Reagle Music Theatre of Greater Boston has announced the full cast of BYE BYE BIRDIE, the Tony Award-winning 1960s rock 'n' roll-inspired musical parody of what happens to a small Midwestern community when an Elvis-like singing sensation swings through town looking for one last kiss before entering the Army. Bye Bye Birdie runs today, July 13 through July 22 in the Robinson Theatre, 617 Lexington Street, Waltham.
Reagle Music Theatre of Greater Boston has announced the full cast of BYE BYE BIRDIE, the Tony Award-winning 1960s rock 'n' roll-inspired musical parody of what happens to a small Midwestern community when an Elvis-like singing sensation swings through town looking for one last kiss before entering the Army.
Damn Yankees is headed to The 5th Avenue Theatre! This musical comedy is the story of an aging baseball fan who makes a deal with the Devil so his beloved hometown team can beat the Yankees in the race for the pennant. From the songwriting team of The Pajama Game, Damn Yankees is filled with hit songs including "Two Lost Souls" and the sultry favorite, "Whatever Lola Wants, Lola Gets." The Paper Mill Playhouse production will slide into Seattle this April. The creative team includes direction by Mark S. Hoebee (Paper Mill's Producing Artistic Director), music direction by Ben Whiteley, and choreography by Denis Michael Jones.
BASE Entertainment has just announced that DINER, a new musical based on the critically acclaimed 1982 film with a book by Academy Award winner and original DINER screenwriter Barry Levinson and music & lyrics by 9-time Grammy Award-winning singer-songwriter Sheryl Crow, will have its pre-Broadway world premiere at San Francisco's SHN Curran Theatre (445 Geary Street). Directed and choreographed by Tony Award winner Kathleen Marshall, DINER will play a strictly limited four week engagement from Tuesday, October 23, 2012, through Sunday, November 18, 2012, with an opening night of Friday, November 2, 2012. Due to these confirmed San Francisco dates DINER will now bow on Broadway in the spring of 2013, instead of the fall of 2012 as previously announced. Design team and casting will be announced at a later date.
Damn Yankees is headed to The 5th Avenue Theatre! This musical comedy is the story of an aging baseball fan who makes a deal with the Devil so his beloved hometown team can beat the Yankees in the race for the pennant. From the songwriting team of The Pajama Game, Damn Yankees is filled with hit songs including "Two Lost Souls" and the sultry favorite, "Whatever Lola Wants, Lola Gets." The Paper Mill Playhouse production will slide into Seattle this April. The creative team includes direction by Mark S. Hoebee (Paper Mill's Producing Artistic Director), music direction by Ben Whiteley, and choreography by Denis Michael Jones.
The 5th Avenue Theatre brings the wide open plains to Seattle with a reimagining of Rodgers & Hammerstein's Oklahoma!
Roundabout Theatre Company in association with Don Gregory, has announced the full company for the new Broadway production of Mary Chase's Harvey starring Jim Parsons (Elwood P. Dowd), Jessica Hecht (Veta Louise Simmons), Charles Kimbrough (William R. Chumley, M.D.), Larry Bryggman (Judge Omar Gaffney), Carol Kane (Betty Chumley), Peter Benson (E.J. Lofgren), Tracee Chimo (Myrtle Mae Simmons), Holley Fain (Ruth Kelly, R.N.), Angela Paton (Mrs. Ethel Chauvenet), Rich Sommer (Duane Wilson), Morgan Spector (Lyman Sanderson, M.D.) and directed by Scott Ellis.
The 5th Avenue Theatre is bringing the wide open plains to Seattle this February with a reimagining of Rodgers & Hammerstein's Oklahoma!
The 5th Avenue Theatre is bringing the wide open plains to Seattle this February with a reimagining of Rodgers & Hammerstein's Oklahoma!
In celebration of the artist's 85th birthday, Columbia Records/RPM Records/Legacy Recordings will release Tony Bennett - The Complete Collection, an extraordinary compilation chronicling the entire career of the great American pop vocalist as documented in the albums and singles he's made for Columbia Records (beginning in 1952 through the present), as well as his recordings for Roulette (an historic encounter with Count Basie and Orchestra in 1959), MGM (1972-73), Improv (Bennett's own label from 1973-76) and Fantasy (a pair of sublime titles with pianist Bill Evans, released in 1975-76).
In celebration of the artist's 85th birthday, Columbia Records/RPM Records/Legacy Recordings will release Tony Bennett - The Complete Collection, an extraordinary compilation chronicling the entire career of the great American pop vocalist as documented in the albums and singles he's made for Columbia Records (beginning in 1952 through the present), as well as his recordings for Roulette (an historic encounter with Count Basie and Orchestra in 1959), MGM (1972-73), Improv (Bennett's own label from 1973-76) and Fantasy (a pair of sublime titles with pianist Bill Evans, released in 1975-76).
The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. The Equity Jeff Awards, Sondheim comes to town, 'Gypsy' and 'The Sound Of Music,' stars of 'The Lawrence Welk Show,' Betty Buckley teaches and 'A Christmas Story' rehearses...and more!
Today, in an extension of the FLASH FRIDAY column, we are sharpening our focus on the six upcoming revivals of musicals that are soon to hit the boards in the next few months (post-FOLLIES) and battle it out for the Best Revival as the Broadway season heats up just when the weather begins to cool: the classic Jule Styne/Bob Merrill musical that originally starred that star-of-stars, Barbra Streisand - FUNNY GIRL; the groundbreaking rock opera that rewrote the theatrical rulebook thanks to young creators Andrew Lloyd Webber and Tim Rice - JESUS CHRIST SUPERSTAR; the hippie, flower child take on the Christ story covering some similar Biblical ground to that of SUPERSTAR, with this one being the composing debut of WICKED songwriter Stephen Schwartz - GODSPELL; another Andrew Lloyd Webber/Tim Rice collaboration that won seven Tony Awards and acted as the vehicle for Patti LuPone's blazing Broadway debut in a starring role - EVITA; the significantly reworked, revised and rewritten new version of the beautifully scored time-travel musical by Burton Lane and Alan Jay Lerner, this time starring a male movie star crooner - ON A CLEAR DAY YOU CAN SEE FOREVER; and, the landmark American opera composed by the Gershwins with DuBose Haywerd - PORGY & BESS. While each and every one of these entities has a huge hit song or two that nearly everyone on the planet knows by heart - "Don't Rain On My Parade", "I Don't Know How To Love Him", "Day By Day", "Don't Cry For Me Argentina", "On A Clear Day…" and 'Summertime' included - each of these revivals also comes after a film version (or two) that, in more than a few of these cases, will be relatively difficult to top as far as expectations of many audience members undoubtedly will go. So, by taking a listen to the smash hit crossover songs from these musicals as well as looking at their respective film version's trailers - as well as a couple of surprises, too - perhaps we can glean some insight into what makes these generally pretty terrific properties so well worth reviving on Broadway, here, now, today, in 2011. Furthermore, all of this crystal ball commentary is not even taking into account the starry assortment of performers that have already been announced for these productions so far - especially with FUNNY GIRL's Lauren Ambrose and Bobby Cannavale, GODSPELL's Hunter Parrish, SUPERSTAR's lauded Josh Young, EVITA's Ricky Martin and Michael Cerveris, PORGY's Norm Lewis and Audra McDonald, as well as the leading man in what was once a leading lady's role (that of Barbara Harris) in ON A CLEAR DAY YOU CAN SEE FOREVER, Harry Connick, Jr.! What a tight race it is turning out to be for these new productions, particularly come Tony time in June! With rock to rhumba and borscht belt comedy to messianic hosannas and even full-out opera, seemingly every conceivable customer base is more than covered by this packed, potentially, well, awesome, season of shows - and many Broadway babies around BroadwayWorld are undoubtedly looking most forward to these six forthcoming revivals - with particularly good reason given the relative dearth of new musicals announced so far. So, let these revivals revive your flagging spirits as we leap into the 2011-2012 season with this comprehensive prospective and retrospective all about what makes them work so well in the first place and so worthy of another look!
The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).
In celebration of the artist's 85th birthday, Columbia Records/RPM Records/Legacy Recordings will release Tony Bennett - The Complete Collection, an extraordinary compilation chronicling the entire career of the great American pop vocalist as documented in the albums and singles he's made for Columbia Records (beginning in 1952 through the present), as well as his recordings for Roulette (an historic encounter with Count Basie and Orchestra in 1959), MGM (1972-73), Improv (Bennett's own label from 1973-76) and Fantasy (a pair of sublime titles with pianist Bill Evans, released in 1975-76).
In celebration of the artist's 85th birthday, Columbia Records/RPM Records/Legacy Recordings will release Tony Bennett - The Complete Collection, an extraordinary compilation chronicling the entire career of the great American pop vocalist as documented in the albums and singles he's made for Columbia Records (beginning in 1952 through the present), as well as his recordings for Roulette (an historic encounter with Count Basie and Orchestra in 1959), MGM (1972-73), Improv (Bennett's own label from 1973-76) and Fantasy (a pair of sublime titles with pianist Bill Evans, released in 1975-76).
The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).
The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).
Audiences of all ages will fall in love with Pittsburgh CLO's production of The Sound of Music, July 19-31 at the Benedum Center. T
The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. We've got the Mosh Pit 'Top Ten Hot Topics' for January-June, 2011, including the 'Company' concert, 'The Original Grease,' 'Next To Normal,' 'Working' and more!
Long Wharf Theatre will present the improv and sketch comedy show The Best of Second City from June 15-19 on the Mainstage.
Long Wharf Theatre will present the improv and sketch comedy show The Best of Second City from June 15-19 on the Mainstage.
There's a song in the backstage musical murder mystery, Curtains, that is unlike any other in the history of Broadway; a song guaranteed to make any musical theatre lover in the know choke up at least a little.
Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.
Westport Country Playhouse will stage the newly revised adaptation of the timeless classic, 'The Diary of Anne Frank,' helmed by award-winning director Gerald Freedman, September 28 through October 30, as part of its 80th Anniversary Season.
1959 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
1960 | Tony Awards | Best Choreography | Lee Scot |
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