Based on real-life events and using music, dance and video, Lucy Prebble’s Enron explores one of the most infamous scandals in financial history, reviewing the tumultuous 1990s and casting a new light on the financial turmoil in which the world currently finds itself. Director Rupert Goold (Macbeth with Patrick Stewart), along with a crack team of designers, will bring the most exciting and innovative theatrical event Broadway has seen this decade.
Unlike the company whose storied fall it chronicles, Enron clearly telegraphs its intention to defraud the consumer: 'When we tell you [this] story, you should know it could never be exactly what happened. But we're gonna put it together and sell it to you as the truth.' This proviso is delivered by a lawyer, who adds: 'I could tell you how the world works, but I don't have the time, and you don't have the money.' That gets broad laughs—and broad laughs are what's for sale here. Subtlety is not a commodity that Lucy Prebble's fast, flashy, feckless Epcot ride of a play is trading in: If twelve-gauge potshots at the likes of Schwarzenegger and Lehman Brothers are your taste, you won't be disappointed.
“Enron” won’t win any awards for stylistic unity, nor for subtlety. It comes with some of that irritating, knee-jerk anti-Americanism — especially anti-anything to do with Texas — that afflicts many left-leaning British writers essaying U.S. subjects from afar and invariably results in brash, crude, stereotypical cocktails of sex, excess and the rodeo. That can still play well in Manhattan, where the avaricious think themselves more subtle. And with Prebble, and director Rupert Goold, throwing in everything from fireworks to musical numbers to puppets to a chorus of ravenous dinosaur raptors (a riff on the debt-eating financial creations of Andy Fastow, Skilling’s CFO sidekick), “Enron” is a mish-mash with one foot in the tatty, good-night-out tradition of British political-populist theater, and another inarguably hypocritical foot clearly enjoying a rare chance to blow a Broadway budget.
2010 | West End |
West End Transfer West End |
2010 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2010 | Drama Desk Awards | Outstanding Sound Design in a Play | Adam Cork |
2010 | Tony Awards | Best Lighting Design of a Play | Mark Henderson |
2010 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Adam Cork |
2010 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Lucy Prebble |
2010 | Tony Awards | Best Performance by an Actor in a Featured Role in a Play | Stephen Kunken |
2010 | Tony Awards | Best Sound Design of a Play | Adam Cork |
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