A genuine superstar of musical theatre, Elaine Paige is much loved on both sides of the Atlantic and here across the Pacific. As she prepares for a concert tour of Australia and New Zealand later this month, she took time out to share a little of her (legendary!) brain on musical theatre.
Today we are focusing a super-special spotlight on one of the Fall's most intriguing musical entries trying out in New York, the York Theatre Company's lab mounting of the new Paul Jabara jukebox musical LAST DANCE, by talking to the show's lead, recognizable TV and film star Rob Morrow, and the show's lead producer, noted comedic shepherd and filmmaker Robert D. Wachs, whom filled me in on all aspects of the show in a comprehensive chat late last week just prior to this week's start of rehearsals. In this all-encompassing conversation, Morrow, Wachs and I discuss the genesis of the new disco-themed musical celebrating the life and career of Jabara, the accomplished Emmy, Grammy and Academy Award-winning composer of Broadway shows (RACHAEL LILY ROSENBLOOM… AND DON'T YOU EVER FORGET IT), movie songs ("Last Dance" from THANK GOD IT'S FRIDAY; the titular "The Main Event") and numerous pop/rock/disco hits, such as "It's Raining Men" by The Weather Girls, Barbra Streisand and Donna Summer's epic disco duet "Enough Is Enough (No More Tears)" and his many solo hits, as well as the finer points of the story, concept, casting and the ultimate goals of the new Philip William McKinley-directed production, which features a book by Shaun McKenna. Additionally, Morrow and Wachs each generously share showbiz tales from their storied careers involving such big names as Eddie Murphy, Michael Bennett, Jonathan Larson, Tony Scott and many more and both copiously convey their infectious enthusiasm for the forthcoming fully-produced lab presentation of the new musical that will play for five performances beginning September 20 as they prepare for its first viewing before a paying audience. All of that and much, much more awaits!
Maryland Ensemble Theatre (MET) has announced its 2012-13, 15th anniversary mainstage season. This coming season will feature classic, contemporary and original productions including a recent Off-Broadway smash musical, a Tony-winning Hitchcock adaptation and a time-honored holiday tale. This season will also include a new production of Maryland Ensemble's first show, an original work that MET premiered more than 15 years ago.
Bucks County Playhouse (BCP) (Jed Bernstein, Producing Director) has announced its much anticipated 2012 holiday production, the third show of this inaugural season. It's a Wonderful Life: A Live Radio Play by Joe Landry will run from Thursday, December 13th through Sunday, December 30th at the Bucks County Playhouse (70 South Main Street).
REBECCA, the new musical based on the classic novel by Daphne du Maurier novel, has found its male and female leads: Jill Paice will play the role of "I" and Ryan Silverman the role of "Maxim de Winter." REBECCA will open on Broadway Sunday, November 18 at The Broadhurst Theatre. Previews will begin Tuesday, October 30.
This weekend will be a homecoming of sorts for award-winning writer Laura Harrington, as she returns to the Nashville for the first time since 1996, in support of her new book Alice Bliss and a reunion with some of the city's best-known and best-loved theater artists who worked with her on the creation and production of The Perfect 36, an original musical staged by Mac Pirkle and Tennessee Repertory Theatre to celebrate the Volunteer State's Bicentennial.
It's a brand new season of love this summer when The 5th Avenue Theatre brings a bold and innovative production of RENT to the stage. Fresh from his smash success with First Date, Bill Berry directs this electrifying new staging of Jonathan Larson's modern rock-opera classic. A cast of Seattle's young rising theater stars, featuring Daniel Berryman, Aaron C. Finley, Naomi Morgan, Jerick Hoffer, Ryah Nixon, and Andi Alhadeff will take center stage, belting hits including "La Vie Boheme," "Take Me or Leave Me," "One Song Glory," and "Rent." Based on the Puccini opera La boheme, the hit musical premiered in 1996 to instant acclaim, and swept a host of theater awards - the Tony, the Obie, and the Pulitzer.
The Dallas Opera today announced the commissioning of a new original one-act opera by renowned British composer Joby Talbot (Alice's Adventures in Wonderland and The Hitchhiker's Guide to the Galaxy) and the critically acclaimed American librettist Gene Scheer (Moby-Dick, Cold Mountain) in their first joint project.
Surprise guest, lyricist Alain Boublil appears on stage at Baltimore's Meyerhoff Symphony Hall to the delight of an SRO crowd
With the help of A.C.T. Young Conservatory alumnus Darren Criss and two-time Tony Award winner Bill Irwin, American Conservatory Theater raised over $760,000 at its 2012 Season Gala, Expect the Unexpected!, which took place Sunday, April 15, at The Regency Center in San Francisco.
Making a name for herself as a model at a very early age set the stage for a career on screens large and small - as well as the Broadway stage itself many, many times over - for iconic beauty Brooke Shields. On April 24, she takes on the role of the Baroness in a starry Carnegie Hall concert mounting of Rodgers & Hammerstein's much-loved musical classic THE SOUND OF MUSIC, co-starring previous InDepth InterView participant Tony Goldwyn as Captain Von Trapp in addition the subject of next week's upcoming InDepth InterView as Maria, rising star Laura Osnes. Sharing her insights on her many notable Broadway appearances since her bow in GREASE in the 1990s - including thoughts on her stints in CABARET, CHICAGO, WONDERFUL TOWN, THE ADDAMS FAMILY and more - Shields opens up about her affection for the theatrical form and her desire to pursue plays and musicals in the future. Additionally, Shields comments on her role opposite Miley Cyrus on HANNAH MONTANA, as well as her sitcom days on SUDDENLY SUSAN and upcoming film appearance in HOT FLASHES. Plus, all about her impressions of THE SOUND OF MUSIC and her affection for the classic score, original film and its stars as well as the challenges she faces taking on the tricky role of the Baroness in the gala Carnegie Hall concert event. All of that and much, much more!
The Pacific Symphony launches an exciting 2012-13 Pops season starring big-name guest artists, spectacular shows and some of the most treasured songs and genres of our time. From the "Empress of Soul," Gladys Knight, to Broadway showstoppers, the "Wicked Divas.'
BASE Entertainment has just announced that DINER, a new musical based on the critically acclaimed 1982 film with a book by Academy Award winner and original DINER screenwriter Barry Levinson and music & lyrics by 9-time Grammy Award-winning singer-songwriter Sheryl Crow, will have its pre-Broadway world premiere at San Francisco's SHN Curran Theatre (445 Geary Street). Directed and choreographed by Tony Award winner Kathleen Marshall, DINER will play a strictly limited four week engagement from Tuesday, October 23, 2012, through Sunday, November 18, 2012, with an opening night of Friday, November 2, 2012. Due to these confirmed San Francisco dates DINER will now bow on Broadway in the spring of 2013, instead of the fall of 2012 as previously announced. Design team and casting will be announced at a later date.
The Dallas Opera Guild's 24th Annual Vocal Competition for young opera singers ended on a high-note last evening when ten outstanding finalists (with Texas connections) were awarded a total of $20,000 in prize monies. It is only the second time this spring musical event has graced the stage of the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Arts District.
Act II Playhouse presents the Philadelphia-area premiere of the Broadway drama Time Stands Still by Donald Margulies, directed by Act II Producing Artistic Director Bud Martin.
In recognition of The Barn's 45 years of bringing the magic of live theater to the stage, we continue our special series of Onstage at The Barn: Memories from The First 45 Years, with actress Andrea Hodgin Osborne, who made her debut at The Barn in 1994 in Smoke on the Mountain, quickly establishing herself as a favorite of Barn audiences and the Nashville theater community. Among my most vivid memories of Andrea was her performance-along with Tim Fudge and Darren Stuart-of "Our Time" from Stephen Sondheim's Merrily WE Roll Along, which was the closing number for the 1995 First Night Awards at Nashville Children's Theatre (and she toiled, for a while, as my personal assistant).
Anthony Freud, general director of Lyric Opera of Chicago, today announced details of its new world premiere. Bel Canto, by the gifted young Peruvian composer Jimmy Lopez, with a libretto by Pulitzer Prize-winning playwright Nilo Cruz, is based on the best-selling novel by Ann Patchett. To premiere in Lyric's 2015-16 season, the new opera, commissioned as part of Lyric's Renee Fleming Initiative, will be conducted by Lyric music director Sir Andrew Davis and directed by Stephen Wadsworth.
Act II Playhouse will present the Philadelphia-area premiere of the Broadway drama Time Stands Still by Donald Margulies, directed by Act II Producing Artistic Director Bud Martin.
Act II Playhouse will present the Philadelphia-area premiere of the Broadway drama Time Stands Still by Donald Margulies, directed by Act II Producing Artistic Director Bud Martin.
The entire entertainment world is reeling. We have lost one of our most iconic pop, R&B and soundtrack performers this evening - as well as a formidable movie star in her own right - Whitney Houston was just reported dead at the age of 48. Having had one of the most successful and most multimedia of careers of any multi-hyphenate star in recent memory, Houston scored multiple Grammys and racked up countless nominations over the course of her multi-decade recording career, yet her most notable contributions to the world of music reside in her outstanding soundtrack work - most of all, the songs for the film in which she made the transition into feature film leading lady, 1992's THE BODYGUARD. The biggest hit from THE BODYGUARD's blockbuster soundtrack was undoubtedly Houston's rendition of a Dolly Parton song originally recorded in 1974 and later made famous by Parton in the feature film version of the Broadway hit THE BEST LITTLE WHOREHOUSE IN TEXAS, "I Will Always Love You". In addition to Houston's sensational work on that mega-selling soundtrack - one of the Top 5 best-selling soundtracks of all time - she also provided her dramatic and vocal skills to the multi-platinum soundtracks to THE PREACHER'S WIFE and WAITING TO EXHALE, both films which she also starred in to much box office success. An Oscar-winning duet with Mariah Carey, "When You Believe" by WICKED's Stephen Schwartz from THE PRINCE OF EGYPT is yet another diadem in Houston's triple crown of accomplishments in the realms of music, film and television - having dominated all. Theatre fans may know Houston best for her incomparable portrayal of the Fairy Godmother in the incredibly successful 1997 ABC TV adaptation of Rodgers & Hammerstein's CINDERELLA starring Brandy and produced by Craig Zadan and Neil Meron. In addition to Houston's contributions to THE BODYGUARD, THE PREACHER'S WIFE, WAITING TO EXHALE, THE PRINCE OF EGYPT and CINDERELLA, Houston also rose to fame early in her career for her rendition of "Home" from THE WIZ on THE Merv Griffin SHOW, as well as made a mark with a Cissy Houston duet on the CHESS international smash, "I Know Him So Well" on her second hit album. The last project Houston was working on prior to her death on Saturday night was the feature film musical SPARKLE, co-starring AMERICAN IDOL winner and Broadway standout Jordin Sparks. SPARKLE reportedly completed production of principal photography and soundtrack sessions, though it is not clear when the musical remake will now be released in light of Houston's unexpected death. No matter the circumstances of her life and death, Whitney Houston most surely left a legacy that will never be forgotten by those that adored her for her vast multitude of talents and many notable accomplishments in all areas of entertainment.
In a recent chat with BWW, Boykin shared his thoughts on what it was like to finally appear on the Broadway stage in a play that has literally been a part of his life since the time he was a little boy growing up in West Greenville, South Carolina.
Pat Rulon is cast in the enviable role of Maria Callas in the production, arguably her biggest challenge in a stage career that has included any number of enviable roles. This time, playing opposite her daughter Emily Apuzzo, may be more special in some ways, in others it's just another day (or night) at the office for the versatile actress who's played roles both classical and contemporary, both dramatic and comedic. One of the region's most versatile theater types, she's certain to attack the challenge of playing the operatic diva with relish and her trademark sincerity and sparkling wit.
Clarinetist David Krakauer along with musical pioneer cellist Matt Haimovitz, will present Akoka: The End of Time featuring beat architect Socalled, with violinist Maria Bachmann and pianist Geoffrey Burleson, at 9pm on Saturday, January 14, 2012 at Joe's Pub (425 Lafayette Street, NYC).
Act II Playhouse will present the Philadelphia-area premiere of the Broadway drama Time Stands Still by Donald Margulies, directed by Act II Producing Artistic Director Bud Martin.
Clarinetist David Krakauer along with musical pioneer cellist Matt Haimovitz, will present Akoka: The End of Time featuring beat architect Socalled, with violinist Maria Bachmann and pianist Geoffrey Burleson, at 9pm on Saturday, January 14, 2012 at Joe's Pub (425 Lafayette Street, NYC).
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