San Francisco's cutting-edge Cutting Ball Theater proudly announces the lineup for its 12th season. The ambitious season opens in October with Maurice Maeterlinck's PELLEAS AND MELISANDE in a new translation by Cutting Ball Artistic Director Rob Melrose, who will also direct. The company is also poised to present the World Premiere of Eugenie Chan's evocative take on an ancient Estonian folk tale, TONTLAWLAD, directed by Paige Rogers and Annie Paladino, in February.
After a sensational fall Rockwood Music Hall Residency,
including a CMJ show that the New York Times recommended as the answer to the question 'Who will be this years' Feist?', Brooklyn-based duo Lucius announce two additonal fall/winter shows sharing melodic homespun gems from debut LP Songs From the Bromley House.
After a sensational fall Rockwood Music Hall Residency,
including a CMJ show that the New York Times recommended as the answer to the question 'Who will be this years' Feist?', Brooklyn-based duo Lucius announce two additonal fall/winter shows sharing melodic homespun gems from debut LP Songs From the Bromley House.
Roczny kurs dla nauczycieli, pedagogów, studentów i instruktorów pragn?cych podnie?? swoje kwalifikacje
Roczny kurs dla nauczycieli, pedagogów, studentów i instruktorów pragn?cych podnie?? swoje kwalifikacje
The NYC400 is the first-ever list of New York City's ultimate movers and shakers since the City's founding?from politics, the arts, business, sports, science, and entertainment.
Love! Rivalry! Politics! Pacific Lyric Association presents Luisa Fernanda, the last of the great Spanish zarzuelas by Federico Moreno Torroba. Four fully-staged performances of the complete libretto by Federico Romero and Guillermo Fernandez Shaw will take place at the 1000-seat Ricardo Montalban Theatre in Hollywood, February 19-21. Traveling from Spain to conduct the orchestra is the son of the composer, Federico Moreno-Torroba Larregla. Performances will be in Spanish with English supertitles.
A zarzuela (pronounced zar zway' la) is a Spanish musical that blends the brilliance of Broadway with the passion of opera. The art form had its inception near Madrid in the 1640s. Legend says the name originates from a pavilion overgrown with blackberry bushes (zarzas) in a remote section of the city's El Prado Park, where actors gathered to present plays and entertain King Philip IV. Influenced over the centuries by Italian and French musical styles, but retaining a distinct personality, zarzuelas flourished as a popular entertainment in the 1920s and '30s.
'Unlike opera, zarzuelas are a form of populist entertainment,' explains Pacific Lyric Association artistic director, Madrid-born Carlos Oliva. 'The role of the story and dialogue is equally important to that of the singing and music - it's an early form of musical theater. It is paramount that the performers be strong actors as well as singers.'
Love! Rivalry! Politics! Pacific Lyric Association presents Luisa Fernanda, the last of the great Spanish zarzuelas by Federico Moreno Torroba. Four fully-staged performances of the complete libretto by Federico Romero and Guillermo Fernandez Shaw will take place at the 1000-seat Ricardo Montalban Theatre in Hollywood, February 19-21. Traveling from Spain to conduct the orchestra is the son of the composer, Federico Moreno-Torroba Larregla. Performances will be in Spanish with English supertitles.
A zarzuela (pronounced zar zway' la) is a Spanish musical that blends the brilliance of Broadway with the passion of opera. The art form had its inception near Madrid in the 1640s. Legend says the name originates from a pavilion overgrown with blackberry bushes (zarzas) in a remote section of the city's El Prado Park, where actors gathered to present plays and entertain King Philip IV. Influenced over the centuries by Italian and French musical styles, but retaining a distinct personality, zarzuelas flourished as a popular entertainment in the 1920s and '30s.
'Unlike opera, zarzuelas are a form of populist entertainment,' explains Pacific Lyric Association artistic director, Madrid-born Carlos Oliva. 'The role of the story and dialogue is equally important to that of the singing and music - it's an early form of musical theater. It is paramount that the performers be strong actors as well as singers.'
| 1921 | West End |
Original London Production West End |
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