DRACULA, A COMEDY OF TERRORS is a Bram-new comedy you can really sink your teeth into. Filled with clever wordplay and anything-goes pop culture references, it’s a 90-minute, gender-bending, quick-changing, laugh-out-loud reimagining of the gothic classic, perfect for audiences of all blood types.
In the treacherous mountains of Transylvania, a meek English real estate agent takes a harrowing journey to meet a new and mysterious client, who just happens to be the most terrifying and ferocious monster the world has ever known. As famed female vampire hunter Jean Van Helsing and company chase Drac from Transylvania to the British countryside to London and back, their antics are guaranteed to increase your pulse and cause bloodcurdling screams—of laughter.
Greenberg’s direction pays homage to traditional stagecraft in the silliest of ways. Mist and fog come from spray cans, while the actors meticulously scramble to tell their story with physical props and sound cues. Ironically, it’s a refreshing, utterly delightful approach that amps up a refined, in-your-face brand of humour. While the script is rude and unashamed, it manages to remain exceptionally sanitised - think sophisticated adult panto without the callbacks to the audience.
Dracula, A Comedy of Terrors is affable enough and probably a decent shout to take your grandparents to: it’s old fashioned, not offensive. But why bother going to the effort of bringing it over from New York? Stoker’s Count famously caused a stir when he came to London; Greenberg and Rosen’s elicits a weak smile at best.
| 2023 | Off-Broadway |
Off-Broadway Premiere Production Off-Broadway |
| 2025 | West End |
West End |
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