A Play Without a Name - 1928 - Broadway Articles Page 3

Empirical Rogue has announced casting for Nikolai Erdman's Suicide!?, in a new adaptation written and directed by Empirical Rogue Artistic Director Tim Eliot. Performances begin January 4 at the Interart Theatre (500 West 52nd Street between 10th and 11th Avenues).

QWAN (Quality Without a Name) presents NOTES!!! and SWAN!!! at Berkshire Theatre Group's The Colonial Theatre tonight, August 20 at 7:30pm featuring Christian Coulson, Jack Ferver, Jenn Harris, Randy Harrison, Phillip Taratula and Matthew Wilkas.

QWAN (Quality Without a Name) presents NOTES!!! and SWAN!!! at Berkshire Theatre Group's The Colonial Theatre on August 20 at 7:30pm featuring Christian Coulson, Jack Ferver, Jenn Harris, Randy Harrison, Phillip Taratula and Matthew Wilkas.

The 2012 season, sponsored by Empire Toyota of Oneonta, will feature the world premier of a new play specifically commissioned for Chenango River Theatre by Artistic Director Bill Lelbach.

Headlining the most successful entertainment of all time, THE PHANTOM OF THE OPERA, Michael Crawford was actually not the first name the creative team considered for the gothic musical undertaking during its creation in the mid-1980s, believe it or not. Steve Harley famously recorded the original single of the title song with composer Lord Andrew Lloyd Webber's muse Sarah Brightman and subsequently starred in the grandiose Ken Russell fever dream music video. While the public and critics alike assumed Harley's bid for the lead role in the gestating show was all but guaranteed after the video debut, it was not meant to be. Master director Hal Prince had his sights set on a British stage and screen star who had made a name with American audiences decades before in the troubled film versions of two Broadway hits - A FUNNY THING HAPPENED ON THE WAY TO THE FORUM and HELLO, DOLLY! - as well as made a name for himself the world over in the British sitcom SOME MOTHERS DO 'AVE 'EM. Crawford had also cemented his place in the musical theatre with his roles in FLOWERS FOR ALGERNON and BILLY, but it was PHANTOM that would catapult him into the ranks of iconic musical megastar. So, today, let us take a look at what made Michael Crawford's performance in THE PHANTOM OF THE OPERA so unforgettable as we celebrate this week's US release of the simply spectacular DVD/Blu-ray of the 25th anniversary production mounted late last year at the Royal Albert Hall starring Ramim Karimloo and Sierra Boggess, loving assembled and presented by original lead producer Cameron Mackintosh and featuring a grand finale complete with original PHANTOM cast-members Sarah Brightman and Michael Crawford, among a host of other glories.

The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).

The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).

The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).

The Harris Theater for Music and Dance today announced its full Harris Theater Presents 2011-2012 season, offering Chicago audiences a ground-breaking collection of innovative, culturally diverse programming by the world's finest musicians and dance companies, as well as Harris' signature collaborations with Chicago's leading dance and music institutions.

I'm reminded of the old joke: It's only funny till someone gets hurt; then it's hilarious. Jacobean audiences liked the stage littered with corpses at the end; we settle for one or two corpses and people's lives shattered. And that this show certainly delivers. There may not be much depth to it, much in the way of a philosophical point, but it's absorbing to see.

Actress-playwright-producer Mary McCallum gives an extraordinarily strong and vibrant performance as aviatrix Bessie Coleman in her self-written new historical drama, Fly, Girl!, now in its premiere production at Darkhorse Theatre, courtesy of SistaStyle Productions. With an outstanding supporting ensemble, all of whom are completely committed to both their roles and this important production, it is a sharply written and movingly acted new work - definitely one that deserves a broader audience beyond the confines of the Nashville stage.

The National Jazz Museum in Harlem's February 2010 schedule of events are chock full of choices for all from newcomers to the music to seasoned fans of music.

The National Jazz Museum in Harlem's February 2010 schedule of events are chock full of choices for all from newcomers to the music to seasoned fans of music.

Director Ed Shea keeps the authors' light touch on heavy issues in this comedy that plays at the Warren, RI theater through February 15th

Three time Tony Award-winner Boyd Gaines discusses his varied acting career, as well as his next role as Herbie in Encores! Summer Stars Gypsy, opposite Patti LuPone!