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A Tribute to Jill Haworth, The Original 'Sally Bowles'

On January 3, 2011, Cabaret's original Sally Bowles, Jill Haworth passed away at age 65 of what was reported to be natural causes. In celebration of her life, Michael Gregg Michaud composed the following tribute to the late star. Michaud was a good friend of the actress and author of the biography of Sal Mineo, who was Haworth's lover for many years.

BWW Reviews: 'Life Could Be A Dream' Charms at Laguna Playhouse

It's safe to say that Roger Bean-the mind behind The Andrews Brothers, The Marvelous Wonderettes and its yuletide sequel Winter Wonderettes-has certainly become the most consistently successful purveyor of full-scale theatrical musicals that weave a simple story around a string of early to mid-20th Century pop hits. His latest of such offerings is LIFE COULD BE A DREAM, the crowd-pleasing jukebox musical that debuted last year at the Hudson Theatre in Hollywood and is now performing an eight-week engagement at the Laguna Playhouse through August 29. The original production garnered the L.A. Drama Critics Circle Award and Backstage's 2010 Garland Award for Best Production.

Die! Die! My Darling! To Appear on Jeremy X. Halpern's Music Show 4/6

New York alternative music duo, Die! Die! My Darling!, will make a special appearance on Jeremy X. Halpern's weekly music show aired on www.Weirdos.TV. Katie Madonna Lee and Louis Jordan of Die! Die! My Darling! will join composer and producer Jeremy X. Halpern for a jam session at Halpern's Williamsburg studio on Tuesday April 6, 2010.

Die! Die! My Darling! To Appear on Jeremy X. Halpern's Music Show 4/6

New York alternative music duo, Die! Die! My Darling!, will make a special appearance on Jeremy X. Halpern's weekly music show aired on www.Weirdos.TV. Katie Madonna Lee and Louis Jordan of Die! Die! My Darling! will join composer and producer Jeremy X. Halpern for a jam session at Halpern's Williamsburg studio on Tuesday April 6, 2010.

Wedekind's Wunderkinds

Frank Wedekind's Spring Awakening may have been banned from the stage in the 1890s, but unlike the troubled adolescents whose lives it chronicles, the play survived those growing pains to become one of the seminal works of German drama, not to mention the template for just about every teen tragedy from Rebel Without a Cause onward.

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