When this gleefully malicious comedy about New York society matrons premiered on Broadway, audiences were shocked, outraged and delighted. Featuring an all-female cast and some of the funniest dialogue ever written for the American stage, The Women offers a fascinating inside look at the catty world of Park Avenue society. This deliciously nasty tale of a woman whose happy marriage is destroyed by the gossip of her friends has been called one of the great American plays of the 20th century.
BWW Review: 110 IN THE SHADE at The Gateway Theater is a sweet and poignant romance set in a 1936 drought-stricken Southwest town praying for a miracle of rain.
What has not been said or proclaimed about the majesty and mastery of Martha Graham, her company and her legacy? She revolutionized the way that dance was created and experienced by re-shaping how movement was expressed and performed in the 20th century that has, in turn, inspired and laid the foundation for the dancers and choreographers of today. A sculptor of bodies and painter of gestures, Graham contrasted sharp angles with fluid movements and molded her dancers into statuesque and broken shapes, more akin to Pablo Picasso's repositioning of beauty standards and body parts than her dance peers' styles. Never before or after Graham have knees been so enchanting. To encounter the work of Martha Graham is to understand the capacity of the human form in motion and appreciate the splendor of every sinew.
Today, April 15 (3pm EST), Pulitzer Prize Administrator Dana Canedy will announce the winners of the the 2019 Pulitzer Prizes, including the finalists and winners for the Pulitzer Prize for Drama. This announcement marks the 103rd year of the Prizes. For more information on this year's and all past years' winners and finalists, please visit http://www.Pulitzer.org.
It was just announced by Pulitzer Prize Administrator Dana Canedy that Jackie Sibblies Drury's Fairview has officially won the 2019 Pulitzer Prize for Drama.
The world-renowned Martha Graham Dance Company returns to The Joyce Theater April 2–14, 2019 with The EVE Project, the Company's season theme celebrating female empowerment and the upcoming 100th anniversary of the 19th Amendment. The season focuses on both historical and contemporary ideas of the feminine. Commissioned works from five of today's top choreographers will be presented, and the classic repertory features Martha Graham's heroines and anti-heroines—all with an underlying statement about female power.
At the elegant Soroya Theatre in Northridge, CA, Martha Graham's Dance Company, under Artistic Director Janet Eilber's seasoned guidance, performed a most incredible group of works.
Some were originally created approximately 80 years ago, by Martha Graham, a true icon in the Dance world. The EVE Project, as this evening, March 2nd, 2019 was entitled, gave us a wide variety of themes within a theme, that being Women and their significance, their power, their passion and their strength. It was polished to perfection, and each piece carried many meanings and concepts and was just so beautifully performed and articulated.
The Martha Graham Dance Company is the oldest contemporary dance company in the United States, founded in 1926. Since it's inception it has explored and encompassed political and humanitarian issues, as well as affairs of the heart and human interactions, while creating a prolific dance technique that is unequaled in it's scope. Graham created a total of 181 ballets during her long career, and is recognized as a primal artistic force of the 20th century, being named in 1998 as 'Dancer of the Century' in Time magazine, and labeled one of the female 'Icons of the Century' by People Magazine.
Music Director Mei-Ann Chen and the Chicago Sinfonietta - the adventurous, MacArthur Award-winning orchestra that champions racial, ethnic, and gender diversity in classical music - give world-premiere recordings of newly commissioned works by American Jennifer Higdon, Brazilian-American Clarice Assad, African-American Jessie Montgomery, and Indian-American Reena Esmail on Project W - Works by Diverse Women Composers.
Bay Street Theater is pleased to announce the first show of the 2019 Mainstage Season will be the World Premiere of THE PROMPTER (May 28- June 16) a new comedy by Wade Dooley; directed by Scott Schwartz, Bay Street Theater's Artistic Director. The other two previously announced shows will be the World Premiere of SAFE SPACE, which will now run from June 25 - July 21. This new play is by Alan Fox and will be directed by three-time Tony Award Winner Jack O'Brien (All My Sons, Hairspray, The Coast of Utopia). The third show will be a bold new re-envisioning of Irving Berlin's classic musical ANNIE GET YOUR GUN, (July 30 - August 25) with music and lyrics by Irving Berlin, book by Herbert & Dorothy Fields. This production will be directed by Sarna Lapine (Sunday in the Park with George, Bay Street's Frost/Nixon). The casts and creative teams will be announced soon. Subscriptions are available by calling the Box Office at 631-725-9500 or online at www.baystreet.org.
In celebration of the upcoming 100th Anniversary of the 19th Amendment granting women the power to vote, the Martha Graham Dance Company has created The EVE Project, a two-year initiative, which will be performed at the Younes and Soraya Nazarian Center for the Performing Arts (The Soraya) on Saturday, March 2.
The Guthrie''s Proscenium Stage recently opened a production of The Great Leap, where playwright Lauren Yee envisions two basketball games between the United States and China through two university teams: San Francisco University (SFU) and Beijing University. One of the play's premises asserts that the SFU coach, Saul, claimed to the Beijing coach Wen Chang at the first 1971 game: "No Chinese team will ever beat a US. basketball team."
The world-renowned Martha Graham Dance Company returns to The Joyce Theater April 2–14, 2019, with The EVE Project, the Company's season theme celebrating female empowerment and the upcoming 100th anniversary of the 19th Amendment, which secured women's right to vote in the U.S. The season focuses on both historical and contemporary ideas of the feminine. Commissioned works from five of today's top choreographers will be presented, and the classic repertory features Martha Graham's heroines and anti-heroines—all with an underlying statement about female power.
Multi Grammy Award-nominee violinist Philippe Quint celebrates his new album Chaplin's Smile, out Friday, January 11, 2019 on Warner Classics, with a international tour of concerts commemorating Charlie Chaplin's compositional talents as well as his encounters with the great composers of his day. Chaplin's Smile will be performed on Wednesday, January 16, 2019 at 12:15pm at the Chicago Cultural Center, presented by Dame Myra Hess Memorial Concerts, and later that day at 6:30pm in a free concert at the Chicago Women's Athletic Club.
2018 was an amazing year for theatre in Santa Fe and Albuquerque, and if the proposed seasons for area theatres are any indication, 2019 is going to be a great one, too. From classic plays to super contemporary ones, and of course, a decent amount of musicals, this year has a lot for theatregoers to look forward to.
Here are some productions I'm particularly excited about in the coming months.
The fourth annual 'American Dance Platform' is now on stage at The Joyce from January 3-7 2019. The performances feature six of our nation's captivating companies in three inspired, shared programs.
The women of Yeshiva University's Stern College Dramatic Society (SCDS) present an all-women performance of THE GAME'S AFOOT at the Schottenstein Theater (560 West 185th street) Sunday, December 16 - Thursday, December 20.
City Repertory Theatre presents a staged reading of THE WOMEN, an all female 1936 classic, on Friday and Saturday, January 11 and 12 at 7:30 pm and Sunday, January 13 at 3 pm. The production brings together a star-studded ensemble of 10 of CRT's best actresses headed by Annie Gaybis, Anne Kraft and Julia Davidson Truilo. Every secret is laid bare in this no-holds barred struggle for social position, power and the 'right man'.
A 1930s comedy for Christmas, Jeannie by rediscovered female playwright Aimee Stuart will open at the Finborough Theatre for a four-week limited season on Tuesday, 27 November 2018 (Press Nights: Thursday, 29 November and Friday, 30 November 2018 at 7.30pm).
Kicking off their incredible 34th season, The Hampton Theatre Company (HTC) offers Ken Ludwig's hysterical play A Comedy Of Tenors. This comedy farce is actually a sequel to Mr. Ludwig's Tony nominated play Lend Me A Tenor and the wonderful cast at HTC certainly delivers. And we indeed need some laughter in these wearisome times.
The Public Theater announced the full line-up today for the 15th annualUNDER THE RADAR FESTIVAL, running January 3-13, 2019. This popular and highly-anticipated festival of The Public's winter season will include artists from across the U.S. and around the world, including Argentina, Australia, France, Lebanon, Nigeria, Norway, Palestine, and the UK. Curated by UTR Festival Director Mark Russell, this year's UNDER THE RADAR FESTIVAL continues to expand to venues throughout New York City in addition to The Public Theater's home at Astor Place. Tickets start at $25 and are on sale now.
'There is no better way of forgetting something than by commemorating it.' That's not from Bury the Dead, Irwin Shaw's 1936 expressionist anti-war play, but from Alan Bennett's The History Boys. The boys in question are clustered around a First World War memorial, learning, for the first time, a narrative that implicates Britain. 'So much for Our Glorious Dead,' says one of them.
I decided to do our Much Ado with a company of women. It's a playful riposte to the numerous all-male productions of Shakespeare's - and indeed our own - time. And a wonderful opportunity to give women - including skilled, experienced 'older' women - a chance to play this rich range of parts.
Written by Nobel Prize Award-winner Luigi Pirandello, in a new version by Nicholas Wright, Naked begins performances Today, September 27 at 7pm at The Unicorn Theatre in Stockbridge, MA. Opening night is set for Saturday, September 29 at 7pm. Directed by Eric Hill (BTG: At Home at the Zoo, The Homecoming, Poe), the production features: David Adkins (Homeland BTG: The Petrified Forest, At Home at the Zoo) as Alfredo Cantavalle; Haley Aguero (BTG: Tarzan, The Music Man) as Emma; James Barry (Bloody Bloody Andrew Jackson BTG: The Caretaker, The Who's Tommy) as Franco Laspiga; Jeffrey Doornbos (A Thousand Miles Behind) as Consul Grotti; Tara Franklin (Sleep No More BTG: At Home at the Zoo, The Homecoming) as Ersilia Drei; Barbara Sims (A Streetcar Named Desire BTG: Benefactors) as Signora Onoria; and Obie and Drama Desk Award-winner, Rocco Sisto (The King and I BTG: The Homecoming) as Ludovico Nota. This production is sponsored by Lead Sponsor, Bobbie Hallig; Furlano and Arace, PC; The Westifeld News Group; Massachusetts Cultural Council and The Shubert Foundation.
With Spamilton: An American Parody currently running at the theatre, the Menier Chocolate Factory today announces full casting for their major revival of Hugh Whitemore's Pack of Lies. Hannah Chissick directs Jasper Britton as (Stewart), Sia Dauda (Sally), Alasdair Harvey (Peter Kroger), Chris Larkin (Bob Jackson), Macy Nyman (Julie Jackson), Tracy-Ann Oberman (Helen Kroger), Natalie Walter (Thelma) and Finty Williams (Barbara Jackson). The production opens on 1 October, with previews from 20 September, and runs until 17 November.
How do you remember those who came before? Season 35 begins with Milagro's beloved annual Dia de Muertos production. This year, we take inspiration from an imaginary creature unique to Mexican art. ¡Alebrijes! A Dia de Muertos Tale is a dream come to life, born out of one man's dying vision.
How do you remember those who came before? Season 35 begins with Milagro's beloved annual Dia de Muertos production. This year, we take inspiration from an imaginary creature unique to Mexican art. ¡Alebrijes! A Dia de Muertos Tale is a dream come to life, born out of one man's dying vision.
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