Teller News

Next week, FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.

Disney XD announces March 2016 Programming Highlights All programming subject to change

Ken L. Norris, a polio survivor, retired text book illustrator, story teller, devoted writer and author, has completed his newest work 'Coal of the Heart': a gripping and potent work of mystery, deceit, conflict, friendship, happiness and forgiveness.

Dazzling originality and elegant artistry blend together in the spectacular show, THE ILLUSIONISTS - LIVE FROM BROADWAY, now playing at the Hollywood Pantages. Much more than a magic show, the artists who make up this 'Magnificent Seven' exhibit a stunning array of feats that will constantly leave you saying, 'How'd they do that?!'

Make sure that this is on your list of Fringe events this year.

Dr. Sara Galloway Lennon, a story-teller and author, has completed her new book 'A Class of Colors': a cheerful and entertaining story that will inspire all who read it.

Everyday Inferno Theatre Co. is pleased to announce the launch of its Inaugural Developmental Lab for Playwrights and Directors. Over the next four months, four writer/director pairs will collaborate on individual projects in various stages of development. The Lab will culminate in a public presentation of works-in-progress on May 28th, 2016. Everyday Inferno is excited to commit to the development of four new theatrical pieces that fit within the company's aesthetic, and is thrilled to offer these eight innovative, emerging artists resources and support for their work.

The producers of the new Off-Broadway musical DADDY LONG LEGS, and Paul Gordon (Music & Lyrics) have released "The Secret of Happiness" sheet music from DADDY LONG LEGS for free. 

Chicago Shakespeare Theater (CST) presents Shakespeare's intimate tragedy of heartbreak and revenge, OTHELLO. Staged by UK award-winning director Jonathan Munby, the production features James Vincent Meredith in the title role as the Moor. Munby imagines Shakespeare's tale in the landscape of a modern-day military base amid the searing themes of revenge, prejudice and passion. Featured in the yearlong Shakespeare 400 Chicago celebration, OTHELLO is presented in CST's Courtyard Theater, tonight, February 18, through April 10, 2016.

?Orlando Shakespeare Theater in Partnership with UCF has partnered with nationally renowned magician, Kostya Kimlat to offer an exclusive evening of magic and Shakespeare to patrons attending the Theater's production of The Tempest on March 25, 2016. The pre-show party will feature an intimate sleight-of-hand magic lesson from Kostya Kimlat and two other official magicians of the Orlando Magic. The magic lesson will take place prior to the evening's $25 Under 35 performance. Ticket holders of any age are invited to add on the pre-show entertainment package for just $20 (per person). Add-on packages may be purchased by calling (407) 447-1700 ext. 1 or by emailing boxoffice@orlandoshakes.org. Limited number of spaces available and activity subject to change.

Dallas Theater Center Artistic Director Kevin Moriarty announced today the theater's 2016-2017 season including two world-premiere musicals titled Bella: An American Tall Tale by Kirsten Childs, the co-lyricist of FLY; and the world-premiere musical Hood, a fresh take on Robin Hood by Douglas Carter Beane and Lewis Flinn. Also included in the 2016-2017 season are two of The New York Times Best Theater picks of 2015, Constellations and The Christians; the classic historical drama, Inherit The Wind; a reimagined Greek tragedy, Electra; the holiday classic, A Christmas Carol; and an exciting new work with a title to be announced. DTC's 2016-2017 season includes productions in the Potter Rose Performance Hall and the Studio Theatre at the Dee and Charles Wyly Theatre in the AT&T Performing Arts Center and the Kalita Humphreys Theater on Turtle Creek.

The Studio is honored to present the Arizona Regional Premier of this haunting, sometimes funny, and always poignant play by Conor McPherson. The telling of stories binds us together and when you can't tell the story from the story teller, you have theater. The Weir has been unanimously hailed by critics

The wait is ALMOST over, DIVERGENT fans!

NYU Skirball Center for the Performing Arts will present the U.S. premiere of And Now Mozart, featuring the inspired lunacy of comedy virtuosos Igudesman & Joo, on March 25 and 26 at 8 pm at NYU Skirball Center.

Nate Charles Troisi is a very clever and funny story teller, with a string of hilarious anecdotes.

NYU Skirball Center for the Performing Arts will present the U.S. premiere of And Now Mozart, featuring the inspired lunacy of comedy virtuosos Igudesman & Joo, on March 25 and 26 at 8 pm at NYU Skirball Center.

THE LATE-NIGHT LEAP DAY BONANZA will play Feinstein's/54 Below on Monday, February 29 at 11:30 pm. Once every four years, a magical day appears just before March - a bit of extra time for dreams to come true and miracles to occur. Or just to have a really fun show.

The thing is - and this is a true story - Katz was supposed to write us a play about a fortune teller. But she spent her commission (and then some) actually going to a fortune teller. In New York. More than once. This is the story of what Katz has been doing instead of writing a play. It features Katz, on her own, as herself, embroiled in a tale of art, love, money, shoes, and the apocalypse (of course). Anyone who's met her will know that the word 'irrepressible' has nothing on Katz, even at her quietest. She makes chaos charming and catastrophe positively exuberant. She likes to be laughed at, and her method is to talk first and think later. Anything could happen. Seriously.

Graduating was the easy part. GET A JOB, the new film starring Miles Teller, Anna Kendrick, and Bryan Cranston hits theaters and On Demand on March 25th.

The thing is - and this is a true story - Katz was supposed to write us a play about a fortune teller. But she spent her commission (and then some) actually going to a fortune teller. In New York. More than once. This is the story of what Katz has been doing instead of writing a play. It features Katz, on her own, as herself, embroiled in a tale of art, love, money, shoes, and the apocalypse (of course). Anyone who's met her will know that the word 'irrepressible' has nothing on Katz, even at her quietest. She makes chaos charming and catastrophe positively exuberant. She likes to be laughed at, and her method is to talk first and think later. Anything could happen. Seriously.