Kat Mokrynski

There are plenty of laughs to be had in the moments leading up to the actual presentation of  A Christmas Carol itself, including some particularly lengthy production meeting notes and lights falling from the rigging (according to Trevor, it’s natural selection), but, as it tends to be with the “Goes Wrong” shows, the main event is the actual play within a play. The set is wonderfully designed by Libby Todd, with a range of set pieces transforming into locations like Scrooge’s office, the Victorian streets of London and, of course, the graveyard the Ghost of Christmas Yet to Come (a costume highlight, designed by Roberto Surace) brings Scrooge to (though it might not be what they expect!). 

Ultimately, Disney’s Hercules is a fun, flashy, yet not-so-faithful adaptation of the original film that lacks the flair and (literal) fire that made the 1997 film so special. It’s an enjoyable theatrical production, but struggles to find the sweet spot between being a silly show for kids and a more adult musical about finding your place in the world.

Ultimately, Shrek the Musical is a decent musical but struggles to live up to, not only the movie it’s based on, but also the original production of the show. The performers are all very talented but it feels as though they have been let down by this particular production’s creative choices, leading to most of the fun being taken out of the world of fairytales. Shrek cannot seem to decide if it wants to be childish or mature, leading to a strange dance in between the two that neither children nor adults can fully enjoy.