Blitzstein! 1966 - Articles Page 3

Classic Stage Company, under the leadership of Artistic Director John Doyle, today announced its upcoming 2018-19 season, the acclaimed theater's 51st.

This spring, Grammy Award-winning mezzo Susan Graham revisits her signature interpretation of Ravel's Sheherazade in performances with the San Francisco Symphony under Yan Pascal Tortelier (April 19-21). She then makes her title role debut in Marc Blitzstein's Regina at Opera Theatre of Saint Louis (May 26-June 24), in a production that marks the 30th anniversary of her company and leading-role debuts. After three glorious decades at the highest echelons of the opera world, there is still, as the New York Times put it, "no more satisfying singer than this eminent mezzo-soprano, with her rich, even voice, exquisite musicianship, and warm presence."

Opera Saratoga's Artistic and General Director Lawrence Edelson announced the complete casting and programming for the company's 2018 Summer Festival, which will feature new productions of four operas at The Spa Little Theater in Spa State Park, along with a wide variety of free and ticketed concert events from May 26th through July 15th at venues throughout the region. Single tickets, as well as subscription packages, are on sale now at www.operasaratoga.org.

Brick Road Theatre is pleased to welcome Joey Folsom to the cast of Marc Blitzstein's THE CRADLE WILL ROCK. Mr. Folsom's credits include Lenny in Lenny Bruce is Back, Odysseus Rex in Year of the Rooster (Upstart Productions), Hank Williams in Hank Williams: Lost Highway, George in All My Sons (WaterTower Theatre), Danny in Danny and the Deep Blue Sea (Broken Gears Project Theatre). His television/film credits include Camera Store, Cronus, Soul Frackers, Arc, and The Intangible Truth of Chance Malloy.

The selection of The Threepenny Opera to inaugurate Street's 2018 season is one of the year's most eagerly anticipated theatrical events in Music City - thanks in part to the fact that it may well be the first home-grown staging of Brecht and Weill's parody of operetta that, in turn, skewers capitalistic society while touting socialist, even Troskyite, values in the guise of a rather farcical music hall diversion. Does it succeed? The answer is 'yes,' perhaps even an emphatic 'YES!' although one must pay close attention to the lyrics for the punch of the political set amidst a story that, on the surface, seems somewhat apolitical in tone, style and nature.

At Opera Saratoga's Annual Meeting, Rosemarie Rosen, President of the Board of Directors, announced results from the company's 2017 fiscal year, which closed on September 30, 2017. The company reported another year of artistic and financial success thanks to the generosity, engagement and partnership of communities throughout the lower Adirondack and the New York State Capital Region.

Mikaela Bennett with NYFOS; photo by Karli Cadel On February 27 at 8:00 p.m., New York Festival of Song and Merkin Concert Hall at Kaufman Music Center present a new program devised by Steven Blier, entitled, simply, PROTEST. A cast of young, diverse and brilliant singers that includes Mikaela Bennett who just wowed the world in Michael Gordon's opera Acquanetta at the Protoype Festival performs songs by a panorama of composers, from Marc Blitzstein and Joni Mitchell to Randy Newman and Mohammed Fairouz. (View the complete program below.)

Brick Road Theatre is pleased to announce the 2018 season MIRROR, MIRROR.

Fresh from a rapturously received account of Berlioz's La damnation de Faust with the Boston Symphony Orchestra under the baton of Charles Dutoit, Grammy Award-winning mezzo-soprano Susan Graham reprises her 'vivacious and creamy-voiced' (New York Times) star turn as the wealthy widow Hanna Glawari in Susan Stroman's production of Leh r's The Merry Widow at the Metropolitan Opera this winter (Dec 14-Jan 11).

The title character of George Sand's Gabriel is passionate, athletic, nobly-minded, and the heir to both a principality and a secret: Gabriel is female, raised as a boy since birth. The young prince's discovery of this secret plot to defraud the family's lawful heir forces a choice that strikes at the heart of Gabriel's sense of self: to ignore the voice of conscience and hold on to the rights and privileges of a man, or to live as a woman and sacrifice everything.

The title character of George Sand's Gabriel is passionate, athletic, nobly-minded, and the heir to both a principality and a secret: Gabriel is female, raised as a boy since birth. The young prince's discovery of this secret plot to defraud the family's lawful heir forces a choice that strikes at the heart of Gabriel's sense of self: to ignore the voice of conscience and hold on to the rights and privileges of a man, or to live as a woman and sacrifice everything.

Fresh from a rapturously received account of Berlioz's La damnation de Faust with the Boston Symphony Orchestra under the baton of Charles Dutoit, Grammy Award-winning mezzo-soprano Susan Graham reprises her 'vivacious and creamy-voiced' (New York Times) star turn as the wealthy widow Hanna Glawari in Susan Stroman's production of Leh r's The Merry Widow at the Metropolitan Opera this winter (Dec 14-Jan 11).

Composer Daron Hagen and librettist Paul Muldoon's opera is a musical homage to architect Frank Lloyd Wright. The production by Urban Arias at Atlas Performing Arts Center is a delight. World class singers deliver a larger than life story and an historical tragedy few have ever heard of.

Shortly after The Little Foxes opened on Broadway in 1939, Lillian Hellman summed up the meaning of her play in an interview in theNew York Herald Tribune . I merely wanted, in essence, to say: 'Here I am representing for you the sort of person who ruins the world for us.'

Grammy Award-winning mezzo-soprano Susan Graham opens her 2017-18 season with a return to the Boston Symphony to star in Berlioz's La damnation de Faust under Charles Dutoit.

The Annie Russell Theatre at Rollins College kicks off its 85th season with The Cradle Will Rock. Written in 1937, Cradle is a musical allegory set in Steeltown, USA.

'How many frame ups? How many shake downs? Lockouts? Sellouts? How many times machine guns tell the same old story, brother does it take to make you wise?'

Shortly after The Little Foxes opened on Broadway in 1939, Lillian Hellman summed up the meaning of her play in an interview in the New York Herald Tribune. I merely wanted, in essence, to say: 'Here I am representing for you the sort of person who ruins the world for us.'

'How many frame ups? How many shake downs? Lockouts? Sellouts? How many times machine guns tell the same old story, brother does it take to make you wise?'

Thirty years ago, Steven Blier and Michael Barrett embarked on a mission to redefine the song recital, mixing elements of theater, scholarship, fun, and great voices.

Opera Saratoga's Artistic and General Director Lawrence Edelson announced that the company's 2018 Summer Festival will feature new productions of four operas at The Spa Little Theatre in Spa State Park, along with a wide variety of free and ticketed concert events from May 26 through July 15 at venues throughout the region.

Feinstein's at the Nikko is honored to welcome internationally acclaimed soprano Lisa Vroman on Friday, September 15 (8 p.m.) and Saturday, September 16 (8 p.m.). Making her Feinstein's at the Nikko debut, Lisa will perform Broadway classics by Stephen Sondheim, Andrew Lloyd Webber, Rodgers & Hammerstein, Irving Berlin, Leonard Bernstein, as well as a selection of songs from up-and-coming musical theatre composers. In between, Lisa will share stories of her life on (and off) the stage. Tickets for Lisa Vroman range in price from $35-$70 and are available now by calling 866.663.1063 or visiting www.ticketfly.com.

This September, the Getty Museum and Chicago-based Court Theatre present Euripides' Iphigenia in Aulis, the twelfth annual outdoor theatrical production in the Barbara and Lawrence Fleischman Theater at the Getty Villa. Directed by Charles Newell, artistic director of Court Theatre, and translated by Nicholas Rudall, founding artistic director of Court Theatre, Iphigenia in Aulis was first presented in 2014 at Court Theatre in Chicago and will be reimagined for the Getty's production.

This September, the Getty Museum and Chicago-based Court Theatre present Euripides' Iphigenia in Aulis, the twelfth annual outdoor theatrical production in the Barbara and Lawrence Fleischman Theater at the Getty Villa. Directed by Charles Newell, artistic director of Court Theatre, and translated by Nicholas Rudall, founding artistic director of Court Theatre, Iphigenia in Aulis was first presented in 2014 at Court Theatre in Chicago and will be reimagined for the Getty's production.

Opera Saratoga's Artistic and General Director Lawrence Edelson announced today complete casting for the three exciting new productions that will comprise the company's 2017 Summer Festival, which will build on the company's commitment to producing masterpieces from the operatic cannon, important American works, and works in which dance plays an integral role.