Richard Bernstein News

The New York Choral Society (NYCS) returns to Carnegie Hall under the baton of David Hayes, making his debut as Music Director tonight, December 18th at 8pm for a presentation of two choral works.

Met Principal Conductor Fabio Luisi will lead a rare revival of Berlioz's Les Troyens beginning tonight, December 13.

Met Principal Conductor Fabio Luisi will lead a rare revival of Berlioz's Les Troyens beginning December 13. Francesca Zambello's production, critically acclaimed when it premiered at the Met in 2003, will star Marcello Giordani in his house role debut as Aeneas, the central character in the grand tragedy, which travels from the crumbling walls of Troy to the North African kingdom of Carthage. Deborah Voigt will reprise her performance of the Trojan prophetess Cassandra, a role she debuted in the premiere of Zambello's production, and Susan Graham will sing her first Met performances of Dido, the lovesick queen of Carthage. The cast also features Julie Boulianneas Aeneas's son, Ascanio; Karen Cargill as Dido's devoted sister, Anna; Paul Appleby as the young sailor Hylas; Eric Cutler as Dido's court poet, Iopas; Richard Bernstein as the Trojan priest Pantheus; Dwayne Croft as Cassandra's fiance, Coroebus; and Kwangchul Youn as Narbal, Dido's trusted advisor. The Saturday, January 5 matinee performance of Les Troyens will be transmitted worldwide as part of the Met's Live in HD series, which is now seen in more than 1,900 movie theaters in 64 countries around the world.

The New York Choral Society (NYCS) returns to Carnegie Hall under the baton of David Hayes, making his debut as Music Director on Tuesday, December 18th at 8pm for a presentation of two choral works. The concert will open with O magnum mysterium by Pulitzer-prize-winning composer Jennifer Higdon. Written for chorus accompanied by a small, novel musical ensemble, O magnum mysterium is an innovative, harmonically rich work that marvels at the mystery of Jesus' birth, setting the stage perfectly for the Berlioz oratorio that follows. In L'Enfance du Christ, Berlioz tells a dramatic and moving story of Mary, Joseph, and the newborn Jesus in the days following his birth. It's a story about their flight to save their baby from King Herod's murderous plot, the rejection they meet with along their way, and the kind but unlikely stranger who finally offers them a refuge in his home. Berlioz masterfully combines soloists, orchestra and chorus in this composition. Soloists are Heather Johnson, mezzo-soprano; William Burden, tenor; Alan Held, bass-baritone, and Richard Bernstein, bass. This concert will be presented with English supertitles.

One of literature's most memorable characters comes to life in Seattle Opera's premiere of Jules Massenet's Don Quichotte, opening on February 26, 2011, and running for eight performances through March 12.

One of literature's most memorable characters comes to life in Seattle Opera's premiere of Jules Massenet's Don Quichotte, opening on February 26, 2011, and running for eight performances through March 12.

The Metropolitan Opera Guild's season-long celebration of its 75th anniversary reaches a high point on December 7 when stars and fans of opera, as well as an array of New York's society, business and civic leaders, assemble in the Grand Ballroom of the Waldorf=Astoria for the Guild's annual luncheon.

The Metropolitan Opera Guild's season-long celebration of its 75th anniversary reaches a high point on December 7 when stars and fans of opera, as well as an array of New York's society, business and civic leaders, assemble in the Grand Ballroom of the Waldorf=Astoria for the Guild's annual luncheon.

Bass-baritone Richard Stilwell will sing the role of Don Alfonso in Cosí fan tutte, and bass-baritone Richard Bernstein will sing the role of Bartolo in The Marriage of Figaro with the Chicago Symphony Orchestra and members of the Chicago Symphony Chorus conducted by James Conlon. These artists replace an ailing John Del Carlo, who was scheduled to perform both roles. Ravinia will present one evening and one matinee performance each of both full-length operas in the Martin Theatre. Così will be performed at 7 p.m. on Aug. 5 and 1 p.m. on Aug. 7, and Figaro at 7 p.m. on Aug. 6 and 1 p.m. on

Seattle Opera today announced its compelling 2010/11 season. The line-up features a Wagnerian masterpiece, a dark tragedy, a hilarious romp, a poignant retelling, and a magical fantasy, all wrapped into one thrilling season.