Touring Consortium Theatre Company and Rose Theatre Kingston today announce the full company for Robert Louis Stevenson's Dr Jekyll & Mr Hyde adapted for the stage by David Edgar. Joining the previously announced Phil Daniels as Jekyll/Hyde are Rosie Abraham (Lucy/Maid/Singer), Sam Cox (Poole), Polly Frame (Katherine Urquart), Anyebe Godwin (Charles), Ben Jones (Lanyon/Carew), Robin Kingsland (Gabriel John Utterson), Grace Hogg-Robinson (Annie Loder) and Matthew Romain (Enfield/Parson).
Daily Mail journalist Baz Bamigboye has just announced that lovable former host of 'The Great British Bake Off' Mel Giedroyc will star as Beatrice in the Rose Theatre's upcoming production of Shakespeare's Much Ado About Nothing.
In honour of Sir Peter Hall's remarkable achievements and his service to theatre, and to recognise his role as Rose Theatre Kingston's Founding Artistic Director and his time as Chancellor of Kingston University, the Rose will launch The Peter Hall Emerging Artists Fellowship (PHEAF) in October 2018 the Rose's tenth year of operation.
Rose Theatre Kingston has just announced full casting for its Christmas show, Alice in Winterland, based on Lewis Carroll's timeless books Alice Adventures in Wonderland and Through the Looking Glass.
Rose Theatre Kingston and Nick Brooke Productions Ltd today announce the cast for the world premiere of The Night Pirates, adapted from the best-selling children's book by Peter Harris and Deborah Allwright.
The full casts are today announced for English Touring Theatre, Royal & Derngate, Northampton and Rose Theatre Kingston's production of Sam Holcroft's Rules for Living and English Touring Theatre and Mercury Theatre Colchester's production of Conor McPherson's The Weir, twenty years after its world premiere at the Royal Court.
Richard Twyman today announces his inaugural season as Artistic Director of English Touring Theatre which includes a series of first-time collaborations with theatres, theatre companies and artists.
English Touring Theatre's Artistic Director Richard Twyman today announces full casting for the tours of Jessica Swale's Olivier Award-winning Nell Gwynn and the world premiere of Sandi Toksvig's Silver Lining.
The first thing to say about Good Canary is it is not always an easy play to watch. Zach Helm's expletive-ridden play is a darkly comic portrayal of mental disintegration, drug addiction and literary brilliance that is mesmerising and ultimately exhausting to sit through
Freya Mavor, Michael Simkins and Sally Rogers will star in STRANGER THAN FICTION screenwriter Zach Helm's play GOOD CANARY, directed by Broadway vet John Malkovich this autumn at the Rose Theatre. Performances start tonight, September 16.
The Daily Mail writes that Freya Mavor, Michael Simkins and Sally Rogers will star in STRANGER THAN FICTION screenwriter Zach Helm's play GOOD CANARY, directed by Broadway vet John Malkovich this autumn at the Rose Theatre.
Following a critically hailed, highly successful extended run of The Man Who Shot Liberty Valance, Rubicon Theatre Company continues the 2015-2016 Season with another American premiere -- eXtras by Sabina Berman.
Following a critically hailed, highly successful extended run of The Man Who Shot Liberty Valance, Rubicon Theatre Company continues the 2015-2016 Season with another American premiere -- eXtras by Sabina Berman.
Broadway vet John Malkovich will direct the play GOOD CANARY by STRANGER THAN FICTION screenwriter Zach Helm, beginning September 16, 2016 at the Rose Theatre.
New York Stage and Film has announced its inaugural Filmmakers' Workshop, which launches July 7th on Vassar's campus as part of New York Stage and Film & Vassar's 31st Powerhouse Season. Designed to support early-career screenwriters with creative development and mentorship, the Filmmakers' Workshop features a tailored, process-oriented approach akin to Powerhouse's celebrated development of plays and musicals.
To write a play in which the first scene was written by a character in the second scene, Stoppard's protaganist would necessarily have to be a playwright, a fact that left Stoppard in a state of dread. 'I didn't want to write a play about a playwright. That seemed to be the end of the rope: you write a play about someone who's trying to write a play.'
