For All of Us 1923 - Articles Page 6

With the roaring twenties fast approaching, it's time to reflect on all the shows that made an impact on us over the last decade, and on what we would like to see on stage in the decade to come. The 2010s gave us some groundbreaking new shows - Hamilton, Hadestown, Waitress - incredible revivals - Oklahoma, The Color Purple, Pippin - and breakout stars - Ben Platt, Alex Brightman, Cynthia Erivo, just to name a few. So many shows that graced the stage in the 2010s made lasting impact on audiences. Let's take a look at what shows we'd like to see a revival of in the 2020s!

Patchogue Theatre for the Performing Arts presents Pink Flaw'd 11th Annual Thanksgiving Celebration on Wednesday November 27, 2019 at 7:30 p.m. Ticket prices range between $19.00-$39.00, plus applicable fees. Purchase online, by phone or at the box office. For more information, visit PatchogueTheatre.org, call the Patchogue Theatre Box Office at 631-207-1313, or stop by 71 East Main Street, Patchogue, NY. 

Yara Arts Group will offer the American debut of its new work 'Opera GAZ,' December 19, 20 and 22 at La MaMa, 66 East 4th Street. This opera was created by director Virlana Tkacz, who heads Yara Arts Group in New York, and the composers Roman Grygoriv and Illia Razumeiko. It features the performers of Nova Opera in Kyiv. Live performances and traditional instruments are combined with electronic music to present the story of an explosion at a futuristic gas factory that produces all the energy for the industrial world. The visually striking production is sung in English, Ukrainian and German but is universally accessible.

Carnegie Hall today announced the launch of its new online Digital Collections, inviting the general public to search, explore, and download more than 80,000 recently digitized historic items from its archives for the very first time. This initial preview, drawn from the Hall's legacy collections, offers a window into the richly diverse history of events at the Hall since its opening in 1891, with an emphasis on the Hall's earliest decades. It includes Carnegie Hall concert programs from 1891–1925; flyers; photographs; correspondence; newspaper clippings; autographs; booking ledger pages; and a select number of promotional films. The goal of this digital initiative is to provide broader public access to the Hall's archival collections, providing a new way for people to engage with Carnegie Hall's history and share it with others.

During the First World War and the following inflation, many German towns issued their own emergency currency, called Notgeld (emergency money). This money, usually in low denominations, was intended to combat shortages in small change at a local level. However, Notgeld quickly became a collectible and towns designed it to especially appeal to collectors. The colourful and intricate Notgeld notes are a fascinating and almost untapped source of the cultural and political history of the war and the early Weimar Republic. Many of the notes comment on the inflation or sport political messages. Because the relative majority of the notes come from small towns and villages, Notgeld additionally is a great source to explore the rural and small-town Weimar Republic, a chapter often forgotten in historiography. This is the first major exhibition on Notgeld in the UK.

'This Is Why We Live' by Open Heart Surgery Theatre, a Lecoq-bred performance troupe from Toronto, brings the poetry of Polish Nobel Laureate Wislawa Szymborska to the stage using movement, poetry-theatre and live music. La MaMa will present the US premiere of this work, running September 19 to 29 in its Downstairs Theatre, 66 East 4th Street.  

San Francisco Opera inaugurates its 97th season on Friday, September 6 with Charles Gounod's romantic Romeo and Juliet (Roméo et Juliette) and two season-opening benefit eventsa?"Opera Ball 2019: The Capulets' Masked Ball and BRAVO! CLUB's Opening Night Gala. The Company's opening weekend also includes Benjamin Britten's Billy Budd in director Michael Grandage's acclaimed production opening on September 7; and on September 8 San Francisco Chronicle Presents Opera in the Park, the annual free concert tradition celebrating the opening of the opera season.

From Duke Ellington's rocking rhythms, Thelonious Monk's melodious thunks to Mary Lou Williams' spiritual swing and Michel Camilo's island improvisations, the Newport Jazz Festival has been the premier showcase for pianists for decades. This year's edition features a wide variety of keyboardists, shaping the state of jazz to come.

The Oregon Shakespeare Festival will open two new plays in early July with origins at the festival: La Comedia of Errors and Indecent.

INDECENT at Ahmanson Theatre is now on stage! What did the critics think? Read all the reviews! 'Indecent,' by Pulitzer Prize-winning playwright Paula Vogel, opened on June 9 at Center Theatre GroupAhmanson Theatre. Directed by Rebecca Taichmanin a co-production with Huntington Theatre Company, the Tony Award-nominated 'Indecent' will run through July 7, 2019.

Paula Vogel's INDECENT has already begun its previews at the Ahmanson Theatre. Vogel and director Rebecca Taichman continue their collaboration, from the workshops and the Broadway run (for which Rebecca won her Tony Award directing INDECENT), to this co-production between the Center Theatre Group and the Huntington Theatre Company. I had the opportunity to delve into the inner creative workings of the man portraying Sholem Asch - Joby Earle.

Join us for The 37th Annual Mermaid Parade, Saturday June 22nd, 2019! The parade kicks off at 1pm on West 21st and Surf Avenue and proceeds on Surf Avenue to West 10th, then heads south to the Boardwalk and then west back to its ending point at Steeplechase Plaza on the Boardwalk.

INDECENT is a beautiful work of art that exists in a realm above and beyond the conventional category of a play, or, in this case, a play with music. It has an ethereal quality that suggests an oil painting in motion, with every movement and every utterance in service to telling a story that cannot be communicated by words alone. The Huntington Theatre Company presents the Boston premiere of Pulitzer Prize-winning playwright Paula Vogel's play, under the direction of Tony Award-winner Rebecca Taichman, featuring many members of the original Broadway cast.

In this solo concert, RESONANCE III, Miki Orihara will be dancing Martha Graham's 'Lamentation (1930)', Doris Humphrey's 'Two Ecstatic Themes (1931)', Seiko Takata's work 'Mother (1938)' Konami Ishii's 'Moon Desert (early 1930's)' and Yuriko's 'Cry (1963)'.

Theater J, the nation's largest and most prominent Jewish theater, continues its signature Yiddish Theater Lab with readings of two plays in May. The plays are The Rented Bridegroom by Rinne Groff (adapted from a play by Osip Dymov) on May 6 at Foundry Church and Yankl the Blacksmith by David Pinski on May 20 at the Goethe-Institut. These readings follow the first full production of the Yiddish Theater Lab,

Theatrical Outfit, Atlanta's second-oldest professional theatre, proudly announces its 2019-2020 Season, which also marks the final season under the leadership of Artistic Director Tom Key. The season promises to be a powerful representation of the kind of work Key loves to produce at the theatre's home in the heart of downtown Atlanta:

New Musical Broken Wings premiered at the Theatre Royal Haymarket in 2018 in semi-staged concert format, Directed by Bronagh Lagan, Produced by Ali Matar and with Orchestrations and Musical Direction by Joe Davison. Following further development, the show now prepares for its first international production dates with a two-week London workshop, culminating in two public presentations at The Other Palace.

The Cleveland Orchestra and Music Director Franz Welser-M st announced details of their 2019-2020 season which encompasses 76 concerts over 26 weeks. One significant highlight includes a festival designed to explore music and art that was banned, marginalized, and destroyed during the Nazi's Degenerate Art movement, and the continuing impact of censorship on creative expression in society today. The festival will center on Alban Berg's Lulu, one of the 20th century's most influential operas, and includes partner programming with the area's notable arts institutions.

Indecent is about the power of theater to dazzle and uplift. Playwright Vogel has discussed plays that make the hair stand up on her neck. That is exactly what Indecent does: makes the hairs stand up on the back of the neck, and we may be at a loss to explain.

Paula Vogel's 2015 play Indecent, in a production now arrived at Center Stage after stops at D.C.'s Arena Stage and the Kansas City Rep, is a staggering tour de force of playwriting prowess that is also a tour of a largely forgotten world: international Yiddish theater shortly after the turn of the last century. A play about a play about a play, it follows Sholem Asch's God of Vengeance on a circular path, from Lodz, Poland in 1906 to Warsaw, to various stages in Europe, through Ellis Island and various New York theaters, culminating with an abortive stay on Broadway, and thence back to Lodz once more, at the peak of the Holocaust. And then, in a sort of coda, it concludes in Connecticut with the last days of Mr. Asch. All these parts are contained within an initial framing device in which, like Pseudolus in A Funny Thing Happened on the Way to the Forum, a stage manager named Lemml (Ben Cherry), introduces the players and musicians, apparently members of a turn-of-the-century Yiddish theater troupe, and identifies the kinds of parts they will play (like male and female Ingenues). Everything that follows, i.e. a play about presenting a play, is presented as a play performed by this troupe.

The University Musical Society (UMS) is pleased to announce a visit to Michigan by cellist Yo-Yo Ma that will take place February 27-28, 2019 in Ann Arbor and Flint. This special visit builds on the performer's two-year journey to perform Johann Sebastian Bach's Six Suites for Solo Cello as a catalyst for social action, and it marks the first time Ma is extending the model beyond the Bach Project to engage a broader audience. The activities include a talk in the University of Michigan's Hill Auditorium on 'Culture, Understanding, and Survival' as well as a 'Day of Action' in Flint, MI, with the theme 'Flint Voices: Culture, Community, and Resilience.' This day-long set of activities will bring together 50 Flint-based community leaders for a working session on cultural collaboration for social change led by Yo-Yo Ma, as well as a Community Cultural Showcase celebrating Flint's past and future, which is open to the public.

Soul to Soul, the electrifying and emotionally-captivating theatrical concert that explores the parallels of African American and Jewish history takes the stage this Martin Luther King, Jr. Day. Presented by the National Yiddish Theatre Folksbiene (NYTF), this annual concert will play on Sunday, January 20, 2pm, Off Broadway at the Museum of Jewish Heritage A Living Memorial to the Holocaust, Edmond J. Safra Plaza, 36 Battery Place, NYC.

Osmo Vanska announced plans today at the Minnesota Orchestra's annual meeting to conclude his tenure as Music Director of the Minnesota Orchestra in August 2022. The 2021-22 season, his final as music director, will mark his 19th year at the helm of the Minnesota Orchestra, capping what is widely considered one of the great musical partnerships in Minnesota Orchestra history. Beyond 2022, Mr. Vanska and the Minnesota Orchestra will maintain their musical relationship, with Mr. Vanska returning for ongoing concert engagements.

Every role takes an actor on a journey. For Ben Cherry, the role of Lemml in Paula Vogel's play Indecent has taken him from Broadway to Minneapolis' Guthrie Theatre and, starting this week, to Washington's very-own Arena Stage.