Leave It to Me! 2001 - Articles Page 37

Even with all the bases covered and loaded given this stupendous creative team, a cast of veritable Broadway all-stars and a surprise bottom of the ninth pop fly play courtesy of Norbert Leo Butz's fresh Tony win, CATCH IF YOU CAN can't seem to get the break it deserves on Broadway. Sure, it just passed the hundred performance mark and it is alive and well, but it deserves far more praise than it has been given. After all, Marc Shaiman and Scott Wittman's score is every bit as ingratiating and endearing as their work on the Tony-winning Best Musical HAIRSPRAY and for that fact alone CATCH ME IF YOU CAN commands the utmost attention from any cast album collector or Broadway baby interested in keeping up with all the scores and stats of Broadway‘s best. And, yes, indeed, CATCH ME IF YOU CAN possesses a score among the very best of the 21st century and the best new score on Broadway this season. The songstack as represented on the brand new Original Broadway Cast Recording is even more entertaining and enlivening than the show's songs onstage - although they have all their own allure there - and that is a huge credit to the fiercely talented songwriting team who knocks each and every pitch clear out of the park; here, just as always. CATCH ME IF YOU CAN is a fully-decked game of far-flung, fun, and not-so-frivolous fantasy ably aided by some of the most inspiring leading male performances in musical theatre in many years thanks to the wonderful work by the aforementioned Butz, plus impossibly charismatic leading player Aaron Tveit and a sensitive and suave Tom Wopat.

You wouldn't know it from his youthful looks, but actor Ethan Le Phong has been a longtime global chameleon for quite some time. His past roles have taken him from Germany to New York, from London to Los Angeles. And for almost a year now, he has been spicing things up as Pepper in the 2nd National Tour of the global hit musical MAMMA MIA. Before the show makes its anticipated return to the Segerstrom Center for the Arts in Orange County for a week-long engagement from June 21 - 26, the actor paused for a brief chat with BroadwayWorld's Michael Lawrence Quintos to talk about his role in the hit ABBA-rific musical, his influences as a kid, and his wish to see more Asian-Americans on the Broadway stage.

Since his arrival in Nashville, talented Jeffrey Williams has made quite the name for himself on local stages, winning over directors, producers, other actors, audience members and critics alike with his charm, dedication and remarkable talent. Seriously, he's got the goods and Nashville theater has claimed its fair share (most recently, he's been seen in Street Theatre Company's acclaimed staging of Chess in Concert, in which he sang the role of the spoiled American chess champion, and in Tennessee Repertory Theatre's hit revival of Pump Boys and Dinettes, in which he tap-danced, played an accordion and sang his heart out, surrounded by a cast of Tennessee Rep veterans), it would seem, and now young Mr. Williams is heading northeastward to check things out in New York City.

Since his arrival in Nashville, talented Jeffrey Williams has made quite the name for himself on local stages, winning over directors, producers, other actors, audience members and critics alike with his charm, dedication and remarkable talent. Seriously, he's got the goods and Nashville theater has claimed its fair share (most recently, he's been seen in Street Theatre Company's acclaimed staging of Chess in Concert, in which he sang the role of the spoiled American chess champion, and in Tennessee Repertory Theatre's hit revival of Pump Boys and Dinettes, in which he tap-danced, played an accordion and sang his heart out, surrounded by a cast of Tennessee Rep veterans), it would seem, and now young Mr. Williams is heading northeastward to check things out in New York City.

As a super-special Spring extension of BroadwayWorld's SOUND OFF column, every day until the Tony Awards on June 12 we will be presenting a spectacular new entry in the SPOTLIGHT ON THE 2011 TONY AWARDS series featuring a particularly entertaining, interesting, relevant and exciting Tony Awards-related clip from the last sixty-three years of the ceremonies (and subsequent seasons on Broadway) with a rundown and commentary on the sights, sounds and showmanship on display in each carefully chosen selection - all, of course, coming in anticipation of Broadway's biggest night, which will be broadcast on CBS this year, as always. Once again this year, BroadwayWorld is the official home of the 2011 Tony Awards and we will also be featuring exclusive interviews, articles, photos, video content, interactive features and more in the coming days and weeks leading up to the event so be sure to check back daily for your theatre fix!

Legends in their own time, ascending to the top ranks of the Hollywood and Broadway songwriting landscape, Marc Shaiman and Scott Wittman have accomplished and climbed to heights most of what many film fans, Broadway babies and general entertainment junkies only dream of witnessing and ascending to. Marc Shaiman's work with Trey Parker and Matt Stone on SOUTH PARK: BIGGER, LONGER & UNCUT prompted Stephen Sondheim - as he told me himself - to cite it as one of the best musicals of the era. And, it is - as is their Tony-winning Best Musical HAIRSPRAY, based on the film by Pope of Trash John Waters. Featuring John Travolta, Michelle Pfeiffer, Zac Efron, Queen Latifah and an all-around-amazing cast of triple-threats, the stunning Craig Zadan/Neil Meron-produced film version of HAIRSPRAY may be the greatest cinematic Shaiman and/or Wittman accomplishment so far. Then, there is CATCH ME IF YOU CAN - one of the snappiest new scores on Broadway in a strangely strong season of original scores - boasting boss Sinatra blues and sizzling Shirelles riffs and everything else that's swingin' in between. Up next for the team - onstage and off - is a stage adaptation of Roald Dahl's CHARLIE & THE CHOCOLATE FACTORY directed by Oscar-winning director Sam Mendes, in addition to what is perhaps the most exciting prospect on their impossibly cluttered horizon: the new Steven Speilberg/Craig Zadan/Neil Meron musical/comedy/drama series SMASH which has just been picked up for the Fall season on NBC! In this exclusive, extensive and exhaustive conversation we cover it all from HAIRSPRAY to CATCH ME to CHARLIE to all about SMASH and far, far beyond!

Back in Season 3 of the Fox talent search juggernaut American Idol, then 16-year-old Diana DeGarmo narrowly missed the coveted title, walking away as the first runner up. Fast forward to 2011 and the now 23-year-old is currently starring as the iconic Doralee Rhodes in the national touring company of 9 TO 5: THE MUSICAL, the Dolly Parton-scored Broadway musical adaptation of the cult 1980 film. The show performs a single-week run at the Segerstrom Center of the Arts in Costa Mesa from May 10 through May 15. DeGarmo recently chatted with BroadwayWorld's Michael Lawrence Quintos to talk about Idol, early shows, and her Dolly-fied role.

It's not a typo folks! This is not a review of anybody's production of "Sunset Boulevard," despite the vision mistakes of ALL of my friends when they asked me in writing where I was going. Instead, it's the seventh or eighth "Nunsense" musical (depending on whether or not you count one all-male show), that overwhelmingly popular and not-quite-as-critically-successful series of small-scale musicals by Dan Goggin, written over the last 25 years and featuring five characters in a series of wacky, real-time, semi-performance situations.

So I have been spoiled here in Denver over the past several months with many excellent productions that included quality writing, standout performances, and great technical execution. It pains me to say this - mostly because of my love and admiration for Dolly Parton - but 9 TO 5: THE MUSICAL was not the fun musical romp that had every gay bone in my body singing the theme song.

Today we are talking to one of the stars of the smash hit Broadway revival of Frank Loesser's HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, co-starring Daniel Radcliffe, Tammy Blanchard and John Larroquette, at the Al Hirschfeld Theater, this actor can also be seen in the just-concluded final season of HBO's BIG LOVE and in a recurring role on ABC's BROTHERS & SISTERS - Mr. Christopher J. Hanke! Discussing everything from HAIR and hippies to business suits and HOW TO SUCCEED, as well as a thorough analysis of his CRY BABY experience and even a little IN MY LIFE, Hanke opens up about his co-stars, characters, collaborators and even shares a few audition stories.

How does Season 2B of GLEE stack up against the first season and a half of the show? Did Gwyneth make 'Sexy' truly titillating and tremendous? Has GLEE finally found its rhythm and found a way to contain the unyielding beast it is? The method to the madness and more in this analysis of Season 2B so far (from post-Super Bowl 'Sue Sylvester Shuffle' all the way up to Tuesday's 'Sexy') and, of course, the Top Ten songs you need to download right now - after all, the song downloads are what make it unique (and uniquely successful) and have helped it to become an entertainment institution rather than just a little TV show.

With one show stopping number after another, Burlesque to Broadway splashes onto The Triple Door stage for three nights only, starring Quinn Lemley, her backup gals and an intoxicating 10-piece big band.

Broadway's master songman, Mandy Patinkin, accompanied by Paul Ford on piano, will bring his critically acclaimed theatre concert to the VAN WEZEL PERFORMING ARTS HALL on Monday, February 14 at 8 p.m.--Valentines Day.

Back in the 1930s, when hip New Yorkers got their doses of political satire by taking in the latest Broadway musical comedy, it wasn't uncommon for then-President FDR to pop up in a show; either in person, as played by George M. Cohan in Rodgers and Hart's I'd Rather Be Right or, more frequently, through comical lyrics, such as those penned by Harold Rome in Pins and Needles and Cole Porter in Leave It To Me!

In Act I our actors are in their 70's. Neil, the husband, has retired and is about to leave home to start a new business in New Zealand. The second Act opens and our three actors are now in their 40's. Hannah, the wife, is prepared to leave her husband and run away. In Act III all are now young children, and brother Willy is going to dig a hole and move to China.

Broadway's master songman, Mandy Patinkin, accompanied by Paul Ford on piano, will bring his critically acclaimed theatre concert to the VAN WEZEL PERFORMING ARTS HALL on Monday, February 14 at 8 p.m.--Valentines Day.

With one show stopping number after another, Burlesque to Broadway splashes onto The Triple Door stage for three nights only, starring Quinn Lemley, her backup gals and an intoxicating 10-piece big band.

Today we are talking to the composer of the Pulitzer Prize-winning rock musical NEXT TO NORMAL, Tom Kitt, about his influences - from Sondheim to Schwartz to Finn to Elton John to some of his own contemporaries - and working with Green Day on AMERICAN IDIOT and his own eponymous band, to the creation of a Broadway phenomenon by tracing the path of the show from FEELING ELECTRIC to NEXT TO NORMAL - plus, the many exciting projects that he has coming up this year and beyond, including a thorough discussion of his upcoming collaboration with Lin-Manuel Miranda, Amanda Green and Jeff Whitty on BRING IT ON: THE MUSICAL and the very first news of a new, original Kitt/Yorkey musical on the horizon - and much, much more.

As we welcome in a new year of great theatre in the nation's capital, I thought it would be fun to do one of those “Best of 2010' lists as well as preview what's opening in January on DC area stages. So let's raise our glasses and offer a toast to all those theatre companies who gave us great productions in 2010, and to the upcoming 2011 theatre season!

Over the course of our ninety minute conversation earlier this week, Tony-winning Broadway star Alice Ripley was kind enough to open up about her role in the phenomenon of the Pulitzer Prize-winning NEXT TO NORMAL, which is now kicking off a US Tour beginning in Los Angeles, as well as offer thoughts on many of her significant stage roles that she has taken on over the course of her impressive and varied career. Pete Townshend and THE WHO'S TOMMY to Andrew Lloyd Webber and SUNSET BOULEVARD and TELL ME ON A SUNDAY, to Sondheim with COMPANY (as the greatest Amy of all time), and even a turn in ROCKY HORROR; Alice Ripley has seemingly done it all,and her passion, dedication and insight into her craft are amply evident in both her studied performances on stage as well as in discussing the art of acting in musical theatre in conversation and her inspirations as Diana Goodman, ranging from Albee to O'Neill to actors like Cynthia Nixon, Toni Collette and more. In her most comprehensive print interview to date, BroadwayWorld is proud to present InDepth InterView: Alice Ripley.

Despite legendary costume designer Bob Mackie working on CATCH ME IF YOU CAN's 2009 Seattle tryout, he will not be part of the creative team as the show opens on Broadway. Multiple Tony Award winner William Ivey Long is now working with the show.

KANDI is a Grammy Award winning singer/songwriter/producer/actress and entrepreneur who has 56 million CDs sold to date -- 14 platinum and 17 gold discs -- attached to her name.

Today we have Part I of the BWW Exclusive two-part InDepth InterView with legendary stage and screen actress - and, bar none, the greatest Tennessee Williams actress alive - Tony-winning star, and a legend in her own time: Elizabeth Ashley! In this first part, we talk her early stage career from TAKE HER, SHE'S MINE directed by George Abbott and produced by Hal Prince in the 60s up to AGNES OF GOD opposite Amanda Plummer and Geraldine Page in the early 80s continuing to Tracy Letts' Pulitzer-prize winning opus AUGUST: OSAGE COUNTY in 2007 - to say nothing of the central focus of our extended conversation: her most recent role playing the mother of twin sons named Otto (and/or 'otto') in Edward Albee's newest absurdist masterpiece, ME, MYSELF & I, which can currently be seen at Playrights' Horizons! From the grande dame of Williams, to life with Orson Welles, to living on the road (by choice), and a life in the theatre (no choice), Ms. Ashley is a fabulous, veritable walking, talking history of the American theatre in the last forty years and no one - I repeat, no one - can tell a story better than she can! From Mohammad Ali to Edward Albee, this interview has it all! She is one of the greats, onstage and off. There will never be another Liz Ashley and this first part is just half the reason why!

Edward Stern, Producing Artistic Director of the Cincinnati Playhouse in the Park since 1992, announced today that he will leave the Playhouse at the end of the 2011-2012 season, which will also be his 20th season.

As we come to the second week of August (is it just me - or is this summer FLYING by?!), the live theatre and performance venues here on the beautiful California Central Coast continue to offer a wide variety of quality entertainment options!