The National Jazz Museum in Harlem announces its August 2010 Schedule. This month of public programs presented by the National Jazz Museum in Harlem features retrospectives (Louis Armstrong and Hank Jones), discussions with two of the most prominent and influential contemporary saxophonists (Joe Lovano and Steve Coleman) as well as a talk with top jazz journalist Bill Milkowski, and live performances that riff on the connection between visual art and jazz, by trumpeter Marcus Printup and trombonist Ryan Keberle at the Rubin Museum of Art, and the NJMH All Stars at the Studio Museum in Harlem. Whether your taste leans toward the historical and traditional, or to the futuristic and cutting edge, you'll find it this month. Mark your calendar and bring some friends!
On Tuesday night I had the privilege of conducting an InDepth InterView with legendary composer, conductor and musical director Marvin Hamlisch. The three-time Oscar-winner has also won a Pulitzer Prize, a Tony, Emmys and Golden Globes making him the only individual besides Richard Rodgers to accomplish as much in his forty-year-plus career. His scores for A CHORUS LINE, THEY'RE PLAYING OUR SONG and SWEET SMELL OF SUCCESS, along with his work on classic films like THE WAY WE WERE and THE STING surely cement his place in the pantheon of great American artists, a legend in his own time. On Monday night he also participated - accompanying Idina Menzel on a song from A CHORUS LINE - in the White House celebration of Broadway also starring Nathan Lane, Idina Menzel, Audra McDonald and the First Family themselves which will be airing on PBS in October. He also hosts the 70s music special THE WAY WE WERE, MUSIC OF THE SEVENTIES airing in August on PBS, as well.
Juilliard's Drama Division presents a series of fully-staged productions during the 2010-2011 season featuring students in their fourth and final year of acting training at Juilliard.
The National Jazz Museum's June line-up includes discussions with musical artists Paquito D'Rivera and Craig Harris for Harlem Speaks; a talk with a living literary legend, Peter Straub, at Jazz for Curious Readers; and our adult education series, Jazz for Curious Listeners, features instrumentalists Jeremy Pelt, Nicholas Payton and Orrin Evans taking the reins of discourse on jazz in the 21st century. For more information visit http://jazzmuseuminharlem.org/
Singer/songwriter Melissa Ferrick emerged in 1994 as part of a group of new female alternative singer/songwriters, much in the vein of Liz Phair. Raised in Ipswich, MA, she began singing in coffeehouses after dropping out of college and eventually wound up in Boston. Her major breakthrough arrived one night when she replaced Morrisey's opening act less than an hour before showtime.
'I murdered Mozart!' rings out across Europe from Composer Antonio Salieri on his death-bed. Salieri had been the toast of Europe. He had been a devout Catholic all his life. He made a pact with God that he would be the vessel through which God's music would spring. All was good until Wolfgang Amadeus Mozart arrives in Vienna. In horror Salieri determines that it is Mozart instead who is his God's chosen voice. Mozart's music proves it; God had broken their pact. Salieri now makes a terrible new vow: to block God on earth and teach Him a lesson, using Mozart as the means to that end.
The National Jazz Museum's June line-up includes discussions with musical artists Paquito D'Rivera and Craig Harris for Harlem Speaks; a talk with a living literary legend, Peter Straub, at Jazz for Curious Readers; and our adult education series, Jazz for Curious Listeners, features instrumentalists Jeremy Pelt, Nicholas Payton and Orrin Evans taking the reins of discourse on jazz in the 21st century. For more information visit http://jazzmuseuminharlem.org/
Singer/songwriter Melissa Ferrick emerged in 1994 as part of a group of new female alternative singer/songwriters, much in the vein of Liz Phair. Raised in Ipswich, MA, she began singing in coffeehouses after dropping out of college and eventually wound up in Boston. Her major breakthrough arrived one night when she replaced Morrisey's opening act less than an hour before showtime.
David Zwirner will present Edward Kienholz's (1927-1994) renowned installation Roxys, 1960-61. First exhibited at Los Angeles's Ferus Gallery in 1962, this significant large-scale assemblage represents the first of the artist's environmental installations, or 'tableaux' as he called them, and has been credited as being one of the earliest examples of what is now ubiquitously referred to as 'installation art.'
David Zwirner will present Edward Kienholz's (1927-1994) renowned installation Roxys, 1960-61. First exhibited at Los Angeles's Ferus Gallery in 1962, this significant large-scale assemblage represents the first of the artist's environmental installations, or 'tableaux' as he called them, and has been credited as being one of the earliest examples of what is now ubiquitously referred to as 'installation art.'
What do a crawfish, a cowboy mouse, and a 100-year-old woman have in common? They are all characters in Fiesta Mexicana: Mexican Songs & Stories for Niños & Niñas and their Papás & Mamás (release April 24, 2010), the latest recording by Sones de Mexico Ensemble.
What do a crawfish, a cowboy mouse, and a 100-year-old woman have in common? They are all characters in Fiesta Mexicana: Mexican Songs & Stories for Niños & Niñas and their Papás & Mamás (release April 24, 2010), the latest recording by Sones de Mexico Ensemble.
A haunting tale of obsession, the internationally acclaimed Richard Jones production of
Tchaikovsky's The Queen of Spades opens Houston Grand Opera's (HGO) 2010 spring repertory.
Performances run April 16 - May 1, 2010 in the Brown Theater of the Wortham Theater Center.
Opera News calls Richard Jones's production of The Queen of Spades, originally created for
Welsh National Opera 'telling theatricality.' London's Observer wrote 'Once every few seasons, a
production gets pretty much everything right. This is one ... dramatically spine-chilling, visually spare and coherent; it was the kind of theatrical experience which changes the way you look at life.'
Canadian Stage continues its 2009-2010 season with the world premiere of Necessary Angel's This Is What Happens Next. The one-man show is the highly anticipated new collaboration from Daniel MacIvor and Daniel Brooks, one of the most potent and influential partnerships in Canadian theatre. Together they have created such legendary solo shows as House (1991), Here Lies Henry (1994), Monster (1998) and Cul-de-sac (2003).
Canadian Stage continues its 2009-2010 season with the world premiere of Necessary Angel's This Is What Happens Next. The one-man show is the highly anticipated new collaboration from Daniel MacIvor and Daniel Brooks, one of the most potent and influential partnerships in Canadian theatre. Together they have created such legendary solo shows as House (1991), Here Lies Henry (1994), Monster (1998) and Cul-de-sac (2003).
Conductor Leonard Slatkin has withdrawn from the remaining performances of La Traviata this season for personal reasons. Marco Armiliato will replace him at the April 3 evening performance, after conducting the matinee of Aida.
Conductor Leonard Slatkin has withdrawn from the remaining performances of La Traviata this season for personal reasons. Marco Armiliato will replace him at the April 3 evening performance, after conducting the matinee of Aida.
Canadian Stage continues its 2009-2010 season with the world premiere of Necessary Angel's This Is What Happens Next. The one-man show is the highly anticipated new collaboration from Daniel MacIvor and Daniel Brooks, one of the most potent and influential partnerships in Canadian theatre. Together they have created such legendary solo shows as House (1991), Here Lies Henry (1994), Monster (1998) and Cul-de-sac (2003).
The Geffen Playhouse's annual fundraiser Backstage at the Geffen is always an evening full of surprises for the audience, but this year Producing Director Gil Cates got a surprise of his own. Unbeknownst to him, the board of the directors unanimously voted to name the organization's main stage the Gil Cates Theater at the Geffen Playhouse, an honor that actress and longtime supporter of the theater Rita Wilson announced at yesterday's event.
As previously reported, Michael Feinstein and Dame Edna have decided to collaborate on their upcoming show efforts and will jointly star in All About Me. The New York Times has reported today that All About Me shall run at the Golden Theater. Previews will begin on February 19 with an official opening night of March 18.
The New York Philharmonic will present SONDHEIM: The Birthday Concert on March 15 and Tuesday, March 16, 2010, at 7:30 p.m. This celebration of the 80th birthday of the great Broadway and film composer/lyricist will include his most enduring orchestral music and songs - performed, in some cases, by the stars of the original Broadway cast productions - in addition to rarely-heard material. Joining the celebration will be (in alphabetical order) Michael Cerveris, Victoria Clark, Jason Danieley, Nathan Gunn, George Hearn, Patti LuPone, Marin Mazzie, Audra McDonald, Donna Murphy, Mandy Patinkin, Bernadette Peters, and others to be announced, including surprise guests. Paul Gemignani, Mr. Sondheim's longtime collaborator, will conduct the New York Philharmonic; Lonny Price is the director; and Mr. Price and Matt Cowart are the producers.
A haunting tale of obsession, the internationally acclaimed Richard Jones production of
Tchaikovsky's The Queen of Spades opens Houston Grand Opera's (HGO) 2010 spring repertory.
Performances run April 16 - May 1, 2010 in the Brown Theater of the Wortham Theater Center.
Opera News calls Richard Jones's production of The Queen of Spades, originally created for
Welsh National Opera 'telling theatricality.' London's Observer wrote 'Once every few seasons, a
production gets pretty much everything right. This is one ... dramatically spine-chilling, visually spare and coherent; it was the kind of theatrical experience which changes the way you look at life.'
For old-world cabaret, performers still swoon over the stately, romantic elegance of the Oak Room at the Algonquin, but this sleek, two-year-old spot is threatening to encroach on the turf of such established institutions.
The National Jazz Museum in Harlem's February 2010 schedule of events are chock full of choices for all from newcomers to the music to seasoned fans of music.
The National Jazz Museum in Harlem's February 2010 schedule of events are chock full of choices for all from newcomers to the music to seasoned fans of music.
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