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SheNYC Arts To Present Eight New Full-Length Plays And Musicals For The 2026 SheNYC Summer Theater Festival

by A.A. Cristi - May 11, 2026

SheNYC Arts announced eight original full-length plays and musicals selected for the 2026 SHENYC SUMMER THEATER FESTIVAL, chosen from hundreds of global submissions through a blind review process, set to run at the Lynn F. Angelson Theatre in New York.

Review: TO KILL A MOCKINGBIRD at Bass Concert Hall

by Joni Lorraine - May 12, 2023

What did our critic think of TO KILL A MOCKINGBIRD at Bass Concert Hall?

BWW Review: Surreal Dramedy FEFU AND HER FRIENDS Invades the Odyssey Theatre

by Shari Barrett - Aug 13, 2019

FEFU AND HER FRIENDS, a surreal dramedy by Maria Irene Fornés, known as an early feminist giant of the avant-garde, challenges modern audiences in that the play is plotless except for the fact eight women with very different agendas, personalities, and sexual orientations have gathered in the country home of their eccentric friend, Fefu, to plan an event for their do-gooding educational work. As multiple conflicts unfold between the old friends, they struggle to define who they are and what it means to be a woman in a male-dominated world.

Photo Flash: BE MORE CHILL Enters Final Week At The Selma Arts Center

by Julie Musbach - Jul 24, 2019

BE MORE CHILL makes its Central Valley premiere at the Selma Arts Center with performances running from July 19-27.

Review: The Joffrey Ballet Presents ROMEO & JULIET with an Incredibly Beautiful Modern Take on Society vs. the Individual

by Shari Barrett - Mar 15, 2018

A story relevant to generations past and present, Shakespeare's cautionary tale of love serves as a modern metaphor for the influence of society over individual freedom. For although the personal journeys of Romeo & Juliet are integral to the tale, this is a love story within a clear social and political context - the collective identity of the group is considered more important than the desires of its citizens, dooming the young lovers from "opposite sides of the tracks" to their tragic end as their personal lives are molded by the hostilities of the previous era. Beginning in the 1930s during a time when a rigid dictatorial system had taken over the country, the Capulet family represents the upper-class conservatives with stiff, militaristic movement, while the Montagues represent the liberal low and middle classes, danced with loose, flowing motions laced with pedestrian naturalism.

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