WeildWorks is pleased to announce the New York Premiere of Fêtes de la Nuit, Charles L. Mee's sexy meditation on lust, beauty and the divine experience of love. Fêtes de la Nuit is directed and choreographed by Kim Weild, who incorporates American Sign Language into a production that features three Deaf actors.
Steppenwolf Theatre Company continues its 2009-2010 season, an exploration of the theme of belief, with The Brother/Sister Plays: In the Red and Brown Water, The Brothers Size and Marcus; Or the Secret of Sweet by Tarell Alvin McCraney, directed by ensemble member Tina Landau from January 21 - May 23, 2010 in Steppenwolf's Upstairs Theatre, 1650 N. Halsted.
Following critical acclaim and popular demand, Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) has announced a three-week extension for the World Premiere of THIS, the new play by Obie Award winner Melissa James Gibson (Suitcase, [sic]). Directed by Obie Award winner Daniel Aukin ([sic], eight seasons as Artistic Director of Soho Rep), the production opened Wednesday, December 2. Originally set to run through Sunday, December 13, the limited engagement will now play through Sunday, January 3, 2010 at the theater company's Mainstage Theater (416 West 42nd Street). This date represents the latest extension possible for the show.
Superior Donuts and Broadway Cares/Equity Fights AIDS (BC/EFA) will ring the closing bell at The New York Stock Exchange on Monday, December 28, 2009. A live webcast of The The Closing Bell (beginning at 3:59 p.m.) will be available on the homepage of nyse.com.
Superior Donuts and Broadway Cares/Equity Fights AIDS (BC/EFA) will ring the closing bell at The New York Stock Exchange on Monday, December 28, 2009. A live webcast of The The Closing Bell (beginning at 3:59 p.m.) will be available on the homepage of nyse.com.
Goodman Theatre is proud to announce the Krapp's Last Tape Artists Talk as part of the new 2010 Series connecting theater audiences with the artists who bring productions to life at the Goodman.
WeildWorks is pleased to announce the New York Premiere of Fêtes de la Nuit, Charles L. Mee's sexy meditation on lust, beauty and the divine experience of love. Fêtes de la Nuit is directed and choreographed by Kim Weild, who incorporates American Sign Language into a production that features three Deaf actors.
Steppenwolf Theatre Company continues its 2009-2010 season, an exploration of the theme of belief, with The Brother/Sister Plays: In the Red and Brown Water, The Brothers Size and Marcus; Or the Secret of Sweet by Tarell Alvin McCraney, directed by ensemble member Tina Landau from January 21 - May 23, 2010 in Steppenwolf's Upstairs Theatre, 1650 N. Halsted.
Following enthusiastic reviews, The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will extend THE BROTHER/SISTER PLAYS, written by Tarell Alvin McCraney and directed by Tina Landau and Robert O'Hara, through Sunday, December 20. THE BROTHER/SISTER PLAYS began previews October 21 and was originally scheduled to close on Sunday, December 13.
West Coast Ensemble presents the fourth and final show of their 2009 season, THREE TALL WOMEN, written by Pulitzer Prize-winning playwright Edward Albee and directed by Michael Matthews (Stupid Kids, The Bacchae). THREE TALL WOMEN will preview on Thursday, November 12 and Friday, November 13 at 8:00pm and will open on Saturday, November 14 at 8:00pm and continue through Sunday, December 20 at West Coast Ensemble - The El Centro Theatre, 800 N. El Centro Ave. in Hollywood.
Playwrights Horizons has announced complete casting for the World Premiere of CLYBOURNE PARK, a new play by Bruce Norris (The Pain and the Itch at Playwrights Horizons/PH 2006-2007 Season).
Following an acclaimed original sold-out run, Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) proudly announces a limited return engagement of the company's recent World Premiere production of CIRCLE MIRROR TRANSFORMATION, the new hit play by Annie Baker ('An original voice' - Daily News; 'A playwright to know' - Newsday). Directed by Sam Gold ('A magic-fingered director' - Variety; 'An uncommonly observant eye and ear' - The New York Times), the original engagement opened Tuesday, October 13 to across-the-board rave reviews and was ultimately extended twice by critical and audience demand through Saturday, November 21. The return limited engagement will begin performances Tuesday, December 15 at Playwrights Horizons' Peter Jay Sharp Theater with tickets on sale through Sunday, January 17, 2010.
West Coast Ensemble presents the fourth and final show of their 2009 season, THREE TALL WOMEN, written by Pulitzer Prize-winning playwright Edward Albee and directed by Michael Matthews (Stupid Kids, The Bacchae). THREE TALL WOMEN will preview on Thursday, November 12 and Friday, November 13 at 8:00pm and will open on Saturday, November 14 at 8:00pm and continue through Sunday, December 20 at West Coast Ensemble - The El Centro Theatre, 800 N. El Centro Ave. in Hollywood.
Playwrights Horizons announced today that the New York premiere of ME, MYSELF & I, a new play by three-time Pulitzer Prize and three-time Tony Award winner Edward Albee (A Delicate Balance; Seascape; Three Tall Women; Who's Afraid of Virgina Wolf?; The Goat or, Who Is Sylvia?) will open the theater company's 2010/2011 40th Anniversary Season. Mr. Albee will be making his Playwrights Horizons debut.
Following critical acclaim and popular demand, Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) has announced a three-week extension for the World Premiere of THIS, the new play by Obie Award winner Melissa James Gibson (Suitcase, [sic]). Directed by Obie Award winner Daniel Aukin ([sic], eight seasons as Artistic Director of Soho Rep), the production opened Wednesday, December 2. Originally set to run through Sunday, December 13, the limited engagement will now play through Sunday, January 3, 2010 at the theater company's Mainstage Theater (416 West 42nd Street). This date represents the latest extension possible for the show.
Spinal Tap, the heavy metal rock band led by SUPERIOR DONUTS' Michael McKean, has received two 2010 Grammy Award nominations, in the categories of 'Best Comedy Album' and 'Best Recording Package.'
Following an acclaimed original sold-out run, Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) proudly announces a limited return engagement of the company's recent World Premiere production of CIRCLE MIRROR TRANSFORMATION, the new hit play by Annie Baker ('An original voice' - Daily News; 'A playwright to know' - Newsday). Directed by Sam Gold ('A magic-fingered director' - Variety; 'An uncommonly observant eye and ear' - The New York Times), the original engagement opened Tuesday, October 13 to across-the-board rave reviews and was ultimately extended twice by critical and audience demand through Saturday, November 21. The return limited engagement will begin performances Tuesday, December 15 at Playwrights Horizons' Peter Jay Sharp Theater with tickets on sale through Sunday, January 17, 2010.
The critically acclaimed Broadway production of Steppenwolf's SUPERIOR DONUTS is announcing its limited run through January 3rd, 2010 only. Tickets are currently on sale through Telecharge.com or by calling 212-239-6200.
Following enthusiastic reviews, The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will extend THE BROTHER/SISTER PLAYS, written by Tarell Alvin McCraney and directed by Tina Landau and Robert O'Hara, through Sunday, December 20. THE BROTHER/SISTER PLAYS began previews October 21 and was originally scheduled to close on Sunday, December 13.
The headliners of Broadway's Superior Donuts, now playing at The Music Box Theater, have been billed as stage and screen vet Michael McKean and the play's scribe, Tracey Letts, of Pulitzer Prize fame for her recent August: Osage County. Yet, The New York Times reveals that immersed in the shows ensemble is another star in Jon Michael Hill, a big name in the Chicago theater scene (where Donuts originated), though relatively unknown to the New York and L.A. worlds.
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