Give Us This Day - 1933 - Broadway Articles Page 4

SARTA has announced upcoming auditions and current productions. They are also looking for a few more Volunteers.

Staging one of the theatre's most unique and unclassifiable pieces, Brecht & Weill's THE SEVEN DEADLY SINS for the New York City Ballet, starting May 11 and running through May 16, is just the latest act in a career made up of anomalies, seemingly built upon always attempting to do the impossible - from her Broadway debut, trying to bring balletic bravado to Trevor Nunn's terminally troubled 1988 musical CHESS (a project begun under the guidance of Michael Bennett before his death), up through the trying-but-Tony-winning TITANIC in 1997 and, this century, SWING! starring Ann Hampton Callaway and Laura Benanti and a succession of successful regional ballets and theatre pieces - the gifted and dynamic director/choreographer Lynne Taylor-Corbett continues to challenge herself, her peers and audiences with each of her audacious new endeavors. THE SEVEN DEADLY SINS, starring two-time Tony-winning Broadway legend Patti LuPone as Anna I, is a particularly problematic play - or is it a musical? Or, is it a ballet? A song-spiel? - and in this revealing and engaging discussion, Ms. Taylor-Corbett and I attempt to deduce the themes, analyze the structure and look back at the authors' lives to gain insight into the perplexing America painted by Brecht and Weill in the forty-minute-long theatrical experiment. Also, in this complete conversation, Lynne and I take a look back at her long and varied career and she generously shares her thoughts on where the place of dance is in the twenty-first century, the exhilaration of working with a theatre artist like Patti LuPone, her own inspirations and formative experiences in the theatre, the legacy of Michael Powell and THE RED SHOES, the theatre versus the dance world, her son Shaun's career, and much, much more! Further information on THE SEVEN DEADLY SINS - including tickets - is available here.

While the cherry blossoms are blooming - over 30 productions will be taking root on DC area stages in April. So come visit the Nation's Capital and see a show or two or more. There's something playing for everyone.

Just in time for Valentine's Day, director Larry Tobias and music director Rollie Mains have ushered the clever little musical (with book and lyrics by Joe DiPietro and music by Jimmy Roberts) to the stage, featuring the delightful - and supremely on-target - talents of Bakari King, Tyson Laemmel, Megan Murphy Chambers and Cathy Sanborn Street. The talented quartet take audiences on a roller-coaster ride of sorts as they give us a look at the contemporary dating scene, which is apparently 'all heterosexual, all the time' - and which could be the revue's one element that dates the material to the 1990s.

Rochelle Slovin, Director of Museum of the Moving Image, today announced the complete schedule for the screenings and programs that will celebrate the grand re-opening of America's only museum dedicated to film, television, and digital media.

Rochelle Slovin, Director of Museum of the Moving Image, today announced the complete schedule for the screenings and programs that will celebrate the grand re-opening of America's only museum dedicated to film, television, and digital media.

Right from the first few notes of "We're in the Money" from the overture or the first glimpses of those dancin' feet under the curtain, you know you should be in for a big flashy Broadway musical. And Village Theatre's final show of their season, "42nd Street" does not let you down. The show is a toe tappin', sequin clad throw back to the old style musicals and a big bright ball of fun!

Richard Jay-Alexander will be on QVC, again tomorrow, Thursday, September 17th, to once again introduce the audience to Barbra Streisands highly anticipated studio album, LOVE IS THE ANSWER, produced by Diana Krall and recorded at the legendary Capitol Records Studio - where Sinatra, Peggy Lee and all the greats did some of their best work.

The NYC400 is the first-ever list of New York City's ultimate movers and shakers since the City's founding?from politics, the arts, business, sports, science, and entertainment.

The Roundabout's new production of Kurt Weill and Bertolt Brecht's The Threepenny Opera might well have been the most shocking and innovative theatre event of the 1967-68 Broadway season

In this very first journal entry, Raymond Jaramillo McLeod, now starring as 'Wreck' in Wonderful Town, takes us through the show's early rehearsal period. New installments will be available each week.