Seattle Theatre Group (STG) presents the 8th annual More Music @ The Moore (MM@M) on Friday, May 8, 2009 at 7:30 p.m. For one night only more than 30 of this region's finest young musicians and market Buskers will storm the Moore Theatre and 'mix it up' with their diverse music styles such as pop, indie rock, Irish fiddle and strings.
Alan Gilbert, who will become Music Director of the New York Philharmonic in September 2009, returns to New York to lead two weeks of programs with the Orchestra. The first series of concerts ? Thursday, April 30, 2009, at 7:30 p.m., Friday and Saturday, May 1 and 2, and 8:00 p.m., and Tuesday, May 5, at 7:30 p.m. will comprise Dvorák?s The Golden Spinning Wheel; Saint-Saëns?s Violin Concerto No. 3, with Joshua Bell as soloist; and Martin's Symphony No. 4.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Happy Holidays Everyone! Well ... here it is ... our BIGGEST CD coverage EVER and just in time for some last minute 'stocking-stuffer' inspiration ... even though a few of these are better used as coal, if you know what I mean.
The Atlanta Symphony Orchestra will present a four week 'American Originals' festival, celebrating music written by American and European composers while living in America. The festival opens with a program of works by Bernstein, Barber and Rachmaninov on Thursday, October 30, 2008, and concludes with the Atlanta debut of a concert-staged production of John Adams' Dr. Atomic on Sunday, November 23, 2008.
On the Town, the first Broadway musical with music by Leonard Bernstein and written by Betty Comden and Adolph Green, will open the 2008-2009 Encores! season at New York City Center, running November 19 - 23.
Gretchen Wyler, the Broadway and TV actress who became a leading animal rights activist, has died at the age of 75
The American Musicals Project has announced its AMP Concert Series 2007, 'The Art of the Musical,' which will include a performance by Isabella Rossellini as legendary German actress and singer Lotte Lenya
Arlene Shuler, President and CEO of New York City Center, announced today that the 14th season of its acclaimed ENCORES! series will celebrate the great Broadway revue, a form that flourished from just before 1900 until the early '50s.
The Royal Shakespeare Company (RSC) has unveiled plans to transform its home in Stratford-upon-Avon, opening up the 1932 Royal Shakespeare Theatre and bringing the audience and actors closer together in a more engaging auditorium for Shakespeare
The Mint Theater will kick off their 14th season with a production of John Galsworthy's The Skin Game, which will run from July 10th to August 14th
A novel once described as 'the most effective indictment of Nazism to appear in fiction' is adapted for the stage.
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