The Sandra Feinstein-Gamm Theatre (The Gamm) opens the new year with the U.S. premiere of The Night Watch, Hattie Naylor's adaptation of Sarah Waters' best-selling novel. Gamm Artistic Director Tony Estrella directs this poignant story about liberation and loss set against the disorienting backdrop of the Second World War.
There's just two weeks left to vote for the 2018 BroadwayWorld Rhode Island Awards, brought to you by BroadwayHD! Readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.
There's just one month left to vote for the 2018 BroadwayWorld Rhode Island Awards, brought to you by BroadwayHD! Readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.
There's just one month left to vote for the 2018 BroadwayWorld Rhode Island Awards, brought to you by BroadwayHD! Nominations were reader-submitted and now our readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.
The Sandra Feinstein-Gamm Theatre (The Gamm) continues Season 34 (2018-2019) with Branden Jacobs-Jenkins' Gloria, an alarming and bitingly funny drama by one of the most celebrated young playwrights in American theater. Jacobs-Jenkins' scathing satire of the media and the public's hunger for sensational news stories was a finalist for the 2016 Pulitzer Prize. His last two plays, An Octoroon and Appropriate, took on race and bigotry and won him the Obie for Best American Play for both scripts. Jacobs-Jenkins 'has established himself as one of the country's most original and unsettling dramatists,' declared the New York Times.
THE NIGHT OF THE IGUANA is among Tennessee Williams' least-know plays, but still one that resulted in over 300 performances on Broadway and a 1964 film version starring Richard Burton and directed by John Huston. Unlike Williams' more famous works, it's likely that audiences don't know much about this play going into it, and while there are some interesting characters and poignant lines, it becomes easy to see why this play is not often produced. The double whammy of a tedious and heavy-handed script paired with performances that beg for more nuance leave this first production in The Gamm's new Warwick location an unfortunate slog.
The Gamm Education Department is pleased to present Charlie Bumpers vs. the Really Nice Gnome by Bill Harley, adapted and directed by Jessica Chace. Last season, a successful limited run of Charlie Bumpers vs. the Teacher of the Year launched Gamm Education Presents, the theater's first programming for young audiences. This second Gamm-Harley collaboration promises even more fun for the entire family in The Gamm's new, larger Warwick venue.
The Sandra Feinstein-Gamm Theatre(The Gamm) opens Season 34 (2018-2019) with Tennessee Williams' rarely performed masterpiece, The Night of the Iguana. The production marks the theater's debut in its new home at 1245 Jefferson Blvd., Warwick, RI. Considered Williams' last great play, The Night of the Iguana follows defrocked Episcopal clergyman Rev. T. Lawrence Shannon and fellow guests at a dilapidated resort on the Mexican coast -- all seeking human connection while battling their personal demons.
The Sandra Feinstein-Gamm Theatre (The Gamm) will open its debut season in its new Warwick home on October 11 with Tennessee Williams' The Night of the Iguana. This shift from a previously scheduled September opening will allow The Gamm to start its 2018-2019 season with renovations to its performance space fully completed and the venue ready for audiences.
The Sandra Feinstein-Gamm Theatre (The Gamm) is pleased to offer ticket holders for Warren's recently closed 2nd Story Theatre a credit toward upcoming shows in its new Warwick home. The face value of tickets for 2nd Story's two remaining summer productions may be applied toward any show of The Gamm's 2018-2019 Season, based on availability.
The Gamm Theatre closes its fifteen year run in Pawtucket with Shakespeare's AS YOU LIKE IT, so it was with mixed emotions that I turned right onto Exchange St. last Saturday, for the last time to be squeezed into the lyric, little bandbox of a theater. Fear not, theatergoers, they're not going away, just going to Warwick, where I trust they will continue to produce some of the most entertaining, interesting and thought provoking theater you can find. They chose to go out with Shakespeare and once again have found a new way to look at a play and led us to a new way to look at reality. It's what they do there.
Trinity Repertory Company announced today that three area residents will be honored at its 2018 Pell Awards Gala on Monday, May 21, 2018 in Providence. Pawtucket-based designer and artist Morris Nathanson will receive a Rhode Island Pell Award for Excellence in the Arts. Longtime Providence philanthropist and arts advocate Jane S. Nelson will receive the Charles Sullivan Award for Distinguished Service in the Arts. The Pell Award for Outstanding Leadership in the Arts will go to Jeannine Chartier in recognition of her work with VSA arts Rhode Island. Additional honorees will be announced at a later date.
The Sandra Feinstein-Gamm Theatre (The Gamm) closes its 2017-18 season with William Shakespeare's romantic comedy As You Like It. Chock full of word play, music, clowns, and a timely message, As You Like It is the perfect play to close Season 33 and mark The Gamm's final show in Pawtucket. The theater will reopen in September in its new home at 1245 Jefferson Boulevard in Warwick.
The Sandra Feinstein-Gamm Theatre (The Gamm) will hold its annual fundraiser on Monday, April 9 at 6 p.m. at the historic Pawtucket Armory, 172 Exchange Street, Pawtucket. GAMM GALA 33 will honor Leon C. Boghossian III with the David Wax Award for Outstanding Commitment to the Arts in recognition of his remarkable contributions to the arts in Rhode Island. This special evening also pays tribute to The Gamm's 15 years at the armory.
Tony Estrella, artistic director of The Sandra Feinstein-Gamm Theatre (The Gamm), is delighted to announce the theater's debut season in its new Warwick home. Season 34 opens in September at 1245 Jefferson Boulevard with a slate of provocative stories that resonate boldly with our lives today. They include a U.S. premiere, a New England premiere, a recent Pulitzer Prize finalist, and two landmark works of the modern American theater. The 2018-2019 season will also deliver an enhanced audience experience, from free parking in our private lot, to a spacious lobby and a newly renovated, flexible performance space.
The Sandra Feinstein-Gamm Theatre (The Gamm) announces the New England premiere of A Human Being Died That Night. The play by Nicholas Wright is based on the book by Pumla Gobodo-Madikizela, a black female psychologist who served on the Truth and Reconciliation Commission in post-apartheid South Africa. Judith Swift (The Nether, Grounded) directs this searing true story about the levels of forgiveness required for a society to move on from deplorable acts of violence. This one-act play in which Gobodo-Madikizela, played by Gamm newcomer Kortney Adams, interviews notorious apartheid assassin Eugene de Kock, played by Gamm Resident Actor Jim O'Brien, promises to grip, challenge, and surprise audiences
Occasionally the name Anton Chekhov invokes the same kind of anxiety one may get from Shakespeare or other heavy literary writers who we feel like we should go see to appear educated/ arty, but who no one really enjoys. Unfortunately, that makes people forget one of the reasons Chekhov and Shakespeare are great--they know how to balance humor and drama in that way that feels very human and well-rounded. It activates all the parts of the viewer's brain, and leaves one feeling thoroughly entertained and thought-provoked at the end. The Gamm's production of UNCLE VANYA, translated and directed by Curt Columbus' manages to communicate volumes, while keeping everything accessible and relatable. The moments of humor are genuine and serve to heighten the tension in other scenes. Gamm regulars will have seen these actors in a dozen other roles over the years, yet they all managed to adopt their new personas in a way that feels so genuine it's like this world has always existed, and the audience managed to wander in at exactly the right time.
Trinity Repertory Company invites the public to nominate outstanding local artists for the 2018 Rhode Island Pell Award for Excellence in the Arts. The Pell Awards' criteria include excellence in the artist's chosen field, work that significantly advances the art form, and contribution to the betterment of the community and the world at large through artistic presence and community service. Awards will be presented at the theater's gala event on Monday, May 21, 2018.
The Sandra Feinstein-Gamm Theatre (The Gamm) starts the new year with Curt Columbus' critically acclaimed translation of Anton Chekhov's Uncle Vanya. Columbus, artistic director for Providence's Trinity Repertory Company, also directs this classic world drama.
INCOGNITO is an incredibly ambitious play--not in terms of sets, but in terms of what is asks both the actors and the audience to comprehend. Each of the four actors in this production plays multiple characters over the course of four different but tangentially related vignettes that shift rapidly from one to another, and back and forth in time. Sound confusing? Don't worry, it is. The talented actors and director do quite well with a script that seems like a logistical nightmare, but what the playwright favored in cleverness, he neglected in terms of empathy and character development. There are some moments of genuine heart, but ultimately it feels like for the mental gymnastics the play asks of the viewer, the payoff isn't quite enough.
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