement within German cinema since the fall of the Berlin Wall in 1989, from November 20 to December 6, 2013, in the Roy and Niuta Titus Theaters.

San Jose Stage Company Artistic Director Randall King announces The Stage's 2013-14 Season:

The world premiere of The Tallest Tree in the Forest, a new work about the life of African-American performer and activist Paul Robeson, written and performed by Daniel Beaty and directed by Moises Kaufman, opens tonight, September 6 at Kansas City Repertory Theatre.

The world premiere of The Tallest Tree in the Forest, a new work about the life of African-American performer and activist Paul Robeson, written and performed by Daniel Beaty and directed by Moises Kaufman, opens Friday, September 6 at Kansas City Repertory Theatre. The show runs through September 28 at the Rep's downtown theatre Copaken Stage, 13th and Walnut Streets.

Kansas City Repertory Theatre will kick off its 2013-14 season with the world premiere of The Tallest Tree in the Forest, a new work about the life of African-American performer and activist Paul Robeson, written and performed by Daniel Beaty and directed by Moises Kaufman. The show runs tonight, August 30-September 28 at the Rep's downtown theatre Copaken Stage, 13th and Walnut Streets. The Tallest Tree in the Forest is a co-production with La Jolla Playhouse.

Kansas City Repertory Theatre will kick off its 2013-14 season with the world premiere of The Tallest Tree in the Forest, a new work about the life of African-American performer and activist Paul Robeson, written and performed by Daniel Beaty and directed by Moises Kaufman. The show runs August 30-September 28 at the Rep's downtown theatre Copaken Stage, 13th and Walnut Streets. The Tallest Tree in the Forest is a co-production with La Jolla Playhouse.

PBS today unveiled a summer line-up that features a diverse array of new programming. A summer of intrigue presents new episodes of MASTERPIECE MYSTERY! productions.

Metropolitan Playhouse, OBIE Award winner, presents the fourth annual East Village Theater Festival, a three-week celebration of the ever-vital life and lore of the East Village. The festival features four different evenings of new plays and solo-performances, as well as the work of local artists, and a panel discussion on the neighborhood's changing identity.

Huntington Theatre Company adds three titles to its 2013-2014 program to complete a season featuring celebrated artists who are beloved by Boston audiences.

Metropolitan Playhouse, OBIE Award winner, presents the fourth annual East Village Theater Festival, a three-week celebration of the ever-vital life and lore of the East Village. The festival features four different evenings of new plays and solo-performances, as well as the work of local artists, and a panel discussion on the neighborhood's changing identity.

Huntington Theatre Company announces four productions of its 2013-2014 Season, each featuring celebrated artists beloved by Boston audiences. Continuing its 31-year tradition, the Huntington will present world-class productions of new works and classics made current created by the finest local and national talent. The varied lineup includes a ravishing new musical adaptation by a visionary director, a stirring world premiere by the Huntington's new playwright-in-residence, a sharp new work by Boston's most recent Broadway playwright, and a master's classic brought to life by two outstanding interpreters of his work.