Professor Van Helsing and his brave comrades must hunt down and destroy the profoundly evil Count Dracula. But the Count is exceedingly resourceful, employing superhuman strength, psychic powers, and shape-changing to confound and frustrate his antagonists. Culminating in a wild and shocking confrontation between the King of Vampires and those who would rid the world of him, this adaptation is an action-packed, blood-soaked retelling of Bram Stoker's classic tale of horror.
| 1927 | Broadway |
Broadway |
| 1931 | Broadway |
Broadway |
| 1977 | Broadway |
Broadway |
| 2011 | Off-Broadway |
Off-Broadway Revival Off-Broadway |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 1978 | Drama Desk Awards | Outstanding Director - Play | Peter Bennett |
| 1978 | Drama Desk Awards | Outstanding Lighting Design | Roger Morgan |
| 1978 | Drama Desk Awards | Outstanding Set Design | Edward Gorey |
| 1978 | The Hewes Awards | Scenic Design | Edward Gorey |
| 1978 | The Hewes Awards | Scenic Design | Lynn Pecktal |
| 1978 | Tony Awards | Best Costume Design | Edward Gorey |
| 1978 | Tony Awards | Best Direction of a Play | Dennis Rosa |
| 1978 | Tony Awards | Best Performance by an Actor in a Leading Role in a Play | Frank Langella |
| 1978 | Tony Awards | Best Scenic Design | Edward Gorey |
| 1978 | Tony Awards | Most Innovative Production of a Revival | Jujamcyn Theaters |
| 1978 | Tony Awards | Most Innovative Production of a Revival | Elizabeth Ireland McCann |
| 1978 | Tony Awards | Most Innovative Production of a Revival | John Wulp |
| 1978 | Tony Awards | Most Innovative Production of a Revival | Victor Lurie |
| 1978 | Tony Awards | Most Innovative Production of a Revival | Max Weitzenhoffer |
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