At last month's concert in Carnegie Hall, Joyce DiDonato was glorious musically but less-than-cheery philosophically--and that was before the guy in the White House started taking aim at arts and education funding. Taking the stage at Carnegie's Zankel Hall on Saturday, at THE MARILYN HORNE SONG CELEBRATION, Marilyn Horne was in a feistier frame of mind about the fight for our hearts, minds and souls--though she admittedly hadn't figured out a way for her personally to take on the battle . It seemed to me that the evening, with emerging singers and the great guest, was a pretty good way to get the ball rolling.
An ensemble of artists committed to exploring the rarely heard music of Louis Durey present six of his unpublished manuscripts, including four North American premieres, on Saturday, February 4 at 4:00 p.m. at La Maison Francaise at New York University as a prelude to a recording to be released this May by New Focus Records.
MONDAY, JANUARY 23 at 7:00PM, the Tenants' Action Group (TAG) of 711 West End Avenue presents a special evening showcasing Upper West Side musical talent. All of the participating artists are present and former Upper West Side or 711 West End Avenue residents, who have collaborated to produce a program of repertoire with special meaning for their lives. The first half of the concert will feature classical selections performed by pianists Warren Jones, Margaret Kampmeier and Erika Nickrenz, cellist Sara Sant'Ambrogio, guitarist Andrew Schulman and former 711 West End Resident, flutist Eugenia Zukerman. The second half of the program is devoted to Broadway and cabaret with vocal selections from Britt Swanson Cryer, David Cryer, Gretchen Cryer, Nikki Renee Daniels, Anita Gillette, Jeff Kready, Quinn Lemley, Heather Mac Rae and Howard McGillin supported by pianist Nancy Ford and bassist Sean Smith. They will announce the program from the stage - along with the corresponding stories. Benefit tickets are priced at $75 (premium seating) and $50, and include a meet-the-artists' reception following the performance.
Full casting for Edward Albee's The Goat, or Who Is Sylvia? is announced today. Joining Damian Lewis and Sophie Okonedo, who play husband and wife Martin and Stevie in Ian Rickson's production, will be Jason Hughes as Martin's oldest friend Ross and Archie Madekwe as their son Billy.
From January 16-21, 2017, Carnegie Hall's Weill Music Institute (WMI) presents The Song Continues, an annual series led by revered mezzo-soprano Marilyn Horne that explores song repertoire through master classes and concerts with the goal of encouraging, supporting, and preserving the art of the vocal recital.
San Francisco Opera Center Director Sheri Greenawald today announced the thirteen recipients of the 2017 Adler Fellowship. Nine singers, three pianist/apprentice coaches and one director will take part in the program-a multi-year performance-oriented residency offering advanced young artists intensive individual training, coaching and professional seminars, as well as a wide range of performance opportunities. Adler Fellows are selected from the young artists who have participated in the Merola Opera Program. The prestigious fellowship has nurtured the development of more than 175 young artists since its inception.
Opera Exposures (http://www.operaexposures.org), the not-for-profit opera company founded by Edna Greenwich in 2004, will present a special recital celebrating Elizabeth Taylor Browning, the first African American opera singer to gain recognition in Europe and the United States in the mid to late 19th century, on Sunday, September 18, at 3:00 PM at the Jewish Community Center of Staten Island, 1466 Manor Road. Tickets, available at the door, are $25. Children under ten will be admitted free of charge.
The San Francisco Conservatory of Music (SFCM) today announces the details of its 2016-17 season. Continuing the trend set in recent years by SFCM's intrepid approach to programming and curricular focus, this season offers events devoted to interlinking themes that stretch from academics to performance. The fall semester covers music, politics, and social justice, investigating aspects of social and political change in musical commentary from Beethoven's political influences to nineteenth-century French opera to the activism of Lou Harrison. The spring semester concentrates on folk elements and regional traditions in music and literature throughout the repertoire. These domains are explored in the contexts of history, theory, the humanities, and performance.
Mezzo-soprano Stephanie Blythe returns to Carnegie Hall with pianist Alan Louis Smith to lead an audience sing-slong concert, Sing, America!, on Saturday, January 23 at 2:00 p.m. in Stern Auditorium / Perelman Stage as part of Carnegie Hall's annual series The Song Continues. Audience members have the opportunity to join in and sing along to some of America's most popular songs from the early 1900s including "Oh, You Beautiful Doll," "Let Me Call You Sweetheart," "By the Beautiful Sea," and many more.
From January 19 to 23, Carnegie Hall's Weill Music Institute (WMI) presents The Song Continues, an annual series led by renowned mezzo-soprano Marilyn Horne, exploring song repertoire through master classes and concerts with the goal of encouraging, supporting, and preserving the art of the vocal recital. The series concludes with the Marilyn Horne Song Celebration, a recital featuring special guest artist soprano Nina Stemme on Saturday, January 23 at 7:30 p.m. in Zankel Hall. The evening's concert also features performances by soprano Julia Bullock, mezzo-soprano Daniela Mack, tenor Andrew Haji, bass-baritone Evan Hughes, and pianists John Arida, Keun-A Lee, Ken Noda, and Jennifer Szeto. Complete program information is listed below.
IlluminArts presents immersive musical performance in conjunction with LISTEN TO THIS BUILDING: A collaboration by Exile Books, the Miami Center for Architecture and Design, and the Miami Lighthouse for the Blind. Called SONGS OF THE CITY, SONGS IN THE DARK, the concert is set for tonight, October 1, 2015 from 6:30PM to 8:30 PM at the Miami Center for Architecture and Design, 100 NE 1st Avenue, Miami, FL 33132.
IlluminArts presents immersive musical performance in conjunction with LISTEN TO THIS BUILDING: A collaboration by Exile Books, the Miami Center for Architecture and Design, and the Miami Lighthouse for the Blind. Called SONGS OF THE CITY, SONGS IN THE DARK, the concert is set for October 1, 2015 from 6:30PM to 8:30 PM at the Miami Center for Architecture and Design, 100 NE 1st Avenue, Miami, FL 33132.
The Merola Opera Program presents Donizetti's Don Pasquale, led by conductor Warren Jones and director Nic Muni, in two performances tonight, August 6 at 7:30pm and Saturday, August 8 at 2pm at the Cowell Theater in San Francisco.
The Merola Opera Program presents Donizetti's Don Pasquale, led by conductor Warren Jones and director Nic Muni, in two performances Thursday, August 6 at 7:30pm and Saturday, August 8 at 2pm at the Cowell Theater in San Francisco.
SAN FRANCISCO, July 1, 2015 – The Merola Opera Program presents Donizetti's Don Pasquale, led by conductor Warren Jones and director Nic Muni, in two performances Thursday, August 6 at 7:30pm and Saturday, August 8 at 2pm at the Cowell Theater in San Francisco.
Carnegie Hall's 125th anniversary season is fast approaching, and we are looking forward to an exciting variety of new projects and exceptional programming! Listed below are classical music highlights at Carnegie Hall for the 2015-2016 season.
The New York Philharmonic will present the U.S. Premiere of director Co?me de Bellescize's staging of Honegger's dramatic oratorio Joan of Arc at the Stake in season-finale performances conducted by Alan Gilbert and starring Academy Award-winning actress Marion Cotillard as Joan of Arc.
Stephanie Blythe--who's at the Met these days singing Baba the Turk in Stravinsky's THE RAKE'S PROGRESS--“abhors labels.” That's why, despite a cavernous voice that has become even deeper with age and could easily be termed mezzo or contralto, she tells me to call her “a girl singer.”
On Friday, May 15 at 8:00 p.m. in Stern Auditorium / Perelman Stage, Carnegie Hall presents celebrated mezzo-soprano Stephanie Blythe in recital with pianist Warren Jones in a program of popular songs by Poulenc, Ferré, Brel, Britten, and Coward. One of the most respected and versatile artists of her generation, Ms. Blythe recently starred as Gertrude Stein in the world premiere production of Ricky Ian Gordon's Twenty-Seven, an opera commissioned for her by the Opera Theatre of Saint Louis. In 2013, Innova Records released Ms. Blythe's first crossover album As Long as There are Songs, featuring selections from the Great American Songbook arranged together with pianist Craig Terry. Together Ms. Blythe and Mr. Jones have performed recitals in major concert halls across the United States.
The New York Philharmonic will present the U.S. Premiere of director Co?me de Bellescize's staging of Honegger's dramatic oratorio Joan of Arc at the Stake in season-finale performances conducted by Alan Gilbert and starring Academy Award-winning actress Marion Cotillard as Joan of Arc.
