Blackbird Theater, the newest member of Nashville's burgeoning community of theater companies, makes an auspicious debut with the premiere of Wes Driver and Greg Greene's smartly written new script - Twilight of the Gods - now onstage at David Lipscomb University's Shamblin Theatre. Featuring a truly outstanding ensemble performance from the 13-member cast (with particularly impressive turns by Britt Byrd and Patrick Kramer), Twilight of the Gods might best be described as a murder mystery cum drawing room comedy cum intellectual discussion.
The company's mission, according to its co-founders, is 'To create entertaining, enlightening stage productions that reawaken audiences to the thrill of theater. Our shows will be intellectually challenging and imaginatively rendered, focusing on inventive original works, rarely produced plays by renowned playwrights, and one-of-a-kind special events-all of which celebrate the vitality and immediacy of the live theater experience.'
The company's mission, according to its co-founders, is 'To create entertaining, enlightening stage productions that reawaken audiences to the thrill of theater. Our shows will be intellectually challenging and imaginatively rendered, focusing on inventive original works, rarely produced plays by renowned playwrights, and one-of-a-kind special events-all of which celebrate the vitality and immediacy of the live theater experience.'
As Nashville's summer theater season continues to heat up, anticipation continues to grow for September's First Night Nashville Theatre Honors, the revival of the Music City theater gala that will benefit Reading is Fundamental (RIF) and sponsored by Macy's and BroadwayWorld.com. Set for Sunday, September 19, at Belmont University's Troutt Theatre, First Night 2010 will honor eight individuals for their sustained and continued commitment to theater in Nashville.
For women in the audience (and both women and men came out in droves this past weekend for the opening of Potty Talk at the Darkhorse; making reservations for this week's upcoming performances is a very good idea), I suspect that the shared camaraderie of the ladies' room is a given. For men in the seats, however, it's a new experience, given our penchant for staring straight ahead and saying nothing (unless, of course, you have the 'wide stance' of a right-wing senator and his ilk). Regardless of your gender, you'll find a lot to laugh about and think about in Crist's play.
Opening Friday, April 9 - and continuing for nine performances through April 17 - Potty Talk is the latest play from Crist's fertile imagination. 'A 'royal flush' of Nashville comediennes polish the nuggets of wisdom that women discuss in the ladies' room,' is how Crist herself describes the play.
Opening Friday, April 9 - and continuing for nine performances through April 17 - Potty Talk is the latest play from Crist's fertile imagination. 'A 'royal flush' of Nashville comediennes polish the nuggets of wisdom that women discuss in the ladies' room,' is how Crist herself describes the play.
Written by artistic director Trish Crist, The Nashville Monologues 'explores the dark side of diversity through Halloween season performances of frightening, dramatic, revealing and (yes) comic monologues inspired by public submission' of those personal accounts.
If there are a million stories in the Naked City, then surely there have to be at least half a million in the Music City - and a couple dozen of those stories are recounted in The Nashville Monologues, the new play onstage through next weekend at Darkhorse Theatre.
Written by artistic director Trish Crist, The Nashville Monologues 'explores the dark side of diversity through Halloween season performances of frightening, dramatic, revealing and (yes) comic monologues inspired by public submission' of those personal accounts.
Written by artistic director Trish Crist, The Nashville Monologues 'explores the dark side of diversity through Halloween season performances of frightening, dramatic, revealing and (yes) comic monologues inspired by public submission' of those personal accounts.
