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Visionintoart Launches Record Label with Three New Releases

VisionIntoArt (VIA), the non-profit company founded by Brooklyn-based composer Paola Prestini, is pleased to announce the launch of a record label, VIA Records, with three inaugural albums this fall. The formation of the label expands upon VIA's already vast body of work, which, over the last ten years, has included commissioning and producing new music by a wide range of artists. VIA Records will help to broaden the canon of new multimedia works through the commissioning and recording of artists on VIA's roster.

VisionIntoArt Announces Launch of VIA Records

VisionIntoArt (VIA), the non-profit company founded by Brooklyn-based composer Paola Prestini, is pleased to announce the launch of a record label, VIA Records, with three inaugural albums this fall. The formation of the label expands upon VIA's already vast body of work, which, over the last ten years, has included commissioning and producing new music by a wide range of artists. VIA Records will help to broaden the canon of new multimedia works through the commissioning and recording of artists on VIA's roster.

The Washington National Opera Presents FLORENCIA IN THE AMAZON, 9/20-28

Washington National Opera (WNO) opens its 2014-2015 season with the company premiere of Daniel Cata?n and Marcela Fuentes-Berain's Florencia in the Amazon, September 20-28 in the Kennedy Center Opera House. This modern romantic drama, the first Spanish-language work WNO has presented in a decade, is inspired by the magical realism of Colombian author Gabriel Garci?a Ma?rquez. WNO Artistic Director Francesca Zambello revisits her world premiere production with members of her original creative team to present a fresh take on this contemporary classic. Conductor Carolyn Kuan leads the WNO Orchestra in her WNO debut.

EURYANTHE Opens at Bard SummerScape this Week

To enrich its immersion in "Schubert and His World," Bard SummerScape 2014 presents Euryanthe (1823) by Carl Maria von Weber, marking the opera's first American revival in 100 years. Headlined by Ellie Dehn, "a charismatic soprano with great stage presence" (Wall Street Journal), Bard's original staging is by Kevin Newbury, creator of SummerScape's "gold standard production" (WQXR) of Richard Strauss's Die Liebe der Danae. Euryanthe's five performances (July 25, 27 & 30; August 1 & 3) feature the festival's resident American Symphony Orchestra under the leadership of music director Leon Botstein, who also leads semi-staged performances of Schubert's own seldom-heard opera Fierrabras, starring Joseph Kaiser, on August 17, and of a double-bill of rarities - Schubert's one-act Singspiel Die Verschworenen and the first American presentation of Franz von Suppe's operetta Franz Schubert - on August 10. As the Financial Times concluded last season, "Some of the most important summer opera experiences in the U.S. are not at the better known festivals but at Bard SummerScape."

Wolf Trap Opera to Present Bizet's CARMEN, 7/25

Wolf Trap Opera presents Bizet's Carmen for one night only, Friday, July 25 at 8:15 pm at the Filene Center at Wolf Trap National Park for the Performing Arts. See below for ticketing information.

BWW Reviews: A Fascinating PRINCE IGOR Finally Makes Back It to the Met

PRINCE IGOR was a glorious mess when Alexander Borodin died suddenly in 18, leaving it to others to finish a work he'd toiled on for nearly 20 years but hadn't quite made whole. With no definitive version of the opera, it was only performed by the Met in 1917--until Dmitri Tcherniakov's new production premiered last week. Musically rich, scenically fascinating, it's good to have it back where it belongs.

Photo Flash: Sneak Peek at Costume Designs for Gotham Chamber Opera's LA DESCENTE D'ORPHEE AUX ENFERS

Gotham Chamber Opera presents Marc-Antoine Charpentier's La descente d'Orphée aux enfers, a co-production with Trinity Church, from January 1- January 5, 2014 at St. Paul's Chapel, Broadway and Fulton, NYC. Performances: Wednesday, January 1 and Friday, January 3 at 7pm; Sunday, January 5 at 5pm. Tickets are $15-$125 and are available atwww.ticketcentral.com or (212) 279-4200. For more information visitwww.gothamchamberopera.org. Check out a sneak peek at the costume designs below!

Gotham Chamber Opera Presents LA DESCENTE D'ORPHEE AUX ENFERS, 1/1

Gotham Chamber Opera presents Marc-Antoine Charpentier's La descente d'Orphée aux enfers, a co-production with Trinity Church, from January 1- January 5, 2014 at St. Paul's Chapel, Broadway and Fulton, NYC. Performances: Wednesday, January 1 and Friday, January 3 at 7pm; Sunday, January 5 at 5pm. Tickets are $15-$125 and are available atwww.ticketcentral.com or (212) 279-4200. For more information visitwww.gothamchamberopera.org.

Works by Zorn, Pavone and More Set for Experiments in Opera's 2013-14 Season

Experiments in Opera (www.ExperimentsInOpera.com) announces their upcoming quadruple bill, Chorus of All Souls to be held on Saturday November 2, 8pm at Abrons Art Center Playhouse, 466 Grand Street, New York. This performance kicks off their 2013-14 Season and yearlong residency at Abrons Arts Center on Manhattan's Lower East Side.

Paola Prestini's Makes Debut in OCEANIC VERSES, 6/23 & 25

At 36, Paola Prestini has already forged a singular and celebrated path in new music. Both through her production company, VisionIntoArt, and as a composer, she has garnered praise from fellow artists, presenters and critics. Osvaldo Golijov has described Prestini's music as "wrenching and tender and luminous and pure and exuberant: always vivid and always generous." Terry Riley has called it "music [that] speaks from the heart and inspires," and The New York Times has called it "radiant" and "amorously evocative."

Paola Prestini's Makes Her Debut In OCEANIC VERSES Opera, 6/23-25

At 36, Paola Prestini has already forged a singular and celebrated path in new music. Both through her production company, VisionIntoArt, and as a composer, she has garnered praise from fellow artists, presenters and critics. Osvaldo Golijov has described Prestini's music as "wrenching and tender and luminous and pure and exuberant: always vivid and always generous." Terry Riley has called it "music [that] speaks from the heart and inspires," and The New York Times has called it "radiant" and "amorously evocative."

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