Lucy Gellman — Theater Critic

No pair is more interesting to watch than Lewis and Lee, who cross paths only through Fuller’s bending of time. As Davenport, Lewis is suave, sharp, deeply thoughtful and even funny, both amused and angered by how deeply he is underestimated. Even as he remains process-oriented, it’s clear that he loves these boys, and sees in each of them some version of himself. In a sort of postscript describing their entrance into Nazi Europe, he finally lets his guard down, and the audience can see the exhaustion in his whole body.