American Conservatory Theater Announces @THESTRAND
By: A.A. Cristi
American Conservatory Theater-currently celebrating its 50th-anniversary subscription season-announced today that The Strand, A.C.T.'s Central Market venue, will be home to @TheStrand, a new series of events showcasing world-class performances, original theatrical events, acclaimed touring shows, and groundbreaking new works from the Bay Area and beyond. Featuring exciting works from the worlds of theater, dance, music, and more, @TheStrand will further develop A.C.T.'s dynamic and intimate performance complex into a unique San Francisco venue where audiences can discover, engage, and explore arts of all mediums.
Kicking off @TheStrand, American Conservatory Theater and piece by piece productions present Martin Moran at The Strand (November 29-December 11, 2016), a limited two-week engagement of Moran's 2013 Lucille Lortel Award-winning solo show, All the Rage, performed in repertory with Moran's OBIE Award-winning solo show,The Tricky Part. Hailed as "an emotionally honest play about sexuality and reconciliation" by Associated Press, The Tricky Part recounts the true story of Moran's sexual relationship with a much older counselor he met at a Catholic boys camp and how, years later, he tracked down and confronted the man. Now an established New York actor, Moran has transformed his story into a riveting, often funny, and always surprising journey throughout the complexities of spirituality, desire, and human trespass. All the Rage, Moran's 2013 award-winning solo performance, was written in part in response to a question he encountered while performing The Tricky Part. For most of his adult life, Martin wondered about anger. Surely he should have more rage about the sexual abuse he experienced as a boy, shouldn't he? The question haunts him and sends him on a quest from west of the Rockies to south of Johannesburg. Jumping from dream to memory to fact, he finds himself in an electric encounter with his fuming stepmother, lost in Africa with a guide who can't read maps, and in a room translating the details of an asylum seeker's torture. With equal parts honesty and entertainment, All the Rageattempts to solve an ancient human riddle: How is it that one moment we might reach out in compassion and the next . . . kill?*denotes press performances
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Julius Caesar Marin Shakespeare Company (8/14-9/13) |
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Pickleball Hillbarn Theatre (8/20-9/13) |
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Hadestown (Non-Equity) Orpheum Theatre San Francisco (1/07-1/10) |
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Based on a Totally True Story City Lights Theater Company (1/21-2/14) |
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Abbey Glover’s I’m a Businessman, Man The Marsh (8/15-8/16) |
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Broadway Under the Stars - Mamma Mia! Transcendence Theatre Company (8/13-8/30) |
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Candace Johnson’s The Conductress: Adventures in Teaching Gospel Music The Marsh Berkeley (8/28-8/30) |
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The Fall Show Shotgun Players Ashby Stage (9/26-10/25) |
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Disney''s Beauty and the Beast San Jose Center for the Performing Arts (9/08-9/13) |
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Joyful Raven’s Tactical Frivolity The Marsh Berkeley (8/27-8/29) |









