Shigeko Sara Suga News

This March, Pan Asian Repertory Theatre continues its 35th season with two productions featuring veteran artists from the jazz, dance, theatre and experimental music communities.

This March, Pan Asian Repertory Theatre continues its 35th season with two productions featuring veteran artists from the jazz, dance, theatre and experimental music communities.

Great Jones Repertory - co-founded by Ellen Stewart in 1972 - will mark its 38th annual season this spring with the premiere of 'Great Jones Variations,' five short pieces presented during four days May 27 to 30 at La MaMa ETC's newly-minted Ellen Stewart Theatre (66 E. 4 St.) in Manhattan.

Great Jones Repertory - co-founded by Ellen Stewart in 1972 - will mark its 38th annual season this spring with the premiere of 'Great Jones Variations,' five short pieces presented during four days May 27 to 30 at La MaMa ETC's newly-minted Ellen Stewart Theatre (66 E. 4 St.) in Manhattan.

Great Jones Repertory - co-founded by Ellen Stewart in 1972 - will mark its 38th annual season this spring with the premiere of 'Great Jones Variations,' five short pieces presented during four days May 27 to 30 at La MaMa ETC's newly-minted Ellen Stewart Theatre (66 E. 4 St.) in Manhattan.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).