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Review: SAINT JOAN, Citizen's Theatre


by Natalie O'Donoghue - February 20, 2026

Based on the extraordinary true story of a sixteen-year-old girl who led France to victory in the Hundred Years War,  Saint Joan explores power, gender and youth-led change, taking us on the journey of someone from a marginalised background impacting international politics....

Review: CHRISTMAS CAROL GOES WRONG, King's Theatre


by Natalie O'Donoghue - February 19, 2026

A new production of CHRISTMAS CAROL GOES WRONG smashes into King's Theatre direct from a strictly limited West End run. Don’t miss this guaranteed Christmas catastrophe from Mischief, the multi award-winning company behind The Play That Goes Wrong, Peter Pan Goes Wrong and The Comedy About a Bank ...

Review: TOP HAT, Glasgow Kings Theatre


by Mary Baillie - February 09, 2026

Top Hat tap-danced its way into Glasgow this week, bringing with it plenty of sparkle and some superb performances. Based on the 1930s film, the plot depicts a classic case of mistaken identity: American dancer Jerry Travers arrives in London, falls for society girl Dale Tremont, and through a serie...

Review: BURNOUT: A VERBATIM PLAY, Tron Theatre


by Natalie O'Donoghue - February 07, 2026

Burnout is a feeling some of us know all too well, but how can it be confronted? And is it here for the long-run? Burnout: A Verbatim Play explores the psychological and physical impacts of burnout in education, healthcare, activism, and more....

Review: SIZE MATTERS, Citizens Theatre


by Natalie O'Donoghue - January 31, 2026

Size Matters is a wildly inventive new show from Mamoru Iriguchi (Eaten, What You See When Your Eyes Are Closed / What You Don’t See When Your Eyes Are Open). Blending puppetry, science, and surrealist theatre, Julia and Mamoru and their puppet doubles explore how time and perception shift with si...

Review: THE RED SHOES, King's Theatre


by Natalie O'Donoghue - January 28, 2026

A timeless fairytale and Academy Award-winning movie, The Red Shoes has captivated audiences and inspired generations of dancers with its powerful tale of obsession, possession and one girl’s dream to be the greatest dancer in the world. Victoria Page lives to dance but her ambitions become a fier...

Review: ROAMING ROOTS REVUE, Glasgow Royal Concert Hall


by Natalie O'Donoghue - January 26, 2026

Following last year’s sell-out success of Icons Volume 1, Roaming Roots Revue returns for Icons Volume 2. Now in its 14th year, Roaming Roots is an acclaimed, multi-generational live music experience, curated and hosted by Emmy Award-winning Scottish musician, composer, and BBC broadcaster Roddy H...

Review: AMYTHYST KIAH, Drygate


by Natalie O'Donoghue - January 26, 2026

A commanding live performer blessed with an unforgettable voice, Amythyst Kiah combines the political and the deeply personal in her music; embracing spirituality, grief, joy, healing and love in all its incarnations. She makes a welcome return to Celtic Connections after making a splash as part of ...

Review: THE SEEGER SESSIONS REVIVAL, St Luke's


by Natalie O'Donoghue - January 25, 2026

This vibrant, 13-piece ensemble revives the spirit and musical exuberance of Bruce Springsteen’s Grammy-winning album, We Shall Overcome: The Seeger Sessions. That record saw The Boss breathe new life into the powerful, socially conscious back catalogue of legendary folk icon and activist Pete See...

Review: SIOBHAN MILLER BAND, The Old Fruitmarket


by Natalie O'Donoghue - January 25, 2026

Siobhan Miller returns to Celtic Connections for her biggest headline show to date, a one-night celebration in the iconic Old Fruitmarket marking the release of her first live album....

Past Shows

Why I Stuck A Flare Up My Arse For England
Jul 30 – Aug 25, 2025

Why I Stuck A Flare Up My Arse For England returns to Edinburgh for its final run, presenting a hilarious one-man show about an ardent...

Laura Benanti: Nobody Cares
Jul 30 – Aug 24, 2025

Laura Benanti brings her celebrated one-woman show to the Edinburgh Fringe for its UK premiere. In this engaging performance, Benanti explores her journey as a...

Skinny
Jul 30 – Aug 10, 2025

Skinny, created and performed by Michelle Pearson, explores the impact of societal beauty standards and the obsession with diet culture. Through a combination of powerful...

The Ghost of White Hart Lane
Jul 31 – Aug 26, 2024

The Ghost of White Hart Lane is a one-man play that delves into the life of legendary footballer John White, known for his remarkable skills...

Madonna/Whore
Aug 13 – Aug 25, 2024

Madonna/Whore marks the Edinburgh debut of Selena Mersey's acclaimed one-woman show, which has garnered numerous awards including the Pebble Trust International Touring Award. Combining musical...

Really Good Exposure
Aug 1 – Aug 25, 2024

Megan Prescott makes her Edinburgh Fringe debut with Really Good Exposure, a one-woman show that explores the journey of Molly Thomas, a fictional former child...

Sorry I Hurt Your Son (Said My Ex To My Mum)
Jul 31 – Aug 25, 2024

James Barr, a celebrated comedian and radio presenter, presents his raw and honest show about surviving domestic violence in a four-year relationship. Sorry I Hurt...

Bill’s 44th
Aug 12

Bill’s 44th is a unique puppet-centric performance created by Dorothy James and Andy Manjuck, blending humor and emotion in a wordless spectacle. The show features...

La Clique
Aug 12

La Clique is an acclaimed production at Underbelly’s Circus Hub that combines cabaret, circus, and variety performances. Originating at the Edinburgh Festival Fringe in 2004,...

Meet Me in Buenos Aires
Meet Me in Buenos Aires
Jul 31 – Aug 11, 2024

A new, solo musical by Florencia Iriondo

Rhys Nicholson - Seminal
Rhys Nicholson - Seminal
Aug 2 – Aug 26, 2018

"...this is an excellent, laughter-filled hour, and by the end we are all Rhys Nicholson fans." - THE SCOTSMAN The coutured and coiffured Rhys Nicholson...

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