Mannes School of Music presents two performances of Kaija Saariaho's cornerstone oratorio La Passion de Simone. This "musical path in 15 stations" is a major work crafted by composer Kaija Saariaho and writer Amin Maalouf, and is a contemporary Passion play on the 'luminous trajectory' of philosopher and activist Simone Weil, who devoted her life to the oppressed and met an untimely death in 1943.
Mannes School of Music presents two performances of Kaija Saariaho's cornerstone oratorio La Passion de Simone. This 'musical path in 15 stations' is a major work crafted by composer Kaija Saariaho and writer Amin Maalouf, and is a contemporary Passion play on the 'luminous trajectory' of philosopher and activist Simone Weil, who devoted her life to the oppressed and met an untimely death in 1943. It will be performed in the critically-acclaimed production of the French music theater company La Chambre aux echos which has successfully toured in Europe
'White Noise' is the first play by Washington, DC artist Tom Block (www.tomblock.com). It depicts a philosophical artist who travels to Detroit for an exhibit, where he is hosted by an aging, bickering couple who are wealthy, stingy and tormented. The play painstakingly explores Block's own thought process. Its set is a 25 foot long mural by Block which is based on a 13th century Sufi tract, 'The Conference of the Birds' by Attar, which also represents the psyche of the main character. The play raises questions of mysticism and the application of spirituality in our lives. Theater for the New City, 155 First Ave., NYC, will present the work's New York debut now through July 14. Moema Umann directs. Block is a well-known painter, human right activist and author of two books, 'Shalom/Salaam: A Story of a Mystical Fraternity' and 'A Fatal Addiction: War in the Name of God.'
'White Noise' is the first play by Washington, DC artist Tom Block (www.tomblock.com). It depicts a philosophical artist who travels to Detroit for an exhibit, where he is hosted by an aging, bickering couple who are wealthy, stingy and tormented. The play painstakingly explores Block's own thought process. Its set is a 25 foot long mural by Block which is based on a 13th century Sufi tract, 'The Conference of the Birds' by Attar, which also represents the psyche of the main character. The play raises questions of mysticism and the application of spirituality in our lives. Theater for the New City, 155 First Ave., NYC, will present the work's New York debut tonight, June 27 to July 14. Moema Umann directs. Block is a well-known painter, human right activist and author of two books, 'Shalom/Salaam: A Story of a Mystical Fraternity' and 'A Fatal Addiction: War in the Name of God.'
'White Noise' is the first play by Washington, DC artist Tom Block (www.tomblock.com). It depicts a philosophical artist who travels to Detroit for an exhibit, where he is hosted by an aging, bickering couple who are wealthy, stingy and tormented. The play painstakingly explores Block's own thought process. Its set is a 25 foot long mural by Block which is based on a 13th century Sufi tract, 'The Conference of the Birds' by Attar, which also represents the psyche of the main character. The play raises questions of mysticism and the application of spirituality in our lives. Theater for the New City, 155 First Ave., NYC, will present the work's New York debut June 27 to July 14. Moema Umann directs. Block is a well-known painter, human right activist and author of two books, 'Shalom/Salaam: A Story of a Mystical Fraternity' and 'A Fatal Addiction: War in the Name of God.'
'White Noise' is the first play by Washington, DC artist Tom Block (www.tomblock.com). It depicts a philosophical artist who travels to Detroit for an exhibit, where he is hosted by an aging, bickering couple who are wealthy, stingy and tormented. The play painstakingly explores Block's own thought process. Its set is a 25 foot long mural by Block which is based on a 13th century Sufi tract, 'The Conference of the Birds' by Attar, which also represents the psyche of the main character. The play raises questions of mysticism and the application of spirituality in our lives. Theater for the New City, 155 First Ave., NYC, will present the work's New York debut June 27 to July 14. Moema Umann directs. Block is a well-known painter, human right activist and author of two books, 'Shalom/Salaam: A Story of a Mystical Fraternity' and 'A Fatal Addiction: War in the Name of God.'
Nigel Redden, Director of Lincoln Center Festival, announced the Festival's line-up, which runs from tonight, July 5 through August 5, 2012. Theater offerings include Mikhail Baryshnikov in Dmitry Krymov's staging of a new play, In Paris, as well as Sydney Theatre Company's acclaimed production of Uncle Vanya directed by Tamas Ascher and adapted by Andrew Upton. The stellar cast includes John Bell, Cate Blanchett, Hayley McElhinney, Richard Roxburgh, and Hugo Weaving.
Nigel Redden, Director of Lincoln Center Festival, today announced the Festival's line-up, which runs from July 5 through August 5, 2012. Single tickets go on sale on April 2. Theater offerings include Mikhail Baryshnikov in Dmitry Krymov's staging of a new play, In Paris, as well as Sydney Theatre Company's acclaimed production of Uncle Vanya directed by Tamas Ascher and adapted by Andrew Upton. The stellar cast includes John Bell, Cate Blanchett, Hayley McElhinney, Richard Roxburgh, and Hugo Weaving.
From Saturday, September 4, 2010 to Monday, September 6, 2010, the Kennedy Center will host its ninth annual Page to Stage new play festival, featuring more than 40 theaters from the D.C. metropolitan area, all with a mission to produce and support new work.
From Saturday, September 4, 2010 to Monday, September 6, 2010, the Kennedy Center will host its ninth annual Page to Stage new play festival, featuring more than 40 theaters from the D.C. metropolitan area, all with a mission to produce and support new work.
From Saturday, September 4, 2010 to Monday, September 6, 2010, the Kennedy Center will host its ninth annual Page to Stage new play festival, featuring more than 40 theaters from the D.C. metropolitan area, all with a mission to produce and support new work.
For VENICE SAVED: A SEMINAR, Levine has assembled a team of acclaimed performers (including Colleen Werthman, James Hannaham, and Jeff Biehl) who will join the audience at the discussion table. Playwright Gordon Dahlquist has provided the discussion topics, which will be illustrated by fully staged scenes from Weil's play. With all the righteous indignation of Mike Daisey's HOW THEATER FAILED AMERICA, Levine and his crew invite the audience to reconsider theater's role in 21st century America.
Acclaimed theater auteur David Levine premieres his latest reality-bending project, VENICE SAVED: A SEMINAR, beginning previews March 19th at P.S. 122. For this inquiry into the nature of democracy and the value of 'political theater,' Levine has eliminated the 'audience' and gathered everyone around a seminar table peppered with cast members who may, or may not, be acting. The topic of this seminar is Simone Weil's unfinished 1943 play Venise Sauv?e, an allegory of democracy and its overthrow, presented on the 100th anniversary of Weil's birth.
In a most unusual move, acclaimed theater auteur David Levine has announced the addition of two more performances of his latest reality-bending project, VENICE SAVED: A SEMINAR at P.S. 122. Orginally scheduled to begin March 21, two additional performances have been added on March 19 & 20. In this inquiry into the nature of democracy and the value of 'political theater,' Levine has eliminated the 'audience' and gathered everyone around a seminar table peppered with cast members who may, or may not, be acting. The topic of this seminar is Simone Weil's unfinished 1943 play Venise Sauv?e, an allegory of democracy and its overthrow, presented on the 100th anniversary of Weil's birth.
For VENICE SAVED: A SEMINAR, Levine has assembled a team of acclaimed performers (including Colleen Werthman, James Hannaham, and Jeff Biehl) who will join the audience at the discussion table. Playwright Gordon Dahlquist has provided the discussion topics, which will be illustrated by fully staged scenes from Weil's play. With all the righteous indignation of Mike Daisey's HOW THEATER FAILED AMERICA, Levine and his crew invite the audience to reconsider theater's role in 21st century America.
Acclaimed theater auteur David Levine premieres his latest reality-bending project, VENICE SAVED: A SEMINAR, beginning previews March 19th at P.S. 122. For this inquiry into the nature of democracy and the value of 'political theater,' Levine has eliminated the 'audience' and gathered everyone around a seminar table peppered with cast members who may, or may not, be acting. The topic of this seminar is Simone Weil's unfinished 1943 play Venise Sauv?e, an allegory of democracy and its overthrow, presented on the 100th anniversary of Weil's birth.
Performance Space 122 is proud to announce the spring 2009 schedule. Tickets may be purchased online at www.ps122.org or via phone at (212) 352-3101. All programs are subject to change. Performance Space 122 is located at 150 First Avenue at East 9th Street, New York, New York 10009.
The 2008 Mostly Mozart Festival presents the U.S. premiere of La Passion de Simone: Musical journey in 15 stations, by this year's Composer-in-Residence Kaija Saariaho, on August 13, 15, and 17 in the Rose Theater.
The 2008 Mostly Mozart Festival presents the U.S. premiere of La Passion de Simone: Musical journey in 15 stations, by this year's Composer-in-Residence Kaija Saariaho, on August 13, 15, and 17 in the Rose Theater.
On Monday, March 7, the 92nd Street Y presents The Rage of Achilles-the world premiere of Kathryn Walker's adaptation for the stage of Robert Fagles' translation of The Iliad.
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