Galileo hears of a new invention, a telescope, and builds one. With it, he confirms that the earth rotates around the sun. For this, he is summoned before a tribunal of the Inquisition where he is threatened with torture if he does not recant his findings. Bertolt Brecht puts the dilemma of one of history's greatest thinkers center stage; is it more important to cling to one's principles or save oneself to enable further contributions to knowledge?
Galileo examines the separation of science and the church by questioning the difference between empirical evidence and faith. Galileo's confirmation that the earth revolves around the sun is regarded as heresy, and a direct threat to church doctrine. Galileo pleads with church authorities to recognize that if something can be seen it must be true and to deny the truth is criminal. He is put on trial and recants, but serves house arrest, nonetheless. Galileo's capitulation, and his continued scientific investigation, even under the noses of his captors, provides a powerful exploration of issues of integrity, betrayal, courage, and devotion.
Notoriously scandalous British playwright Sarah Kane radically reworks Seneca's classical tragedy of incest and unrequited lust in the highly anticipated production of Red Letter Theater's Phaedra's Love, a brutal dark comedy exploring the themes of obsession, desire, and honesty. First debuted at the Gate, London in 1996, this regional premiere is directed and designed by Red Letter Theater Artistic Director David Hanzal, and features a host of some of the Twin Cities' favorite actors plus some wonderful new faces.
TINY KUSHNER makes West Coast premiere at Berkeley Rep, begins previews on October 16, opens October 21, and closes November 29.
TINY KUSHNER makes West Coast premiere at Berkeley Rep, begins previews on October 16, opens October 21, and closes November 29.
Notoriously scandalous British playwright Sarah Kane radically reworks Seneca's classical tragedy of incest and unrequited lust in the highly anticipated production of Red Letter Theater's Phaedra's Love, a brutal dark comedy exploring the themes of obsession, desire, and honesty. First debuted at the Gate, London in 1996, this regional premiere is directed and designed by Red Letter Theater Artistic Director David Hanzal, and features a host of some of the Twin Cities' favorite actors plus some wonderful new faces.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will begin previews Tuesday, August 11, for the Shakespeare in the Park production of Euripides' THE BACCHAE, directed by JoAnne Akalaitis with original music by Philip Glass and translated by Nicholas Rudall.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced complete casting today for the Shakespeare in the Park production of Euripides' THE BACCHAE, directed by JoAnne Akalaitis with original music by Philip Glass and translated by Nicholas Rudall. Anthony Mackie (The Hurt Locker) will play the lead role of Pentheus joining George Bartenieff as Cadmus; André De Shields as Teiresias; Jonathan Groff as Dionysus; Karen Kandel as Chorus Leader; Joan MacIntosh as Agave; Steven Rishard as Cowherd; and Rocco Sisto as Messenger.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced casting for the Shakespeare in the Park production of Euripides' THE BACCHAE, directed by JoAnne Akalaitis with original music by Philip Glass and translated by Nicholas Rudall. THE BACCHAE will run August 11-August 30 at the Delacorte Theater in Central Park with an official press opening on Monday, August 24 at 8 p.m. Bank of America returns as lead sponsor of Shakespeare in the Park 2009.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will begin previews Tuesday, August 11, for the Shakespeare in the Park production of Euripides' THE BACCHAE, directed by JoAnne Akalaitis with original music by Philip Glass and translated by Nicholas Rudall.
Notoriously scandalous British playwright Sarah Kane radically reworks Seneca's classical tragedy of incest and unrequited lust in the highly anticipated production of Red Letter Theater's Phaedra's Love, a brutal dark comedy exploring the themes of obsession, desire, and honesty. First debuted at the Gate, London in 1996, this regional premiere is directed and designed by Red Letter Theater Artistic Director David Hanzal, and features a host of some of the Twin Cities' favorite actors plus some wonderful new faces.
The Misanthrope is an ensemble-created contemporary explosion of Moliere's classic social comedy inspired in equal part by Ingmar Bergman, indie rock, and the New York rental market, it explores the nature of desire in our generation.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced complete casting today for the Shakespeare in the Park production of Euripides' THE BACCHAE, directed by JoAnne Akalaitis with original music by Philip Glass and translated by Nicholas Rudall. Anthony Mackie (The Hurt Locker) will play the lead role of Pentheus joining George Bartenieff as Cadmus; André De Shields as Teiresias; Jonathan Groff as Dionysus; Karen Kandel as Chorus Leader; Joan MacIntosh as Agave; Steven Rishard as Cowherd; and Rocco Sisto as Messenger.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced casting for the Shakespeare in the Park production of Euripides' THE BACCHAE, directed by JoAnne Akalaitis with original music by Philip Glass and translated by Nicholas Rudall. THE BACCHAE will run August 11-August 30 at the Delacorte Theater in Central Park with an official press opening on Monday, August 24 at 8 p.m. Bank of America returns as lead sponsor of Shakespeare in the Park 2009.
The Shakespeare Theatre of New Jersey kicks off its 2009 Season with a world premiere stage adaptation of Around the World in Eighty Days. Adapted for the stage by Bonnie J. Monte from the beloved novel by Jules Verne, this inventive production is an exhilarating treat for people of all ages. Around the World in Eighty Days began performances on April 29 and continues through May 24 at the Shakespeare Theatre's Main Stage - The F. M. Kirby Shakespeare Theatre, 36 Madison Avenue at Lancaster Road in Madison. For tickets or more information, call the box office at 973-408-5600, email boxoffice@shakespearenj.org or visit www.ShakespeareNJ.org.
The Shakespeare Theatre of New Jersey kicks off its 2009 Season with a world premiere stage adaptation of Around the World in Eighty Days. Adapted for the stage by Bonnie J. Monte from the beloved novel by Jules Verne, this inventive production is an exhilarating treat for people of all ages. Around the World in Eighty Days begins performances on April 29 and continues through May 24 at the Shakespeare Theatre's Main Stage - The F. M. Kirby Shakespeare Theatre, 36 Madison Avenue at Lancaster Road in Madison.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
People's Light & Theatre Company presents the East Coast Premiere of Dwayne Hartford's new adaptation of A TALE OF TWO CITIES from the classic novel by Charles Dickens. A TALE OF TWO CITIES runs from March 11 - May 3, 2009, on the Main Stage. Co-Founder Ken Marini directs. People's Light & Theatre is located at 39 Conestoga Road, Malvern. For tickets call 610-644-3500 or visit www.peopleslight.org. A TALE OF TWO CITIES is part of the Target Family Discovery Series and is part of the U.S. Airways New Plays Festival for Families.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Sam Mendes directs a transatlantic company of actors in a double-bill of classic works for The Bridge Project's inaugural 2009 season, which pairs a new version of The Cherry Orchard by Tom Stoppard with The Winter's Tale. A formidable transatlantic company and creative team will mount these two new productions for seven internationally renowned theaters. Simon Russell Beale leads the British/American cast, playing Lopakhin in The Cherry Orchard and Leontes in The Winter's Tale. He is joined by Sin?ad Cusack as Madame Ranevskaya and Paulina, Richard Easton as Firs and Old Shepherd, Rebecca Hall as Varya and Hermione, Josh Hamilton as Yasha and Polixenes, Ethan Hawke as Trofimov and Autolycus, and Paul Jesson as Gaev and Camilo.
Two uniquely beautiful performance pieces compiled from the music and letters of Robert and Clara Schumann, Johannes Brahms and Franz Liszt by award-winning British pianist Lucy Parham, will be given their U.S. premieres by L.A. Theatre Works.
George Street Playhouse continues their 35th season with the New Jersey premiere of Conor McPherson's Olivier Award-winning and Tony Award-nominated play, The Seafarer.
American Conservatory Theater (A.C.T.) announced Jean Racine's passionate play Phedre as one of its productions for the 2009-10 season in a first-time coproduction with Canada's prestigious Stratford Shakespeare Festival.
Tony Taccone, artistic director of Berkeley Repertory Theatre, revealed that Danny Hoch's 'Taking Over' - which made its world premiere at Berkeley Rep in January - is headed on the road.
Redshift Productions' Scientist's Studio (Max Evjen, Artistic and Executive Director, Megan Halpern, Artistic and Producing Director ) will proudly present THREE ON A COUCH by Carl Djerassi, directed by Elena Araoz at the Soho Playhouse (15 Vandam Street), beginning performances on May 29 with its press opening Sunday June 8 through June 22, 2008.
Scenes from The Eternal Romeo and Juliet, a play written by University of North Texas theatre professor Andrew Harris, will debut in London on February 7th at the remains of the historic Rose Theatre, an Elizabethan playhouse where William Shakespeare is believed to have performed and his plays Henry VI Part I and Titus Andronicus were originally presented.
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