Adam Markowitz

A quasi-witchhunt follows, setting a violent and sobering climax in motion. In a play full of proud fakeries, the story hits the loudest false note. Fierstein's explosive resolution feels rushed and less authentic to the characters than the Donna Reed wigs on their heads. Still, the most lasting impressions of Casa Valentina are good ones: Fierstein's meticulous dialogue, Joe Mantello's smooth and confident direction, the cast's flawless performances. And if the characters teach us anything, it's that confidence and charm can cover a multitude of imperfections. B+