Julie - 1927 - Broadway Articles Page 10

The Signature Theatre, nationally renowned for its innovation in musical theater, will reinvent the 1927 classic American musical, Show Boat, in a brand new production playing November 10, 2009 through January 17, 2010.

Jean-Baptiste Molière is on top of the world - at the centre of Louis XIV's court, author of countless popular hits, and in love with a woman half his age. But what the audiences see as sparkling satire, the authorities see as dangerous and subversive. As soon as he takes a wrong step, his fall from grace is assured.

Brown Bag Thursday with Jim Kronzer THURSDAY, DECEMBER 3 1:00 - 2:00PM

Brown Bag Thursday with Jim Kronzer THURSDAY, DECEMBER 3 1:00 - 2:00PM

Jean-Baptiste Molière is on top of the world - at the centre of Louis XIV's court, author of countless popular hits, and in love with a woman half his age. But what the audiences see as sparkling satire, the authorities see as dangerous and subversive. As soon as he takes a wrong step, his fall from grace is assured.

Come on Board and See the Classic Kern/Hammerstein Musical

The Signature Theatre, nationally renowned for its innovation in musical theater, will reinvent the 1927 classic American musical, Show Boat, in a brand new production playing November 10, 2009 through January 17, 2010.

The Signature Theatre, nationally renowned for its innovation in musical theater, will reinvent the 1927 classic American musical, Show Boat, in a brand new production playing November 10, 2009 through January 17, 2010.

The fall temperatures may be getting colder, but the DC area theatre scene is heating up with many musicals, including a new "intimate" production of a 1927 American classic, a Tony-Award Winning family saga, and so many choices - well - take a look for yourself at what this diverse theatre community has to offer in November. This is a great time to celebrate the upcoming holidays with your family, so bring the kids, grandparents, nieces and nephews, aunts and uncles and cousins to see that Orphan girl and her dog, a Disney heroine, and enjoy an early Christmas, and many more shows to bring in the cheer and joy of the holiday season. We have so much to be thankful for this month, so come to our nation's capital and celebrate the joy of theatre with us!

In the 1920s, George S. Kaufman was one of the primary reasons New York was firmly establishing itself as the nation's capital of wit. Until his death in 1961, Kaufman could be called the quintessential New Yorker; continually working on Broadway as a playwright and director, reluctantly venturing out to Hollywood on occasion and regretting every moment of it and frequently quoted for his crackling cleverness ('I understand your new play is full of single entendres.').

Jennie Eisenhower, who won a Barrymore Award five years ago for her performance in The Media Theatre's 'The Wild Party', returns to the State Street stage as Julie in the classic musical 'Show Boat'. Artistic Director Jesse Cline, who directed her to her award winning performance, takes the helm once again for this Jerome Kern and Oscar Hammerstein II collaboration.

Jean-Baptiste Molière is on top of the world - at the centre of Louis XIV's court, author of countless popular hits, and in love with a woman half his age. But what the audiences see as sparkling satire, the authorities see as dangerous and subversive. As soon as he takes a wrong step, his fall from grace is assured.

Today's Broadway Blogs on BroadwayWorld.com from Monday, October 19, 2009.

The Signature Theatre, nationally renowned for its innovation in musical theater, will reinvent the 1927 classic American musical, Show Boat, in a brand new production playing November 10, 2009 through January 17, 2010.

Today's Broadway Blogs on BroadwayWorld.com from Thursday, October 8, 2009.

The Signature Theatre, nationally renowned for its innovation in musical theater, will reinvent the 1927 classic American musical, Show Boat, in a brand new production playing November 10, 2009 through January 17, 2010.

Jennie Eisenhower, who won a Barrymore Award five years ago for her performance in The Media Theatre's 'The Wild Party', returns to the State Street stage as Julie in the classic musical 'Show Boat'. Artistic Director Jesse Cline, who directed her to her award winning performance, takes the helm once again for this Jerome Kern and Oscar Hammerstein II collaboration.

Jennie Eisenhower, who won a Barrymore Award five years ago for her performance in The Media Theatre's 'The Wild Party', returns to the State Street stage as Julie in the classic musical 'Show Boat'. Artistic Director Jesse Cline, who directed her to her award winning performance, takes the helm once again for this Jerome Kern and Oscar Hammerstein II collaboration.

Variety reports that Stephen Collins and Tony Roberts have joined the cast of Manhattan Theater Club's upcoming Broadway revival of THE ROYAL FAMILY.

Ravinia Festival Chairperson Pamela B. Strobel and President and CEO Welz Kauffman today announced details of the 2009 season of music theater and dance events.

Our series on 'women who run the show' concludes with MTC's artistic director, Lynne Meadow, and associate AD, Mandy Greenfield.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Virginia Woolf wrote Freshwater in 1923. She returned to it again in 1935. It was performed as a much-needed, unbuttoned, laughing evening for her friends and family.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Women's Project and SITI Company present Virginia Woolf's Only Play, FRESHWATER, directed by Anne Bogart