The Beggar's Opera 1728 - Articles Page 2.6

Medicine Show Theatre Ensemble, one of New York's longest-running experimental theatres, premieres its production of The Beggar's Opera, the original source of The Threepenny Opera in less than three weeks. The production opens Friday, April 27 and closes Saturday, May 19. Performances are scheduled for Fridays and Saturdays at 8 p.m., Sundays and Wednesdays at 7 p.m., with an additional performance Tuesday, May 1 at 7 p.m. There are no performances on Mondays, Thursdays or any other Tuesday.

Sydney Theatre Company and Asteron present the Malthouse Melbourne and Victorian Opera production of Bertolt Brecht & Kurt Weill's The Threepenny Opera

Sydney Theatre Company and Asteron present the Malthouse Melbourne and Victorian Opera production of Bertolt Brecht & Kurt Weill's The Threepenny Opera

After being absent from Seattle's professional stages for almost 30 years, Seattle Shakespeare Company revives Bertolt Brecht and Kurt Weill's landmark musical The Threepenny Opera for 14 performances at the Intiman Theatre.

We are auditioning young people this month and next for the following shows

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

We interview up-and-coming director David Epstein about 'Lipstick on a Pig' playing at Theatre Row.

The Roundabout's new production of Kurt Weill and Bertolt Brecht's The Threepenny Opera might well have been the most shocking and innovative theatre event of the 1967-68 Broadway season

The New York Times reports that Ana Gasteyer has joined the cast of Roundabout's 'Threepenny Opera' for which previews will beging on March 24th.

The New York Times reports that Dale will return to Broadway after an absence of nine years to star as Mr. Peachum in the Roundabout production.

Alan Cumming, Edie Falco and Nelli McKay to appear in a new Roundabout production of The Threepenny Opera.