BWW Review: Keegan Theatre's AN IRISH CAROL a fine, Dublin Take on Dickens' Classic
by Andrew White
- Dec 18, 2017
As seasonal offerings go, An Irish Carol is perfect for those who love the narrative arc of Dickens' original, and who could use the spiritual uplift, but who are sick to death of Marleys in chains, let alone all those cheery Fezziwigs. Down-to-earth, but with heart, it shines to remind us that there is often decency hiding behind the most gruff of exteriors.
BWW Review: MILLION DOLLAR QUARTET at Seven Angels Theatre
by Sean Fallon
- Nov 4, 2017
The Million Dollar Quartet comes alive in Waterbury, with a rock n' roll musical show with talented live musicians who portray Elvis Presley, Johnny Cash, Carl Perkins, and Jerry Lee Lewis in what commemorates a one time collaboration between these four legends of rock n' roll, while honoring Sam Phillips, owner of Sun Records, the company that launched their careers. I highly recommend this show for great music and a glimpse at some of the history behind the music!
BWW Reviews: Each Performer Makes Voice Heard in SNS' DREAMGIRLS
by Paul Batterson
- Oct 31, 2017
The beautiful thing about the Short North Stage's production of writer Tom Eyen's musical is each member of the show brings something unique and beautiful to the two-act, two-and-a-half hour show. The result is not a cacophony of voices but a soul-stirring mixture of harmony and that Columbus should not mis
Photo Flash: ROCK AND ROLL MAN Celebrates Opening Night
by Julie Musbach
- Sep 23, 2017
A bevy of New York talent and Broadway producers mingled with guests in New Hope, PA, during the cast party held at Hotel du Village following the opening night performance of 'Rock and Roll Man: The Alan Freed Story', a Caiola Production, making its world premiere at Bucks County Playhouse through October 1, 2017. BroadwayWorld has photos from the opening festivities below!
Photo Flash: First Look at 'ROCK AND ROLL MAN' World Premiere at Bucks County Playhouse
by BWW News Desk
- Sep 14, 2017
'Rock and Roll Man: The Alan Freed Story' is making its world premiere at Bucks County Playhouse through October 1, 2017. The high energy musical drama stars Tony-nominee Alan Campbell ('Sunset Blvd.') as Alan Freed and multiple-Emmy nominee George Wendt (Norm from 'Cheers') as J. Edgar Hoover. BroadwayWorld has a first look at the cast in action below!
Unofficial Burlesque Festival Comes to Ethyl's Alcohol & Food
by A.A. Cristi
- Sep 13, 2017
Slip into a 70s NYC Vibe at Ethyl's Alcohol & Food Ethyl's Alcohol & Food is a wild ride back into 1970s New York City that injects new life into an Upper East Side scene that was once the hottest part of town. Ethyl's was founded in May 2016 and is led by an eclectic team of rock stars who were there in the heyday of the disco, punk and rock 'n' roll scenes in NYC. Co-owner and designer Paul Gerard is an acclaimed NYC restaurateur, chef and musician known for capturing the retro spirit of the city with places such as Belle Reve and Exchange Alley, after revamping larger venues like Soho House, and Soho Grand Hotel. He has also ventured into TV with his show Work The Line, with executive producers Anthony Bourdain and Tom Colicchio. Without stopping there, he continued to use his creative energy to design his latest project, Antique Bar & Bakery in Hoboken.
Neil Berg Brings 50 YEARS OF ROCK AND ROLL to the Hanover Theatre
by BWW News Desk
- Sep 6, 2017
Relive the groundbreaking rock and roll classics of the last 50 years when The Hanover Theatre for the Performing Arts presents Neil Berg's 50 Years of Rock & Roll, Saturday, January 20, 2018 at 7:30 p.m. Tickets are now on sale to theatre members and go on sale to the public Tuesday, September 19 at 10 a.m
Billy Porter Is Making No Apologies for Getting Political on the Road
by Nicole Rosky
- Aug 31, 2017
Billy Porter is not Lola.
That is is message that the politically opinionated Tony winner is trying to spread in his hometown. Porter, who just performed a concert at Pittsburgh's Hartwood Acres, has just written a piece explaining some of his 'offensive' comments onstage. Porter writes:
|
|