The Rhode Island Philharmonic Orchestra and Music Director Larry Rachleff welcome acclaimed pianist Robert Levin for a return engagement at The VETS. Levin is joined by his wife, renowned pianist Ya-Fei Chuang, and the Orchestra for Poulenc's Concerto for Two Pianos.
The Rhode Island Philharmonic Orchestra and Music Director Larry Rachleff welcome acclaimed pianist Robert Levin for a return engagement at The VETS. Levin is joined by his wife, renowned pianist Ya-Fei Chuang, and the Orchestra for Poulenc's Concerto for Two Pianos.
The Jewish Museum and the Film Society of Lincoln Center announce the special events lineup for the 26th annual New York Jewish Film Festival (NYJFF), January 11-24, 2017.
The Jewish Museum and the Film Society of Lincoln Center announce the special events lineup for the 26th annual New York Jewish Film Festival (NYJFF), January 11-24, 2017.
We all know White Christmas, but did you know that Irving Berlin wrote another Christmas song? On the newest episode of The Richard Rockage Show, 'Holiday Inn' cast members perform rare, 100-year-old Irving Berlin Christmas Song Cast members of 'Holiday Inn, The New Irving Berlin Musical' perform a rare Irving Berlin Christmas song that turns 100 today.
The Jewish Museum and the Film Society of Lincoln Center announce the special events lineup for the 26th annual New York Jewish Film Festival (NYJFF), January 11-24, 2017.
The Jewish Museum and the Film Society of Lincoln Center announce the special events lineup for the 26th annual New York Jewish Film Festival (NYJFF), January 11-24, 2017. Among the oldest and most influential Jewish film festivals worldwide, unique in New York City, and one of the longest running partnerships of two major New York cultural institutions, the NYJFF each year presents the finest narrative and documentary films from around the world that explore the diverse Jewish experience.
Cabaret. It's 1931 in Germany, a country of unrest. We find ourselves at the Kit Kat Klub, a seedy cabaret, a place of decadence and emotional abandonment. Hanging over the entire scene is the aura of the growth of the Nazi party and the impending reign of terror.
Serenbe Playhouse, recipient of the prestigious American Theatre Wing grant (2015), and having recently produced the most Suzi Bass Award-decorated show of the 2015- 16 season, Miss Saigon, is excited to announce Season 8: A Season of Rebellion. The season includes a spring production of Grease, by Jim Jacobs and Warren Casey; and in the summer, a new adaptation of Robin Hood, by Rachel Teagle; Macbeth, by William Shakespeare, and musical theatre favorite, Cabaret, by Joe Masteroff and John Kander and Fred Ebb. A reimagined Sleepy Hollow, adapted by Brian Clowdus, and perennial favorite, The Snow Queen, an adaptation by Rachel Teagle, will round out the calendar year.
The Martha Graham Dance Company's two-week season at The Joyce Theater, February 14-26, 2017, will feature three diverse programs organized under the season theme Sacred/Profane. Classics by Martha Graham and works by four contemporary choreographers, Sidi Larbi Cherkaoui, Annie-B Parson, Pontus Lidberg, and Nacho Duato, will be presented, highlighting the mystical, spiritual, and humorous aspects of magical thinking.
Set in Berlin in 1931, this landmark musical is about the dark and sexually charged haven of decadence that was Weimar Germany before the rise of fascism.
'What good is sitting alone in your room, come hear the music play!"
A new production of Rossini's Guillaume Tell, the composer's final opera, will open at the Met on October 18 in the first company performances of the ambitious historical epic in more than 80 years-and its first-ever Met performances in its original French. The new staging is directed by Pierre Audi, the incoming Artistic Director of the Park Avenue Armory and conducted by Met Principal Conductor Fabio Luisi. Rossini's opera tells the story of a Swiss revolutionary on a quest for freedom. Its famous "William Tell Overture" is one of the best-known and most performed pieces in the standard classical repertory, though the opera, which makes considerable demands on its stars, orchestra, and chorus, has rarely been presented in modern times. Gerald Finley will star in the title role, which he has made a specialty of in recent seasons, with Marina Rebeka as the Princess Mathilde; Bryan Hymel as her suitor Arnold; Maria Zifchak as Tell's wife Hedwige; Janai Brugger as their son Jemmy; Italian bass Marco Spotti in his Met debut as Walter Furst; Kwangchul Youn as Arnold's father Melcthal; and John Relyea as Gesler.
A new production of Rossini's Guillaume Tell, the composer's final opera, will open at the Met on October 18 in the first company performances of the ambitious historical epic in more than 80 years-and its first-ever Met performances in its original French. The new staging is directed by Pierre Audi, the incoming Artistic Director of the Park Avenue Armory and conducted by Met Principal Conductor Fabio Luisi. Rossini's opera tells the story of a Swiss revolutionary on a quest for freedom. Its famous "William Tell Overture" is one of the best-known and most performed pieces in the standard classical repertory, though the opera, which makes considerable demands on its stars, orchestra, and chorus, has rarely been presented in modern times. Gerald Finley will star in the title role, which he has made a specialty of in recent seasons, with Marina Rebeka as the Princess Mathilde; Bryan Hymel as her suitor Arnold; Maria Zifchak as Tell's wife Hedwige; Janai Brugger as their son Jemmy; Italian bass Marco Spotti in his Met debut as Walter Furst; Kwangchul Youn as Arnold's father Melcthal; and John Relyea as Gesler.
For their 2016-2017 season, American Classics takes a novel approach, drawing all three programs on great literature. They open with Shakespeare in Song, in honor of the 400th anniversary of his death, with songs from The Boys From Syracuse (Rodgers & Hart, based on The Comedy of Errors), Kiss Me Kate (Cole Porter, based on The Taming of the Shrew), West Side Story (Bernstein and Sondheim, based on Romeo and Juliet), The Lion King (Tim Rice and Sir Elton John, based on Hamlet), and some unusual songs from drawn from Shakespeare. Caroline Musica, Cynthia Mork, Eric Bronner make up the quartet of singers, with Bradford Conner presiding at the keyboard.
San Francisco Opera General Director Matthew Shilvock today announced the casting and schedule for the Company's summer 2018 presentations of Richard Wagner's Der Ring des Nibelungen (The Ring of the Nibelung). The four-opera cycle of Das Rheingold,Die Walkure, Siegfried and Gotterdammerung-widely considered the greatest and most ambitious work ever conceived for the lyric stage-will be presented in three complete cycles from June 12 through July 1, 2018.
Opening October 19, 2016, the exhibition Max Beckmann in New York at The Metropolitan Museum of Art will put a spotlight on the artist's special connection with New York City. It will feature 14 paintings that Beckmann created while living in New York from 1949 to 1950, as well as 25 works, dating from 1920 to 1948, from New York collections. The exhibition assembles several groups of iconic works, including self-portraits; mythical, expressionist interiors; robust, colorful portraits of women and performers; landscapes; and triptychs.
Set in 1931 Berlin, Cabaret primarily takes place amid the nightlife of the seedy Kit Kat Klub. Life there revolves around the 19-year-old English cabaret performer, Sally Bowles and her relationship with the young American writer, Cliff Bradshaw. Overseeing the action is the mysterious Master of Ceremonies at the Kit Kat Klub, which serves as a metaphor for ominous political developments in Germany as the Nazis rise to power. Director Alan Demovsky encourages the audience to ask questions: "Why have so many versions of this story been told for almost 100 years? Is it truly a cautionary tale? Can this happen again? Is it perpetually happening?"
I grew up looking forward to the weekend, because that's when channel 30 would broadcast 'Chiller Theater', providing a burgeoning horror fan like myself with the chance to view all the creepy classics that sprang from the loins of Universal Studios during the 1930's and 40's. I was a preteen when YOUNG FRANKENSTEIN played at the Westport cinema for a year! Yeah, movies used to actually do that. So, it was a genuine treat to see one of my favorite monsters lovingly parodied by Mel Brooks and Gene Wilder. And, it was with much anticipation that I looked forward to seeing the musical version of this beloved comedy from my childhood on the grand stage of The Muny. I think it's an extremely entertaining show, filled with a plethora of familiar gags, as well as some outstanding performances. This well cast and delightfully staged production is full of gorgeously spooky scenery and fun musical numbers, and I highly recommend that everyone catch this particular presentation, because it's far and away more humorous and spirited than the touring show that came through several years ago.
SoLuna Studio will produce the musical CABARET as a part their professional mainstage season, with performances running July 15th-31st. Audiences will 'come to the Cabaret' and be guests of the Kit Kat Club during this immersive, interactive production. Performances will be held on Fridays and Saturdays at 8pm and Sundays at 3pm. All tickets are $20 in advance and $25 at the door. Group rates are also available. For more information about the show and tickets, please visit SoLuna Studio's website at www.solunastudiony.com.
Utah Repertory Theater Company presents the award-winning musical 'Cabaret' August 26 - September 11, 2016 at the Sorenson Unity Center Black Box Theater. Tickets are available online at www.utahrep.org.
San Francisco's Orpheum Theatre plays host to the provocative and still darkly daring, Cabaret now through July 17. Set in 1931 Berlin, on the cusp of all that was to come with the rise of the Nazis, the Kander and Ebb musical revolves around the Kit Kat Club and its cast of characters who are determined to ignore the outside world. 'We have no troubles here! Here, life is beautiful,' shouts the garishly made-up emcee. He and the club's performers do their best to convince us that indeed, 'life is a cabaret' and, for a moment in time, it seems to be true. Yet they set aside the warning signs at their own peril. Coming directly from Broadway and originally directed by Sam Mendes and Rob Marshall, SHNSF's Cabaret is a spectacular sleight of hand, giving us sinfully sexy performances even as the real depravity lies in wait like spider outside the doors of the Kit Kat Club.
San Francisco's Orpheum Theatre plays host to the provocative and still darkly daring, Cabaret now through July 17. Set in 1931 Berlin, on the cusp of all that was to come with the rise of the Nazis, the Kander and Ebb musical revolves around the Kit Kat Club and its cast of characters who are determined to ignore the outside world. 'We have no troubles here! Here, life is beautiful,' shouts the garishly made-up emcee. He and the club's performers do their best to convince us that indeed, 'life is a cabaret' and, for a moment in time, it seems to be true. Yet they set aside the warning signs at their own peril. Coming directly from Broadway and originally directed by Sam Mendes and Rob Marshall, SHNSF's Cabaret is a spectacular sleight of hand, giving us sinfully sexy performances even as the real depravity lies in wait like spider outside the doors of the Kit Kat Club.
Based on Ben Hecht's books A Guide For the Bedevilled and A Child Of the Century, in which Hecht confronts his own identity as an American Jew in the wake of the Nazi Holocaust, THE BEN HECHT SHOW begins today, June 10 and continues through July 17, 2016 at Piven Theatre at Noyes Cultural Center, 927 Noyes St. in Evanston. Tickets are currently available at grippostagecompany.com. The press opening is Tuesday, June 14 at 8 pm.
| 1931 | Broadway |
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