Good Thing 2001 - Articles Page 21

The former child star of 'The Wizard of Oz' is now playing Polly Browne in 'The Boy Friend,' directed by Broadway's original Polly, Julie Andrews.

Broadway's Lost Treasures III, which will premiere on PBS on August 7th, will offer up a treasure trove of Tony Awards rarities from the past

Always look on the bright side of life? It's easy for Brad now that he's part of the popular Monty Python goofapalooza.

Currently stealing the show every night in La Cage Aux Folles is Michael Benjamin Washington.

In the conclusion of BWW's series on groundbreaking women in theater, Rashad sounds off on many subjects...but not her history-making Tony triumph last season.

Personal Space Theatrics caps off Season 3: Love for Sale with the first New York revival of David Ives’ Don Juan in Chicago. From the writer of the smash hit All in the Timing, who the New York Times Magazine once named one of the '100 Smartest New Yorkers', comes a sex farce for the ages.

StageRight Productions is proud to present the inaugural production of what they hope will become a perennial holiday event, CLARA'S CHRISTMAS DREAMS, E. Thomalen's new adaptation of The Nutcracker, published by Baker Plays. With music by Tim Starnes and direction by Bruce Merrill, the show will begin performances on November 24th at the Theatre at Saint Clements Church, located at 423 West 46th Street.

Piano man extraordinaire Mark Nadler, now appearing at Opia, chats with BWW about living and dead composers, Botoxed audiences, his buck-toothed inspiration and the future of cabaret.

From a chorus boy in the original cast of 'Oklahoma!' to a one-man show off-Broadway and a Tony Award in between, George S. Irving has been one of Broadway's most endearing and enduring character men

Barrett Foa, who understudies Rod/Princeton in Avenue Q already has some quite an intriguing list of roles to his credit. In the following interview, Barrett shares his thoughts on workshops, concerts, and his experience joing the Avenue Q family!

With those words and one last musical flourish, the final performance at Henry Miller's Theatre came to an end

With 'Omnium Gatherum' closing this weekend, Adrienne reflects on 9/11 plays and speculates on why none has emerged as an unqualified critical and commercial success.