The Public Theater's production of Plenty, written by David Hare, recently extended two weeks through Sunday, November 20. Directed by five-time Tony Award nominee David Leveaux, the show begins previews tonight, October 4.
Yale Repertory Theatre, celebrating 50 years of daring artists, bold choices, and adventurous audiences, presents the world premiere of Scenes from Court Life, or the whipping boy and his prince by Sarah Ruhl, directed by Mark Wing-Davey, tonight, September 30, through October 22 at Yale University Theatre (222 York Street). Opening Night is Thursday, October 6.
Theatre for a New Audience and The New York Public Library will mark the 400th anniversary of William Shakespeare's death with a viewing of a First Folio followed by a conversation among scholars and conservators on the Folio's innovative origins, its history as a wildly coveted (and carefully conserved) artifact, and its continued role in the robust afterlife of Shakespeare.
The Public Theater's MOBILE UNIT'S Hamlet officially opens at the The Public Theater's Shiva Theater tonight, September 22, for a run through Sunday, October 9.
The Public Theater announced complete casting today for the New York Premiere of PARTY PEOPLE by UNIVERSES (Steven Sapp, Mildred Ruiz-Sapp, and William Ruiz a.k.a Ninja. Developed and directed by Liesl Tommy with choreography by Millicent Johnnie, PARTY PEOPLE begins performances on Tuesday, November 1 and runs through Sunday, December 4, with an official press opening on Tuesday, November 15.
Colt Coeur Artistic Director Adrienne Campbell-Holt and Festival Associate Producer Brittany Coyne announce the line-up for the company's 3rd Annual #ParityPlaysFest celebrating the work of female & trans playwrights & directors.
Connecticut Repertory Theatre (CRT) opens its 2016-17 season with William Shakespeare's King Lear. Associate Artistic Director Dale AJ Rose will direct. Performances will be held in the Harriet S. Jorgenson Theatre from October 6ththrough October 16th, 2016. For tickets and information please visit crt.uconn.edu or call (860) 486-2113.
Folger Theatre's 2016/17 season kicks off with an inspired stage adaptation of one of literature's most cherished novels, Sense and Sensibility by Jane Austen.
Colt Coeur Artistic Director Adrienne Campbell-Holt and Festival Associate Producer Brittany Coyne announce the line-up for the company's 3rd Annual #ParityPlaysFest celebrating the work of female & trans playwrights & directors.
The New Yorker Festival will present a Theatre for a New Audience production of a reading of the new two-character play About Alice that Calvin Trillin adapted from his memoir about his late wife, the educator Alice Stewart Trillin. About Alice, with Jessica Hecht as Alice and Tony Shalhoub as Calvin and directed by Leonard Foglia, will be heard one night only at the Directors Guild Theatre, 110 West 57th Street, Saturday, October 8, at 7:00pm.
Stage, film and television actor Douglas Taurel brings his powerful and electrifying piece THE AMERICAN SOLDIER to Mile Square Theatre September 9, 10, and 11.
When Father Monroe discovers that Marcela and her Cuban-American family are struggling, he offers a warmth and kindness unlike anything Marcela has ever experienced. Small acts of generosity blossom into love as the lines between vocation and passion begin to blur. McCarter Theatre Center Artistic Director Emily Mann and playwright Nilo Cruz reunite for the first time since the Pulitzer Prize-winning Anna in the Tropics with this lyrical new play about falling in love and finding a place to call home.
Stage, film and television actor Douglas Taurel brings his powerful and electrifying piece THE AMERICAN SOLDIER to Mile Square Theatre September 9, 10, and 11.
Theatre for a New Audience and The New York Public Library will mark the 400th anniversary of William Shakespeare's death with a viewing of a First Folio followed by a conversation among scholars and conservators on the Folio's innovative origins, its history as a wildly coveted (and carefully conserved) artifact, and its continued role in the robust afterlife of Shakespeare.