The MITTEN Lab (A Michigan Incubator for Theatre Talent Emerging Now), led by co-founders Katherine M. Carter and Rachel Sussman, has announced partnerships with Michigan theater companies Parallel 45 Theatre in Traverse City and Theatre Nova in Ann Arbor.
Andy Bragen Theatre Projects and Rachel Sussman will present the World Premiere of Andy Bragen's DON'T YOU F**KING SAY A WORD, directed by Lee Sunday Evans (2015 Obie Award-winner for A Beautiful Day in November on the Banks of the Greatest of the Great Lakes) at 59E59 Theaters, November 4-December 4.
Tickets are now on sale for American Composers Orchestra's (ACO) 40th Anniversary Season, under the leadership of Artistic Director Derek Bermel and Music Director George Manahan. This season includes eight world premieres by a diverse set of composers performed by ACO at Carnegie Hall and Symphony Space, and continues the orchestra's commitment to serve as a catalyst for the creation of new orchestral music, providing unprecedented opportunities for American composers to create new work and for audiences to discover it. Founded in 1977, ACO remains the only orchestra in the world dedicated exclusively to the creation, performance, preservation, and promulgation of music by American composers. To date, ACO has performed music by 800 American composers, including 350 world premieres and newly commissioned works. ACO takes its commitment to fostering new work beyond the stage in its annual Underwood New Music Readings for emerging composers, now in its 26th year in New York, and through its program EarShot, the National Orchestra Composition Discovery Network, which brings the Readings experience to orchestras across the country in partnership with American Composers Forum, the League of American Orchestras, and New Music USA.
The Public Theater kicks off the 2016-17 season this month with a free Public Works musical adaptation of TWELFTH NIGHT, conceived by Kwame Kwei-Armah and Shaina Taub, with music and lyrics by Shaina Taub.
Nate Parker and the cast, Producers, and Executive Producers of The Birth of a Nation are investing in the next generation of diverse independent creativity with the Sundance Institute | The Birth of a Nation Fellowship for 18-to-24-year-old filmmakers participating in the Institute's Ignite program. Parker shared details at Sundance Institute's NIGHT BEFORE NEXT benefit at The Theatre at Ace Hotel in downtown Los Angeles this evening, where he also received the Institute's annual Vanguard Award presented to him by actor and Sundance alum Michael B. Jordan. Parker's The Birth of a Nation was supported by the Institute's renowned Feature Film Program for three years before its premiere, and won both the Audience Award and Grand Jury Prize at the 2016 Sundance Film Festival.
The Public Theater will kick off the 2016-17 season in September with a free Public Works musical adaptation of TWELFTH NIGHT, conceived by Kwame Kwei-Armah and Shaina Taub, with music and lyrics by Shaina Taub. Directed by Kwame Kwei-Armah, TWELFTH NIGHT will once again feature over 200 actors and community members alongside five equity actors, including this year Nikki M. James as Viola and Jose Llana as Orsino.
American Theater Company (ATC) has restructured its 2016-17 Season and will present three of four previously announced plays, with an updated production schedule.
Hasan Minhaj: Homecoming King, is the theatrical debut of humorist and The Daily Showcorrespondent Hasan Minhaj. Homecoming King, the story of the 'New Brown America,' is based on true events from Minhaj's first generation Indian-American experience. Navigating between two worlds, it follows Minhaj's arrival in the US, meeting his sister, interracial love, racism, bullying, and his family's quest to achieve the elusive American Dream. The show plays the City Theatre on Friday, December 9 at 7:30 p.m.
Today in 2008, Passing Strange closed at the Belasco Theatre, where it ran for 165 performances. Passing Strange is a rock musical about a young African American's artistic journey of self-discovery in Europe, drawing on heavy elements of existentialism, metafictional comedy, and the Kunstlerroman. The musical's lyrics and book are by Stew with music and orchestrations by Heidi Rodewald and Stew. It was created in collaboration with director Annie Dorsen. The musical was developed at the Sundance Institute Theatre Lab in 2004 and 2005, one of the only works there ever to be invited back for a second round of development. It had productions in Berkeley, California and Off-Broadway before opening on Broadway in 2008, garnering strong reviews and several awards. Spike Lee filmed the musical on Broadway as a documentary, premiering the film in 2009.
The MITTEN Lab (A Michigan Incubator for Theatre Talent Emerging Now), led by co-founders Katherine Carter and Rachel Sussman, is proud to announce the launch of its residency program in Northern Michigan this September.
59E59 Theaters is thrilled to welcome Throughline Artists with SUMMER SHORTS 2016, the annual festival of six short plays tailor-made for summer viewing, now celebrating its 10th season.
HASAN MINHAJ: HOMECOMING KING is set for Boulder Theater on October 23rd, 2016. Doors: 7:00 pm | Show: 8:00 pm. Tickets on sale June 10th - $20 Balcony or $22.50 Reserved.
The world premiere of GROUNDHOG DAY has been delayed because of the 'technical requirements' involved in the production. Previews are now postponed until 15 July with an opening night of 16 August.
Actress FELICITY WREN currently stars in the world premiere quirky romantic British comedy BABY OH BABY through June 4 at the Whitefire Theatre in Sherman Oaks, Califorini. Felicity has a Masters Degree in Acting from Mountview Academy of Theatre Arts in London and her Honors Degree from Bretton Hall College. She is proud to have worked extensively in theatre in the UK, been the muse for 4 plays for amazing playwright Glyn Maxwell and a writer /performer with her own comedy sketch show Greedy (London, Edinburgh & NYC). Recent TV - "Contingency" for New Street Pictures. Felicity also stars in upcoming comedy feature films, "The Trap" and "The Man You're Not" whilst producing with her LA company: Dangerously Funny Productions.
by Steve Peterson
American Theater Company (ATC) proudly announces Season 32, led by its newly appointed Artistic Director Will Davis and continuing the theater's dedication to developing new works. The 2016-17 season kicks off this September with the world premiere of Dan Aibel's T., an exploration of the competitive ice skating saga between Nancy Kerrigan and Tonya Harding, directed byMargot Bordelon, Sept. 23-Oct. 30, 2016. In the New Year, ATC presents Jaclyn Backhaus' Men On Boats, making its regional premiere at ATC Jan. 6-Feb. 12, 2017, under Will Davis' direction after he remounts his acclaimed New York production Off Broadway at Playwrights Horizons this summer. Next spring brings another world premiere at ATC, Basil Kreimendahl's We're Gonna Be Okay, March 17-April 23, 2017. The production is directed by Bonnie Metzgar and was originally developed at ATC in collaboration with The Araca Group during AracaWorks: Chicago 2015. The final production of ATC's 2016-17 Season is a reimagined classic, Pulitzer Prize winner Picnic by William Inge, under Davis' direction May 19-June 25, 2017. Season subscriptions are on sale now and range from $60-$150, with special pricing available for advance purchases before July 31, 2016. To purchase a subscription or for more information, visit www.atcweb.org or call the ATC Box Office at 773-409-4125.
Manhattan Theatre Club, in partnership with the Alfred P. Sloan Foundation, announces the upcoming Sloan Panel Discussion on INCOGNITO, which will be held following tonight's May 17 performance of the play at MTC at New York City Center-Stage I (131 West 55th Street), and is open to anyone attending the evening's performance.
Manhattan Theatre Club, in partnership with the Alfred P. Sloan Foundation, announces the upcoming Sloan Panel Discussion on INCOGNITO, which will be held following the Tuesday, May 17 performance of the play at MTC at New York City Center-Stage I (131 West 55th Street), and is open to anyone attending the evening's performance.