Review: THE EVENTS, Tron Theatre
by Natalie O'Donoghue - February 21, 2026
David Greig’s modern classic returns in a bold new staging by Wonder Fools in association with Cumbernauld Theatre. Featuring a live community choir, every performance becomes unique – powerful, uplifting, and rooted in the place where it is staged....
Review: SAINT JOAN, Citizen's Theatre
by Natalie O'Donoghue - February 20, 2026
Based on the extraordinary true story of a sixteen-year-old girl who led France to victory in the Hundred Years War, Saint Joan explores power, gender and youth-led change, taking us on the journey of someone from a marginalised background impacting international politics....
Review: CHRISTMAS CAROL GOES WRONG, King's Theatre
by Natalie O'Donoghue - February 19, 2026
A new production of CHRISTMAS CAROL GOES WRONG smashes into King's Theatre direct from a strictly limited West End run. Don’t miss this guaranteed Christmas catastrophe from Mischief, the multi award-winning company behind The Play That Goes Wrong, Peter Pan Goes Wrong and The Comedy About a Bank ...
Review: TOP HAT, Glasgow Kings Theatre
by Mary Baillie - February 09, 2026
Top Hat tap-danced its way into Glasgow this week, bringing with it plenty of sparkle and some superb performances. Based on the 1930s film, the plot depicts a classic case of mistaken identity: American dancer Jerry Travers arrives in London, falls for society girl Dale Tremont, and through a serie...
Review: BURNOUT: A VERBATIM PLAY, Tron Theatre
by Natalie O'Donoghue - February 07, 2026
Burnout is a feeling some of us know all too well, but how can it be confronted? And is it here for the long-run? Burnout: A Verbatim Play explores the psychological and physical impacts of burnout in education, healthcare, activism, and more....
Review: SIZE MATTERS, Citizens Theatre
by Natalie O'Donoghue - January 31, 2026
Size Matters is a wildly inventive new show from Mamoru Iriguchi (Eaten, What You See When Your Eyes Are Closed / What You Don’t See When Your Eyes Are Open). Blending puppetry, science, and surrealist theatre, Julia and Mamoru and their puppet doubles explore how time and perception shift with si...
Review: THE RED SHOES, King's Theatre
by Natalie O'Donoghue - January 28, 2026
A timeless fairytale and Academy Award-winning movie, The Red Shoes has captivated audiences and inspired generations of dancers with its powerful tale of obsession, possession and one girl’s dream to be the greatest dancer in the world. Victoria Page lives to dance but her ambitions become a fier...
Review: ROAMING ROOTS REVUE, Glasgow Royal Concert Hall
by Natalie O'Donoghue - January 26, 2026
Following last year’s sell-out success of Icons Volume 1, Roaming Roots Revue returns for Icons Volume 2. Now in its 14th year, Roaming Roots is an acclaimed, multi-generational live music experience, curated and hosted by Emmy Award-winning Scottish musician, composer, and BBC broadcaster Roddy H...
Review: AMYTHYST KIAH, Drygate
by Natalie O'Donoghue - January 26, 2026
A commanding live performer blessed with an unforgettable voice, Amythyst Kiah combines the political and the deeply personal in her music; embracing spirituality, grief, joy, healing and love in all its incarnations. She makes a welcome return to Celtic Connections after making a splash as part of ...
Review: THE SEEGER SESSIONS REVIVAL, St Luke's
by Natalie O'Donoghue - January 25, 2026
This vibrant, 13-piece ensemble revives the spirit and musical exuberance of Bruce Springsteen’s Grammy-winning album, We Shall Overcome: The Seeger Sessions. That record saw The Boss breathe new life into the powerful, socially conscious back catalogue of legendary folk icon and activist Pete See...
Past Shows
2 Muslim 2 Furious 2: Go Halal or Go Home
Aug 1 – Aug 25, 2025
2 Muslim 2 Furious 2: Go Halal or Go Home explores the comedic nuances of Muslim identity through the lens of two dynamic characters navigating...
4PLAY, Colours Run
Aug 1 – Aug 25, 2025
4PLAY, Colours Run explores a dynamic interplay of emotions and relationships, presenting a vivid narrative that captures the essence of human experience. Set against the...
A Period of Faith
Aug 1 – Aug 25, 2025
A Period of Faith is a thought-provoking exploration of beliefs and spirituality, set to debut at the Edinburgh Festival Fringe. Directed by Angela King, the...
Alastair Clark: On The Record
Aug 1 – Aug 25, 2025
Alastair Clark: On The Record is set to be showcased at the Edinburgh Festival Fringe. This performance dives into the intricacies of personal experience and...
Alex Mitchell: "Tough"
Aug 1 – Aug 25, 2025
Alex Mitchell presents Tough at the Edinburgh Festival Fringe, running from August 1 to August 25, 2025. This show promises an engaging exploration of resilience...
ali affleck and The Traveling Janes
Aug 1 – Aug 25, 2025
ali affleck and The Traveling Janes features the talents of Alison Affleck, promising a dynamic blend of music and storytelling. Stationed at the Edinburgh Festival...
Alice C*CKayne:
Aug 1 – Aug 25, 2025
Alice Cockayne will perform at the Edinburgh Festival Fringe from August 1 to August 25, 2025. This show is part of a diverse lineup featuring...
Amy Mason: No Thanks
Aug 1 – Aug 25, 2025
Amy Mason brings her insightful comedy to the Edinburgh Festival Fringe with her show, which promises to dive into contemporary issues with a refreshing perspective....
anatomy of pain
Aug 1 – Aug 25, 2025
Anatomy of Pain explores the complexities and intricacies of human suffering, both physical and emotional. The show dives deep into personal narratives and societal implications,...
AUDITION
Aug 1 – Aug 25, 2025
AUDITION is set to premiere at the Edinburgh Festival Fringe in August 2025. The show explores the unique pressures and challenges faced by performers in...
Fat Bitch
Aug 1 – Aug 25, 2025
Fat Bitch is a provocative exploration of modern identity and body image, featuring renowned performer Alison Spittle. Set against the vibrant backdrop of the Edinburgh...
Well Behaved Women
Aug 1 – Aug 25, 2025
Well Behaved Women is a thought-provoking performance that delves into the complexities of societal expectations placed on women. With a poignant script and engaging storytelling,...
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