Come pursue the varieties of jazz experience at the National Jazz Museum in Harlem! From conversations and live performances to educational sessions and panel discussions, you're sure to have a ball and learn a lot too.
TimeLine Theatre Company, dedicated to presenting plays inspired by history that connect to today's social and political issues, announces three of the four plays of its 2010-11 season, including the previously announced Chicago premiere of Peter Morgan's Frost/Nixon, the world premiere of a new play commissioned by TimeLine and written by William Brown and Doug Frew, and the return of a true Chicago classic.
Come pursue the varieties of jazz experience at the National Jazz Museum in Harlem! From conversations and live performances to educational sessions and panel discussions, you're sure to have a ball and learn a lot too.
Houston Ballet will close its current production, American at Heart, featuring two ballets that are significant to the history American dance (George Balanchine's Apollo and Jerome Robbins's Fancy Free) and one work inspired by American popular culture and created specifically for an American company (Christopher Bruce's Hush, choreographed for Houston Ballet in 2006). The production will close March 21st.
The New York Philharmonic will present The Russian Stravinsky: A Philharmonic Festival conducted by Valery Gergiev on April 21-May 8, 2010. The three-week festival - one of several initiatives launched during Alan Gilbert's first season as Music Director - will offer an in-depth look at Stravinsky, exploring how his Russian roots informed his works. Led by the Russian-born Mr. Gergiev, the festival will feature eight programs over three weeks, including concerts, lectures, pre-concert talks, radio broadcasts, podcasts and an Archives exhibit.
Andy Warhol: The Last Decade is the first United States museum exhibition of the late works of American artist Andy Warhol (1928-1987) and the first major Warhol survey in New York since the 1989 exhibition at the Museum of Modern Art. Created amid the frenetic activity of Warhol's celebrity, the nearly fifty paintings on view reveal the artist's vitality, energy, and spirit of experimentation. During this time Warhol produced more works, in a considerable number of series and on a vastly larger scale, than at any other point in his forty-year career. It was a decade of great artistic development for him, characterized by a dramatic transformation of his style and the introduction of new techniques.
Northrop Dance at the University of Minnesota brings the classic beauty of George Balanchine performed by The Suzanne Farrell Ballet, one of the world's most pioneering ballerinas and Balanchine's famous muse.
Northrop Dance at the University of Minnesota brings the classic beauty of George Balanchine performed by The Suzanne Farrell Ballet, one of the world's most pioneering ballerinas and Balanchine's famous muse.
Houston Ballet presents American at Heart, featuring two ballets that are significant to the history American dance (George Balanchine's Apollo and Jerome Robbins's Fancy Free) and one work inspired by American popular culture and created specifically for an American company (Christopher Bruce's Hush, choreographed for Houston Ballet in 2006). The production will run March 11th through March 21st, 2010.
Northrop Dance at the University of Minnesota brings the classic beauty of George Balanchine performed by The Suzanne Farrell Ballet, one of the world's most pioneering ballerinas and Balanchine's famous muse.
Artistic Director/CEO Kate Maguire has announced the schedule for the 2010 Berkshire Theatre Festival season. This season features one world premiere, two musicals, and multiple classics from the theatrical canon. Critically-acclaimed directors David Auburn, Anders Cato, Kyle Fabel, Wes Grantom, Eric Hill, John Rando, and E. Gray Simons III will be charged with bringing this season of theatre that matters to life. Among the actors appearing this year in Stockbridge are Jayne Atkinson, David Chandler, Jeremy Davidson, Richard Easton, Michel Gill, and Randy Harrison.
The National Jazz Museum in Harlem's February 2010 schedule of events are chock full of choices for all from newcomers to the music to seasoned fans of music.
The National Jazz Museum in Harlem's February 2010 schedule of events are chock full of choices for all from newcomers to the music to seasoned fans of music.
Music Director Alan Gilbert will conduct the New York Philharmonic in an all-Russian program, featuring Prokofiev's Piano Concerto No. 2, with the Russian-born pianist Yefim Bronfman as soloist, and Rachmaninoff's Symphony No. 2, Thursday, January 7, 2010, at 7:30 p.m., Friday, January 8, at 8:00 p.m., and Tuesday, January 12, at 7:30 p.m. Mr. Gilbert will also lead the Rachmaninoff symphony on the Rush Hour Concert, Wednesday, January 6, at 6:45 p.m.
Music Director Alan Gilbert will conduct the New York Philharmonic in an all-Russian program, featuring Prokofiev's Piano Concerto No. 2, with the Russian-born pianist Yefim Bronfman as soloist, and Rachmaninoff's Symphony No. 2, Thursday, January 7, 2010, at 7:30 p.m., Friday, January 8, at 8:00 p.m., and Tuesday, January 12, at 7:30 p.m. Mr. Gilbert will also lead the Rachmaninoff symphony on the Rush Hour Concert, Wednesday, January 6, at 6:45 p.m.
The January-February public programming schedule at the Museum of Jewish Heritage-A Living Memorial to the Holocaust will feature compelling discussions, lively music, and engaging films.
Music Director Alan Gilbert will conduct the New York Philharmonic in an all-Russian program, featuring Prokofiev's Piano Concerto No. 2, with the Russian-born pianist Yefim Bronfman as soloist, and Rachmaninoff's Symphony No. 2, Thursday, January 7, 2010, at 7:30 p.m., Friday, January 8, at 8:00 p.m., and Tuesday, January 12, at 7:30 p.m. Mr. Gilbert will also lead the Rachmaninoff symphony on the Rush Hour Concert, Wednesday, January 6, at 6:45 p.m.
Houston Ballet presents American at Heart, featuring two ballets that are significant to the history American dance (George Balanchine's Apollo and Jerome Robbins's Fancy Free) and one work inspired by American popular culture and created specifically for an American company (Christopher Bruce's Hush, choreographed for Houston Ballet in 2006). The production will run March 11th through March 21st, 2010.
The one change Tony Butala, original founding member of The Lettermen, would have made in the 45-plus year career of one of the most popular vocal groups in history is a surprising one. 'We chose the wrong name!' he exclaims.
The one change Tony Butala, original founding member of The Lettermen, would have made in the 45-plus year career of one of the most popular vocal groups in history is a surprising one. 'We chose the wrong name!' he exclaims.
The one change Tony Butala, original founding member of The Lettermen, would have made in the 45-plus year career of one of the most popular vocal groups in history is a surprising one. 'We chose the wrong name!' he exclaims.
Music Director Alan Gilbert will conduct the New York Philharmonic in an all-Russian program, featuring Prokofiev's Piano Concerto No. 2, with the Russian-born pianist Yefim Bronfman as soloist, and Rachmaninoff's Symphony No. 2, Thursday, January 7, 2010, at 7:30 p.m., Friday, January 8, at 8:00 p.m., and Tuesday, January 12, at 7:30 p.m. Mr. Gilbert will also lead the Rachmaninoff symphony on the Rush Hour Concert, Wednesday, January 6, at 6:45 p.m.
The one change Tony Butala, original founding member of The Lettermen, would have made in the 45-plus year career of one of the most popular vocal groups in history is a surprising one. 'We chose the wrong name!' he exclaims.
One of the many delights of director Michael Blakemore's revival of Noel Coward's giddily funny 1941 froth, Blithe Spirit, is that this 2009 production looks like it could have been seen in the play's premiere year. No doubt contemporary Broadway theatre can provide more spectacular ways for an actress playing a ghost to enter a room than to just have her walk through the French windows. And certainly if an invisible spirit chooses to destroy her husband's drawing room, modern technology can whip up a few tricks more gasp-inducing than simply having a picture frame fall and a bookshelf topple over. But when you have one of the English language's great comedies played by a company that excels in the verbal dexterity of the playwright's wit, there's no need for such distractions.
It was believed by many back in 1932, as it still is today, that the only reason Eugene O'Neill was not awarded that year's Pulitzer Prize for his Mourning Becomes Electra, an epic retelling of Aeschylus' Oresteia trilogy that declares Sigmund Freud as the true victor of the American Civil War, was that after granting him top honors for Beyond The Horizon (1920), Anna Christie (1922) and Strange Interlude (1928) the gang at Columbia figured enough was enough. So history was made that year when the Gershwin, Gershwin, Kaufman & Ryskin lark Of Thee I Sing became the first musical so honored, leaving O'Neill waiting until after his death to nab another, for Long Day's Journey Into Night.
Videos
