Based on a true story, ON THE LEVEE is a play with music that revisits the Greenville, Mississippi flood of 1927, the worst in U.S. history. At the heart of the story are two fathers (a white cotton farmer and an African-American bootblack) and their sons.
From October 21 to November 8, August Strindberg Repertory will transport Strindberg's 'Miss Julie' to an antebellum Louisiana plantation in a new interpretation conceived by Artistic Director Robert Greer and adapted by Edgar Chisholm from a translation by Greer. The production will include a ballet sequence, which Strindberg specified in the original manuscript and which has never been performed before. The piece will be directed by Robert Greer and choreographed by Ja' Malik.
Following last year's acclaimed Public Works production of The Tempest, The Public Theater will continue this community-based initiative this September with a free original musical adaptation of Shakespeare's THE WINTER'S TALE. Featuring more than 200 New Yorkers from all five boroughs performing alongside professional actors and The Public's community partners, Public Works' THE WINTER'S TALE will run for three nights only, September 5-7, at the Delacorte Theater in Central Park. Free tickets will be distributed, two per person, at 12:00 p.m. on the day of the show at the Delacorte Theater and via the Virtual Ticketing lottery at www.publictheater.org.
Center Theatre Group Artistic Director Michael Ritchie has set the 11th season at the CTG/Kirk Douglas Theatre in Culver City.
Yale Repertory Theatre, in a co-production with Berkeley Repertory Theatre, presents the world premiere of The House that will not Stand by Marcus Gardley, directed by Patricia McGregor. The House that will not Stand will be performed at Yale Repertory Theatre (1120 Chapel Street) today, April 18-May 10. Opening Night is Thursday, April 24.
Yale Repertory Theatre, in a co-production with Berkeley Repertory Theatre, presents the world premiere of The House that will not Stand by Marcus Gardley, directed by Patricia McGregor. The House that will not Stand will be performed at Yale Repertory Theatre (1120 Chapel Street) April 18-May 10. Opening Night is Thursday, April 24.
Marin Theatre Company, in association with Lorraine Hansberry Theatre, will stage August Wilson's Fences, the 1950s entry into his Century Cycle (also known as his Pittsburgh Cycle) - a decade-by-decade exploration of the black experience in 20th century America. Directed by Derrick Sanders, the Pulitzer Prize and two-time Tony Award-winning play will feature veteran film and television actor Carl Lumbly as Troy Maxson, Steven Anthony Jones, the artistic director of Lorraine Hansberry Theatre, as Jim Bono and award-winning actor, playwright and director Margo Hall as Rose, as well as Oregon Shakespeare Festival's Eddy Ray Jackson as Cory, Adrian Roberts as Gabriel, Tyee Tilghman as Lyons and two Marin City youths - Jade Sweeney, who attends Willow Creek Academy, and Makaelah Bashir, Bayside Martin Luther King, Jr. Academy - splitting the role of Raynell.
Playwrights Horizons' New York premiere production of Stage Kiss, a new play marking the eagerly-anticipated return to PH of two-time Pulitzer Prize finalist and Tony Award nominee Sarah Ruhl (Dead Man's Cell Phone at PH; The Clean House, In the Next Room..., Eurydice), is currently in previews off-Broadway. BroadwayWorld has a first look at the cast in action below!
Victory Gardens Theater continues its season with the World Premiere of The Gospel of Lovingkindness by Victory Gardens Ensemble Playwright Marcus Gardley, directed by Artistic Director Chay Yew. The Gospel of Lovingkindness runs February 28 - March 30, 2014 at Victory Gardens Theater, 2433 N. Lincoln Avenue.
Previews begin this Friday, February 7 for Playwrights Horizons' New York premiere production of STAGE KISS, a new play marking the eagerly-anticipated return to PH of two-time Pulitzer Prize finalist and Tony Award nominee Sarah Ruhl (Dead Man's Cell Phone at PH; The Clean House, In the Next Room…, Eurydice).
Yale Repertory Theatre presents THE FAIRYTALE LIVES OF RUSSIAN GIRLS by Meg Miroshnik, directed by Rachel Chavkin, tonight, January 31-February 22 at Yale Repertory Theatre (1120 Chapel Street). Opening Night is Thursday, February 6.
Berkeley Repertory Theatre announces the world premiere of The House that will not Stand, a historical comedic drama commissioned from award-winning poet-playwright and Oakland native Marcus Gardley. Sensuous, witty, heartbreaking, and uplifting - The House that will not Stand unearths a story about free women of color in 1836 New Orleans, where black Creole women entered into common-law marriages with affluent white men. When her wealthy lover mysteriously dies, Beartrice Albans' foundation of security hangs precariously by a thread. She is left to fend for her three unwed daughters in a world where freedom must be carefully negotiated. Told in a rich and lyrical river of words, this new play was developed through The Ground Floor: Berkeley Rep's Center for the Creation and Development of New Work. It's helmed by Patricia McGregor, whose many credits include the celebrated production of Spunk at California Shakespeare Theater. The House that will not Stand begins previews on Berkeley Rep's intimate Thrust Stage today, January 31, opens on Wednesday, February 5 and runs through Sunday, March 16, 2014.
YALE REPERTORY THEATRE presents the world premiere of THESE PAPER BULLETS!, a modish ripoff of William Shakespeare's Much Ado About Nothing, adapted by Rolin Jones, with songs by Billie Joe Armstrong, and directed by Jackson Gay, March 14-April 5 at the University Theatre (222 York Street). Opening Night is Thursday, March 20.
Rehearsals began yesterday, January 10 for Playwrights Horizons' New York premiere production of STAGE KISS, a new play marking the eagerly-anticipated return of two-time Pulitzer Prize finalist Sarah Ruhl (Dead Man's Cell Phone at PH; The Clean House, In the Next Room..., Eurydice) to the theater company. Directed by Rebecca Taichman (Milk Like Sugar at PH; Marie Antoinette, Orlando, The Scene, Luck of the Irish), the production will begin previews Friday evening, February 7 at 8PM with an Opening Night set for Sunday, March 2 at 7PM. The limited engagement will play through Sunday evening, March 23 at Playwrights Horizons' Mainstage Theater (416 West 42nd Street). BroadwayWorld brings you photos of the cast at the first rehearsal below!
YALE REPERTORY THEATRE presents THE FAIRYTALE LIVES OF RUSSIAN GIRLS by Meg Miroshnik, directed by Rachel Chavkin, January 31-February 22 at Yale Repertory Theatre (1120 Chapel Street). Opening Night is Thursday, February 6. The cast of THE FAIRYTALE LIVES OF RUSSIAN GIRLS is Sofiya Akilova, Celeste Arias, Stephanie Hayes, Jessica Jelliffe, Felicity Jones, and Emily Walton.
Tickets are now on sale to the general public and rehearsals begin this Friday, January 10 for Playwrights Horizons' (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) New York premiere production of STAGE KISS, a new play marking the eagerly-anticipated return of two-time Pulitzer Prize finalist Sarah Ruhl (Dead Man's Cell Phone at PH; The Clean House, In the Next Room…, Eurydice) to the theater company. Directed by Rebecca Taichman (Milk Like Sugar at PH; Marie Antoinette, Orlando, The Scene, Luck of the Irish), the production will begin previews Friday evening, February 7 at 8PM with an Opening Night set for Sunday, March 2 at 7PM. The limited engagement will play through Sunday evening, March 23 at Playwrights Horizons' Mainstage Theater (416 West 42nd Street).
Berkeley Repertory Theatre announces the world premiere of The House that will not Stand, a historical comedic drama commissioned from award-winning poet-playwright and Oakland native Marcus Gardley. Sensuous, witty, heartbreaking, and uplifting - The House that will not Stand unearths a story about free women of color in 1836 New Orleans, where black Creole women entered into common-law marriages with affluent white men. When her wealthy lover mysteriously dies, Beartrice Albans' foundation of security hangs precariously by a thread. She is left to fend for her three unwed daughters in a world where freedom must be carefully negotiated. Told in a rich and lyrical river of words, this new play was developed through The Ground Floor: Berkeley Rep's Center for the Creation and Development of New Work. It's helmed by Patricia McGregor, whose many credits include the celebrated production of Spunk at California Shakespeare Theater. The House that will not Stand begins previews on Berkeley Rep's intimate Thrust Stage on Friday, January 31, opens on Wednesday, February 5 and runs through Sunday, March 16, 2014.
Roundabout Theatre Company's production of Machinal, starring Rebecca Hall, written by Sophie Treadwell and directed by Lyndsey Turner, began previews on December 20, 2013 ahead of an official opening on January 16, 2014 at the American Airlines Theatre on Broadway. Machinal is a limited engagement through March 2. Scroll down to learn more about the cast!
Marin Theatre Company, in association with Lorraine Hansberry Theatre, announces the casting of its spring production of August Wilson's Fences, directed by Derrick Sanders. Fences, which won the 1987 Pulitzer Prize and 1987 and 2010 Tony Awards, will feature veteran film and television actor Carl Lumbly as Troy Maxson, Steven Anthony Jones, the artistic director of Lorraine Hansberry Theatre, as Jim Bono and award-winning actor, playwright and director Margo Hall as Rose, as well as Oregon Shakespeare Festival's Eddy Ray Jackson as Cory, Adrian Roberts as Gabriel and Tyee Tilghman as Lyons. MTC's production of Fences will run from April 10 through May 4.
The American Repertory Theater (A.R.T.) at Harvard University and the Hutchins Center for African and African American Research (formerly known as the Du Bois Institute), in conjunction with Hilton Als of The New Yorker, will present a staged reading of Alice Childress's Wedding Band: A Love-Hate Story in Black and White, co-directed by Hilton Als and A.R.T. Artistic Associate Shira Milikowsky. It takes place at the Loeb Drama Center, 64 Brattle Street, Cambridge, starting at 7:30pm, and will be followed by a post-reading discussion.
The American Repertory Theater (A.R.T.) at Harvard University and the Hutchins Center for African and African American Research (formerly known as the Du Bois Institute), in conjunction with Hilton Als of The New Yorker, will present a staged reading of Alice Childress's Wedding Band: A Love-Hate Story in Black and White, co-directed by Hilton Als and A.R.T. Artistic Associate Shira Milikowsky. It takes place at the Loeb Drama Center, 64 Brattle Street, Cambridge, starting at 7:30pm, and will be followed by a post-reading discussion.
The Public Theater will continue its Public Forum season with PUBLIC FORUM SOLO: JOSEPH STIGLITZ ON THE RICH AND POOR on Monday, December 9 at 7:00 p.m. at Joe's Pub. This one-night-only event will feature a talk by Nobel Prize-winning economist Joseph Stiglitz on income inequality and what the artistic community can do about it, followed by a conversation featuring Darryl McDaniels of Run-DMC, Artistic Director Oskar Eustis, and Public Works Director Lear deBessonet.
The Public Theater will begin performances for The Foundry Theatre's GOOD PERSON OF SZECHWAN by Bertolt Brecht on Friday, October 18. With a translation by John Willett and directed by Lear deBessonet, GOOD PERSON OF SZECHWAN will run through Sunday, November 24, with an official press opening on Tuesday, October 29.
Prospect Theater Company will offer a $20 ticket lottery for their upcoming Off-Broadway production of UNLOCK'D. Performances began June 16, 2013 at The Duke on 42nd Street, a New 42nd Street project. Producers have also announced that a post-performance talkback with Carner and Gregor will be held following tonight's June 19 performance.
Prospect Theater Company will offer a $20 ticket lottery for their upcoming Off-Broadway production of UNLOCK'D. Performances begin June 16, 2013 at The Duke on 42nd Street, a New 42nd Street project.
Harry Connick, Jr. has built a reputation for musical and emotional honesty. Never one to rest on his ever-growing list of laurels, Connick exposes his feelings as never before on Every Man Should Know. The new CD to be released on Columbia Records today, June 11, contains twelve original songs for which Connick wrote music, lyrics and arrangements.
| 2010 | Off-Broadway |
Lincoln Center Theater LCT3 Production Off-Broadway |
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