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William Young News

Birth Place: Durban, South Africa

BWW Review: Splendidly Intense West Coast Premiere of A TIME TO KILL at Theatre 68

Almost fifteen years ago, Ronnie Marmo pulled together a group of his most talented friends in Los Angeles and created The 68 Cent Crew Company, after having arrived here with 68 cents in his pocket and a head full of dreams. So, when a company member recently asked him what they could do about terrible current events, and about how our country is dealing with racism, perfect timing intervened the following morning when the play A TIME TO KILL came across his desk, and as the father of an 8- year-old child, Marmo knew he needed to present it.

BWW Review: NINE WINNING ONE-ACTS Play at Group rep

Evenings of short one-acts are the rage at Equity-waiver theatres! In the black box theatre upstairs at Group rep you you are invited to come see Nine Winning One-Acts, plays that stretch a mere ten-fifteen minutes in length. The mini plays were chosen from over 160 entries from across the United States and written by various unknown playwrights. The evening is divided into two acts with five plays comprising Act One and four in Act Two. There is no single theme running through them, so if I had to describe the conflicts ...why ... life, death, dating, marriage, love, gay relationships, infidelity, euthanasia...and even cat abuse, though mild, thrown into the fray. The evening is Group rep's way of utilizing more company actors and directors, many of whom work less on the theatre mainstage, and for the most part, it's pleasantly stimulating and entertaining fare.

Our Country's Good to Play at The Carousel Theatre October 3-20

Our Country's Good by Timberlake Wertenbaker will play in the Clarence Brown Theatre's Carousel Theatre October 3-20, 2014. Based on real events, this award-winning drama is an evocative look at a moment in history - the founding of a nation -and an inspiring tale about the transforming power of theatre. The production is sponsored by the Clayton Foundation. It contains brief nudity and strong language. A staged reading of The Recruiting Officer immediately following the Friday, October 11 performance and a talk back with the director, dramaturg and cast immediately following the Sunday, October 13 matinee also are associated with this production.

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