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Galleon Theatre Co Presents HAMLET, Opens September 13

Galleon Theatre Company, a long established independent company which has been producing internationally acclaimed and high quality theatre for over two decades, has announced that it will next stage an exquisite and epic production of one of the greatest dramas ever written in the English language.

Galleon Theatre Co Presents HAMLET, Opens September 13

Galleon Theatre Company, a long established independent company which has been producing internationally acclaimed and high quality theatre for over two decades, has announced that it will next stage an exquisite and epic production of one of the greatest dramas ever written in the English language.

Galleon Theatre Co Presents HAMLET, Opens September 13

Galleon Theatre Company, a long established independent company which has been producing internationally acclaimed and high quality theatre for over two decades, has announced that it will next stage an exquisite and epic production of one of the greatest dramas ever written in the English language.

Galleon Theatre Co Presents HAMLET, Opens September 13

Galleon Theatre Company, a long established independent company which has been producing internationally acclaimed and high quality theatre for over two decades, has announced that it will next stage an exquisite and epic production of one of the greatest dramas ever written in the English language.

Adam Vesperman Joins West End's BILLY ELLIOT

Today 25 July 2011, in the production's seventh year in the West End, 13 year old Adam Vesperman from Seattle, USA, will make his West End stage debut as Billy Elliot at the Victoria Palace Theatre, becoming the twenty-seventh boy to play the title role in the hit west end show Billy Elliot The Musical.

Ryan Collinson Becomes 26th 'Billy' in West End's BILLY ELLIOT

Today, 13 April 2011, twelve year old Ryan Collinson from Southport, becomes the twenty-sixth boy to play the title role in the West End production of Billy Elliot the Musical. The internationally award-winning show, which opened a the Victoria Palace Theatre in 2005, has been seen by over 6 million people worldwide, including 3 million in the West End. Ryan becomes the 56th boy to play Billy Elliot worldwide since Jamie Bell in the award-winning film.

Galleon Theatre Company Presents THE MAIAS

THE MAIAS, Eça's obra-prima was written over a period of eight years and was published in 1888. The novel traces the decline of an aristocratic family and the incestuous love affair between a brother and sister, who are unaware of their blood relationship.

Galleon Theatre Company Presents THE MAIAS at Greenwich Playhouse, 8 March - 3rd April

Galleon Theatre Presents THE MAIAS, a novel by Eça de Queirós Adapted & Produced by Alice de Sousa Directed by Bruce Jamieson; 'On the Basis of at least half a dozen books Eça ought to be up there with Dickens, Balzac and Tolstoy as one of the nineteenth century's talismanic names.' - Jonathan Keates, The Observer

Galleon Theatre Company Presents THE MAIAS, 3/8-4/3

THE MAIAS, Eça's obra-prima was written over a period of eight years and was published in 1888. The novel traces the decline of an aristocratic family and the incestuous love affair between a brother and sister, who are unaware of their blood relationship.

Galleon Theater Company Presents THE MAIAS at The Greenwich Playhouse, Mar. 8 - Apr. 3

THE MAIAS, Eça's obra-prima was written over a period of eight years and was published in 1888. The novel traces the decline of an aristocratic family and the incestuous love affair between a brother and sister, who are unaware of their blood relationship. In THE MAIAS, Eçacreates a powerful sense of human decay which is cultural, political and moral. He sets his fascinating epic novel against thebackdrop of a fast changing 19th century Portuguese society. Eçais forceful in his satire and piercing in his social criticism but he is boundless in hisenjoyment of the idiosyncrasies of daily life;rich in characterisation;and generous in providing hilarious social comedy.

Galleon Theatre Company Presents THE MAIAS

THE MAIAS, Eça's obra-prima was written over a period of eight years and was published in 1888. The novel traces the decline of an aristocratic family and the incestuous love affair between a brother and sister, who are unaware of their blood relationship.

Photo Flash: New Billy Elliot, Josh Baker Hits West End

Twelve year old Josh Baker from Rochester has just become the twenty-fifth boy to play the title role in the West End production of Billy Elliot the Musical as the hit show is shortlisted for the BBC Radio 2 Olivier Audience Award, the only category voted for by the public. Voting is now open and will close on 9 March with the awards ceremony on Sunday 13 March 2011. Now in its sixth year at the Victoria Palace Theatre, the critically acclaimed, internationally award-winning musical has been seen by over 6 million people worldwide, including 3 million in the West End. Since its world premiere in 2005 a total of 53 boys, including Jamie Bell who played Billy Elliot in the award-winning film, have now performed the title role worldwide, making Josh Baker the 54th boy to play Billy.

Photo Coverage: New BILLY ELLIOT Joins West End Cast

Twelve year old Josh Baker from Rochester has just become the twenty-fifth boy to play the title role in the West End production of Billy Elliot the Musical as the hit show is shortlisted for the BBC Radio 2 Olivier Audience Award, the only category voted for by the public.

Casting Announced for Galleon Theatre Company's THE MAIAS, Opens March 8

José Maria Eça de Queirós (1845-1900), was the founding father of the Portuguese novel. He was a remarkable writer whom Émile Zola described as being ‘far greater than my own master, Flaubert.' He was a master of satire who sought to expose the hypocrisy of a provincial Lisbon society which slavishly paid homage to the cultural eminence of Paris and Romanticism. Eça's fiction is characterised by its barbed humour and lyrical descriptions but it is also tempered by a touching sympathy for humanity's foibles.

A Woman of No Importance plays Greenwich Playhouse, Closes 1/16

Galleon's production of A Woman of No Importance transposes Wilde's comedy drama to a Christmas party at the end of the 1950s. The seamless and careful repositioning of the play from1893 to the end of the 1950s liberates Wilde's heartrending play from melodramatic Victoriantrappings and brings it to an age closer to our own. Whereas, Bruce Jamieson's sensitive realignment of Wilde's text heightens contemporary audience empathy with the characters, their predicaments and delivers a thought provoking and highly enjoyable seasonal theatrical treat.In A Woman of No Importance Wilde exposes, through piercing wit, the hypocrisy of a society which scorns and punishes a woman for her sexual misdemeanours but applauds and grants honours to the man in question. The play centres on the then publically damning revelation of Mrs.Arbuthnot's long-concealed secret - she conceived a child out of wedlock. 'The Greenwich Playhouse really is producing the very best theatre in London.

Galleon Theatre Company's A WOMAN OF NO IMPORTANCE Opens 12/14

At the close of its twentieth year of presenting internationally acclaimed theatre, Galleon Theatre Company is delighted to announce that it will next stage Oscar Wilde's comedy drama - A WOMAN OF NO IMPORTANCE. The show will run December 14-January 16.

A Woman of No Importance plays Greenwich Playhouse, 12/14-1/16

Galleon's production of A Woman of No Importance transposes Wilde's comedy drama to a Christmas party at the end of the 1950s. The seamless and careful repositioning of the play from1893 to the end of the 1950s liberates Wilde's heartrending play from melodramatic Victoriantrappings and brings it to an age closer to our own. Whereas, Bruce Jamieson's sensitive realignment of Wilde's text heightens contemporary audience empathy with the characters, their predicaments and delivers a thought provoking and highly enjoyable seasonal theatrical treat.In A Woman of No Importance Wilde exposes, through piercing wit, the hypocrisy of a society which scorns and punishes a woman for her sexual misdemeanours but applauds and grants honours to the man in question. The play centres on the then publically damning revelation of Mrs.Arbuthnot's long-concealed secret - she conceived a child out of wedlock. 'The Greenwich Playhouse really is producing the very best theatre in London.

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