After All - 1931 - Broadway Articles Page 17

The Music Institute of Chicago Chorale, conducted by Daniel Wallenberg, announces its 30th anniversary season, collaborating with Music Institute ensembles and faculty on three concerts at Nichols Concert Hall, 1490 Chicago Ave., Evanston.

Platform 2016: Lost & Found, the eleventh and most ambitious edition to date, will examine the impact of AIDS on generations of artists.

From October 21 - November 20, 2016, SpeakEasy Stage Company will proudly present the New England Premiere of THE SCOTTSBORO BOYS, a bold new musical by Broadway legends John Kander and Fred Ebb about a sensational true story that changed American history. 

Following the critically acclaimed opening of the UK premiere of the hit Off Broadway musical Adding Machine: A Musical, composed by Joshua Schmidt, with libretto by Jason Loewith and Joshua Schmidt, and based on the classic play by Elmer Rice, two further matinee performances have been added to the sell-out run - on 12 and 19 November at 3pm. Josh Seymour directs Joseph Alessi (Mr Zero), Kate Milner-Evans (Mrs Zero), Joanna Kirkland (Daisy Dorothea Devore) and Edd Campbell Bird (Shrdlu), with James Dinsmore (Mr One and as cast), Helen Walsh (Mrs One and as cast), George Rae (Mr Two and as cast), and Sue Appleby (Mrs Two and as cast).

Vampires have become such an essential part of American culture, even if they are only fictional beings; from one of the first allusion to them in Polidori's The Vampyre to more modern takes on this age-old creature, it is amazing how vampires have become the talk of the town - the town being in movies, the written word and now, in this premiere on Cape Cod. DiVincenzo understands their importance, making reference to the Lugosi's famous film legacy. 'I feel like it's a timeless story. Dracula is an icon. I think it's an indelible mark that 1931 film made in our culture. What we're giving [audiences] now is a much younger approach to the Dracula story.'

Some of Seattle's most talented actors will be hard at work in collaboration with writers from around the country in the rehearsal halls of The 5th Avenue Theatre this month as the company's NextFest: A Festival of New Musicals launches its three week intensive development cycle this weekend.

THE AYE, a stage show adapted from Ana Isabel Ordonez's internationally acclaim ed book, THE EXTRAORDINARY LOVE STORY OF AYE AYE AND FEDOR, will be performed to celebrate the 85th birthday of Nobel Peace Laureate Monsigneur Archbishop Desmond Tutu as a part of the Sixth Annual Desmond Tutu International Peace Conference in Cape Town on 7 October.

American Composers Orchestra's (ACO), under the leadership of Artistic Director Derek Bermel and Music Director George Manahan, opens its 40th Anniversary Season on Friday, October 28, 2016 at 7:30pm with Orchestra Underground: Contempo-Scary Music at Carnegie Hall's subterranean Zankel Hall.

San Francisco Opera General Director Matthew Shilvock today announced the casting and schedule for the Company's summer 2018 presentations of Richard Wagner's Der Ring des Nibelungen (The Ring of the Nibelung). The four-opera cycle of Das Rheingold,Die Walkure, Siegfried and Gotterdammerung-widely considered the greatest and most ambitious work ever conceived for the lyric stage-will be presented in three complete cycles from June 12 through July 1, 2018. 

The Royal Academy of Dance's (RAD) prestigious Genee International Ballet Competition returns to Australia in 2016 with the final to be held at the Sydney Opera House on 11 December 2016. As the annual flagship event of the Royal Academy of Dance, the competition attracts the world's finest young dancers aged between 15 to 19 years old and culminates in a final to be judged by David McAllister, Artistic Director of The Australian Ballet, Kevin O'Hare, Director of The Royal Ballet, and Francesco Ventrigilia, Artistic Director of the Royal New Zealand Ballet.

The award-winning East Lynne Theater Company of Cape May, NJ has announced complete casting for S. N. Behrman's effervescent 1932 comedy, Biography.

Playwright Robert O'Hara's BARBECUE deservedly earned a rousing reception (and standing ovation) from The Geffen Playhouse's enthusiastic opening night audience September 14.  BroadwayWorld and I had a chance to chat with O'Hara's frequent collaborator, actor/playwright/director Colman Domingo a few days after his directorial success.

Tickets are now on sale for American Composers Orchestra's (ACO) 40th Anniversary Season, under the leadership of Artistic Director Derek Bermel and Music Director George Manahan. This season includes eight world premieres by a diverse set of composers performed by ACO at Carnegie Hall and Symphony Space, and continues the orchestra's commitment to serve as a catalyst for the creation of new orchestral music, providing unprecedented opportunities for American composers to create new work and for audiences to discover it. Founded in 1977, ACO remains the only orchestra in the world dedicated exclusively to the creation, performance, preservation, and promulgation of music by American composers. To date, ACO has performed music by 800 American composers, including 350 world premieres and newly commissioned works. ACO takes its commitment to fostering new work beyond the stage in its annual Underwood New Music Readings for emerging composers, now in its 26th year in New York, and through its program EarShot, the National Orchestra Composition Discovery Network, which brings the Readings experience to orchestras across the country in partnership with American Composers Forum, the League of American Orchestras, and New Music USA.

Known as 'the only podcast that shows you Broadway from the inside out,' The Ensemblist podcast has become the champion of the unsung performance heroes and inner workings of the theatre world. Co-created and co-hosted by Nikka Graff Lanzarote (Chicago, Women on the Verge) and Mo Brady (SMASH, The Addams Family), the podcast has covered everything from the Gypsy Robe ceremony, to the audition process, to what it's like to be a Broadway babysitter during its first three years on the air. Now, following a successful first season covering the 'Ensemblist Essentials,' this past spring, The Ensemblist is entering into its second season (check out the first episode below!) and I sat down to talk with Nikka and Mo about how the podcast has grown, what it looks like to balance careers in the arts with being podcast masters, which Broadway ensemble they'd like to join, and more-check out the full interview below!

The award-winning East Lynne Theater Company of Cape May, NJ has announced complete casting for S. N. Behrman's effervescent 1932 comedy, Biography.

Gary Naylor sees a revival that invites comparisons between the Britain of the 1930s and 2010s, but runs out of narrative energy and character credibility

BroadwayWorld continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Charles Morrow, Cataloger for  Theatre on Film and Tape Archive, The New York Public Library for the Performing Arts on: Political Satires in The New York Public Library for the Performing Arts' Theatre on Film and Tape Archive.

Universal Cable Productions (UCP) and Syfy today announced they have signed Grant Morrison (“Batman,” “The Invisibles”) and Brian Taylor (“Crank,” “Gamer”) to adapt Aldous Huxley's novel “Brave New World” for Syfy with Amblin Television.  Morrison and Taylor will also serve as executive producers, along with Amblin Television Co-Presidents Darryl Frank (“The Americans,” “All The Way”) and Justin Falvey (“The Americans,” “All The Way”).

The Hudson Village Theatre continues its Games We Play theme with Noel Coward's hilarious romp, Private Lives, playing August 10 to 28.

It probably would have been worth the trip to Bard SummerScape's production of Pietro Mascagni's IRIS—last heard at the Met in 1931--simply to make the acquaintance of soprano Talise Trevigne. Through much suffering and indignity, Trevigne sang the title role in a luxurious, plush-voiced, physical performance that made the most of the score by the composer who will always be known for CAVALLERIA RUSTIANA, that signpost of verismo opera. She's a find, and I hope to hear her again.

For those who didn't have the opportunity to meet the cast and crew of East Lynne Theater Company's "Dracula" at the after-show party at Pier House Restaurant on July 27, another chance is to be had on Friday, August 5 at an after-show Q&A. 

This Sunday, July 24, help Raven Theatre welcome Chicago Sun-Times Theater and Dance Critic Hedy Weiss! After the 3 pm matinee performance of Direct from Death Row The Scottsboro Boys, Hedy will interview the cast and director and take questions from the audience.

The Hudson Village Theatre continues its Games We Play theme with Noel Coward's hilarious romp, Private Lives, playing August 10 to 28.

For those who didn't have the opportunity to meet the cast and crew of East Lynne Theater Company's "Dracula" at the after-show party at Pier House Restaurant on July 27, another chance is to be had on Friday, August 5 at an after-show Q&A. 

Platform 2016: Lost & Found, the eleventh and most ambitious edition to date, will examine the impact of AIDS on generations of artists.