If Love Were All - 1931 - Broadway Articles Page 7

The Broadway Boys, a collection of the hottest male voices currently working on the New York stage, will present a concert of Broadway and holiday favorites, on Sunday, December 20, 3 p.m., at Westport Country Playhouse.

Producers David Richenthal and Jack Viertel have announced that the critically-acclaimed New York City Center Encores! production of Finian?s Rainbow, will transfer to Broadway's St. James Theatre, 246 West 44 Street, beginning Thursday, October 8 at 8pm, with an opening set for Thursday, October 29 at 6:45pm.

Big Signature Productions will present Arthur Schnitzler's La Ronde, translated by Carl R. Mueller, as part of the 2009 New York International Fringe Festival/Fringe NYC this August. The production is directed by Larry Biederman with Lighting Design by John Eckert & Sound Design by John Zalweski. Featured in the AEA Showcase Production are Ken Barnett* & Alyson Weaver*. *Denotes Member of AEA.

Big Signature Productions will present Arthur Schnitzler's La Ronde, translated by Carl R. Mueller, as part of the 2009 New York International Fringe Festival/Fringe NYC this August. The production is directed by Larry Biederman with Lighting Design by John Eckert & Sound Design by John Zalweski. Featured in the AEA Showcase Production are Ken Barnett* & Alyson Weaver*.

Big Signature Productions will present Arthur Schnitzler's La Ronde, translated by Carl R. Mueller, as part of the 2009 New York International Fringe Festival/Fringe NYC this August. The production is directed by Larry Biederman with Lighting Design by John Eckert & Sound Design by John Zalweski. Featured in the AEA Showcase Production are Ken Barnett* & Alyson Weaver*. *Denotes Member of AEA.

Big Signature Productions will present Arthur Schnitzler's La Ronde, translated by Carl R. Mueller, as part of the 2009 New York International Fringe Festival/Fringe NYC this August. The production is directed by Larry Biederman with Lighting Design by John Eckert & Sound Design by John Zalweski. Featured in the AEA Showcase Production are Ken Barnett* & Alyson Weaver*.

Big Signature Productions will present Arthur Schnitzler's La Ronde, translated by Carl R. Mueller, as part of the 2009 New York International Fringe Festival/Fringe NYC this August. The production is directed by Larry Biederman with Lighting Design by John Eckert & Sound Design by John Zalweski. Featured in the AEA Showcase Production are Ken Barnett* & Alyson Weaver*. *Denotes Member of AEA.

Big Signature Productions will present Arthur Schnitzler's La Ronde, translated by Carl R. Mueller, as part of the 2009 New York International Fringe Festival/Fringe NYC this August. The production is directed by Larry Biederman with Lighting Design by John Eckert & Sound Design by John Zalweski. Featured in the AEA Showcase Production are Ken Barnett* & Alyson Weaver*.

Cheyenne Jackson will reprise his New York City Center Encores! role of Woody in the upcoming Broadway production of Finian's Rainbow.

Producers David Richenthal and Jack Viertel have announced that the critically-acclaimed New York City Center Encores! production of Finian?s Rainbow, will transfer to Broadway's St. James Theatre, 246 West 44 Street, beginning Thursday, October 8 at 8pm, with an opening set for Thursday, October 29 at 6:45pm.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Back in Pictures celebrates the songs that were originally written for the masterpieces of the Golden Age of Hollywood, featuring music from Casablanca, Easter Parade, A Star Is Born, Pennies From Heaven, Disney, Meet Me In St. Louis, Gentlemen Prefer Blonds, The Wizard of Oz and many more. Back in Pictures is showing at the Reprise Room, 245 West 54th Street, between Broadway and 8th Avenue, New York, from April 7, 2008 through January 5, 2009.

Back in Pictures celebrates the songs that were originally written for the masterpieces of the Golden Age of Hollywood, featuring music from Casablanca, Easter Parade, A Star Is Born, Pennies From Heaven, Disney, Meet Me In St. Louis, Gentlemen Prefer Blonds, The Wizard of Oz and many more. Back in Pictures is showing at the Reprise Room, 245 West 54th Street, between Broadway and 8th Avenue, New York, from April 7, 2008 through January 5, 2009.

The Music Center of Los Angeles County announces the sixth season of the Dance at the Music Center series. The season opens with the return of Miami City Ballet led by Artistic Director Edward Villella, performing the much anticipated, West Coast premiere of NIGHTSPOT a Twyla Tharp and Elvis Costello collaboration, October 24-26. Known for her innovation and creativity, Twyla Tharp has created some of the most memorable dances in modern repertory.

Reached by telephone in Florida on the day after Christmas, Jerry Herman had just taken his morning swim and was enjoying the balmy weather. 'It's beautiful here. You know you take your chances with the weather this time of the year even in Miami, but it's just been beautiful.' After doing considerable reading about the composer and enjoying a lengthy conversation with him, it is quite apparent that much of this man's life has indeed been quite beautiful.

Margaret Hamilton in THE WIZARD OF OZ defined, forever, how a wicked witch looks and how she behaves. Her performance in the film is etched in our souls as surely as there are presidents etched on Mt. Rushmore

Margaret Hamilton in THE WIZARD OF OZ defined, forever, how a wicked witch looks and how she behaves. Her performance in the film is etched in our souls as surely as there are presidents etched on Mt. Rushmore

The classic musical political satire gets a fast and funny re-mounting