Even if you buy that argument, your tolerance for its expression may be greater than mine. I don’t feel improved, enlightened or even chastened by a furious man repeatedly cracking a bullwhip in my direction. Nor was I amused by the dragooning of t...
Critics' Reviews
Review: In ‘Dark Noon,’ American History Is a Shoot-’Em-Up Western
DARK NOON: AMERICAN WILD WEST IN DARK SOUTH AFRICAN VIEW
What impressed me about the hyperkinetic piece — written and directed by the Danish Tue Biering, co-directed and choreographed by Nhlanhla Mahlangu — is its recognizing the marked difference between the lessons learned by American youth of the Du...
'Dark Noon' review — American history dramatized with a twist
Dark Noon’s defining feature is the way the narrative can swing from over-the-top hilarity to darkly sobering in a matter of seconds. The episodic nature can wear a little thin at times, especially as the pioneer town advances and the focus spirals...
Off-Broadway Review: DARK NOON (St. Ann’s Warehouse)
The audience is seated on three-sides of a bare stage, but Johan Kølkjær’s setting won’t remain empty for long. Representing America, the sets are gradually built upon a dirty tarp as the performance progresses. A church will be constructed, as...
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