Robertson Dean News

Jon Robertson, dean of Lynn University's Conservatory of Music and Philharmonia guest conductor, today invited the public to attend 18 musical performances during December 2016 and January 2017.

Actors Co-op (Ovation Award-Winner 2014 Best Intimate Theatre Musical for 110 in the Shade) presents the second show in its celebratory 25th Silver Anniversary season with the frightfully delightful THE TURN OF THE SCREW by Jeffrey Hatcher from the classic story by Henry James and directed by Robertson Dean (Antigone - A Noise Within).  THE TURN OF THE SCREW previewed on Wednesday, October 12 and Thursday, October 13 at 8pm and opened on Friday, October 14 at 8pm; it runs through Sunday, November 20 at the Actors Co-op Crossley Theatre, 1760 N. Gower St. (on the campus of the First Presbyterian Church of Hollywood) in Hollywood.

Actors Co-op (Ovation Award-Winner 2014 Best Intimate Theatre Musical for 110 in the Shade) presents the second show in its celebratory 25th Silver Anniversary season with the frightfully delightful THE TURN OF THE SCREW by Jeffrey Hatcher from the classic story by Henry James and directed by Robertson Dean (Antigone - A Noise Within).  

Actors Co-op (Ovation Award-Winner 2014 Best Intimate Theatre Musical for 110 in the Shade) presents the second show in its celebratory 25th Silver Anniversary season with the frightfully delightful THE TURN OF THE SCREW by Jeffrey Hatcher from the classic story by Henry James and directed by Robertson Dean (Antigone - A Noise Within).  

2016 marks the centenary of the year Eugene O'Neill began writing ground-breaking plays in Provincetown, considered the birthplace of modern American theater. This year, the 11th Provincetown Tennessee Williams Theater (TW Fest) will offer new approaches to staging O'Neill from the perspective of Tennessee Williams' genre-busting dramas.

Today it was announced that celebrated violinist Elmar Oliveira, in collaboration with the Lynn Conservatory of Music, launches the Elmar Oliveira International Violin Competition (EOIVC). The EOIVC aims to give a young and talented violinist, ages 16-32, the tools necessary for building a strong foundation for success in the arts industry by providing financial support, as well as career development in the areas of artistic management, public relations, and performance opportunities. The competition will be held at Lynn University from January 22-February 5, 2017. Competitors should send online submissions and registration fee to www.elmaroliveiraivc.org by September 30, 2016.

In director Damaso Rodriguez's version of ROMEO AND JULIET, a group of actors gathers to put on the play in a graffiti-covered alley. A pair of dumpsters, two wooden pallets, and a movable iron ladder makes up the bulk of the set pieces. Everything is covered in spray paint and decay.

A Noise Within (ANW), the acclaimed classical repertory theatre company, presents a world premiere adaptation of Jean Anouilh's ANTIGONE, translated and directed by ANW Resident Artist Robertson Dean, playing now through November 20, 2015 (opens tonight, September 26). BroadwayWorld has a first look at the cast onstage below!

A Noise Within (ANW), the acclaimed classical repertory theatre company, presents a world premiere adaptation of Jean Anouilh's ANTIGONE, translated and directed by ANW Resident Artist Robertson Dean, playing now through November 20, 2015 (opens on September 26). BroadwayWorld has a first look at the cast onstage below!

BOCA RATON, Fla., Sept. 10, 2015 – Jon Robertson, dean of Lynn University's Conservatory of Music and Philharmonia Guest Conductor, today invited the public to attend 14 musical performances during October and November 2015.

A Noise Within (ANW), the acclaimed classical repertory theatre company, presents Arthur Miller's classic All My Sons, as part of the 2015-2016 BREAKING AND ENTERING season, directed by Geoff Elliott, beginning October 11 and playing through November 21, 2015 (opens on October 17). Miller was born on October 17, 1915 (this production opens on the actual day and date of the centennial of Miller's birth).

A Noise Within (ANW), the acclaimed classical repertory theatre company, presents Arthur Miller's classic ALL MY SONS, as part of the 2015-2016 BREAKING AND ENTERING season, directed by Geoff Elliott, beginning October 11 and playing through November 21, 2015 (opens on October 17). Miller was born on October 17, 1915 (this production opens on the actual day and date of the centennial of Miller's birth).

Jon Robertson, dean of Lynn University's Conservatory of Music and Philharmonia Guest Conductor, today invited the public to attend 13 musical performances during September and October 2015.

A Noise Within (ANW), the acclaimed classical repertory theatre company, presents the Southern California regional premiere of Georges Feydeau's classic French farce, A Flea in Her Ear - considered the greatest of French farces -- in a new version written by David Ives. Directed by Julia Rodriguez-Elliott, the show begins previews on September 6 and plays through November 22, 2015 (opens on September 12). Flea is the first production in A Noise Within's 2015-2016 BREAKING & ENTERING season, and is followed by the world premiere translation/adaptation of Jean Anouilh's Antigone by Robertson Dean (September 20 to November 20) and All My Sons by Arthur Miller, the Company's contribution to the global Miller Centennial Celebration(October 11-November 21).

A Noise Within (ANW), the acclaimed classical repertory theatre company, presents a world premiere adaptation of Jean Anouilh's Antigone, translated and directed by ANW Resident Artist Robertson Dean, beginning September 20 and playing through November 20, 2015 (opens on September 26).   Antigone is the second production in the Company's 2015-2016 BREAKING AND ENTERING season, preceded by the West Coast Premiere of David Ives' translation of Georges Feydeau's classic farce A Flea in Her Ear (September 6-November 22) and followed by All My Sons by Arthur Miller, in celebration of the Miller centennial (October 11-November 21).

The Sydney Symphony Orchestra is today proud to announce celebrated Australian conductor, composer and violist Brett Dean as Artist in Residence for three years from 2016, in a position supported by Geoff Ainsworth AM and Johanna Featherstone.

A Noise Within (ANW), the acclaimed classical repertory theatre company, presents the final weeks of its 2015 Spring repertory season with The Threepenny Opera, Bertolt Brecht and Kurt Weill's groundbreaking theatrical work in Michael Feingold's translation (which has become the most popular production in the history of A Noise Within), now playing through May 27, the Los Angeles Times Critic's Choice Figaro by Charles Morey, freely adapted from Le Mariage de Figaro by Beaumarchais in its West Coast premiere now through May 10, and the Ovation-Recommended Julius Caesar by William Shakespeare, in its final extension through May 24.

A Noise Within, led by Producing Artistic Directors Geoff Elliott and Julia Rodriguez-Elliott, announces its 24th season of classic theater. Informed by the season's theme, 'Breaking and Entering,' these plays follow protagonists as they break down walls, enter unknown realms, and search for the truth. 2015-16 subscription tickets are available by calling 626.356.3100, Ext. 1, visiting our website anoisewithin.org, or emailing boxoffice@anoisewithin.org.

Betrayal lurks around every corner when a ruler's ability to rule comes into question. Whether real or imagined, its weighty presence stands as a cautionary phantom in A Noise Within's JULIUS CAESAR. Directors Julia Rodriguez-Elliot and Geoff Elliot have turned Shakespeare's thought-provoking political drama into a powerful expose on the less noble actions of men, anchored by two terrific performances and a commanding industrial design.

A Noise Within (ANW), the acclaimed classical repertory theatre company, continues its 2014-2015 REVOLUTIONary season with two new productions: William Shakespeare's Julius Caesar now through May 8 (press opening this weekend, March 28) and The Threepenny Opera, Bertolt Brecht and Kurt Weill's groundbreaking theatrical work in Michael Feingold's translation now through May 17. While both plays spoke to the times in which they were first produced - Weimar Germany and Elizabethan England, respectively - they also speak to this season's theme of REVOLUTION, most especially from a socio-political point of view. Scroll down for a first look at JULIUS CAESAR onstage!