?TAP TREASURES, a three-day, citywide tour of tap dance landmarks, Monday, July 11 through Wednesday, July 13, will mark the kick off to The American Tap Dance Foundation's Tap City, the week long tap dance festival (July 9-16) held annually in tap's hometown, New York City.
Today, Rob McClure chats exclusively with BWW about joining this hilarious production and explains why he is literally reminded everyday that he has some big shoes to fill!
Tap City 2016, The American Tap Dance Foundation's (ATDF) week-long tap dance festival, will return for it's 16th year to New York City July 9 to 16 with award presentations, master classes and performances by local and international artists in what has become the premiere meeting place for hundreds of American and International tap dancers to study, teach and perform.
The UCLA School of Theater, Film and Television (UCLA TFT) announced today a new revival of Rodgers & Hammerstein's Carousel, set to open Friday, May 6, 2016 at UCLA TFT's Freud Playhouse. The play, directed by UCLA TFT Adjunct Associate Professor Jeremy Mann, with musical direction by Adjunct Associate Professor Dan Belzer, will feature Broadway actress Linda Kerns and undergraduate acting students from the UCLA TFT Department of Theater.
Victoria Theatre Association's annual Summer Cool Films Series continues 2016's celebration of Victoria Theatre's 150th Anniversary with a special line up of films celebrating the time when generations of Daytonians came to the "Victory" to see the latest movie release. The Summer Cool Films Series runs July 8-August 28 and includes Reel Late at the Vic late night movies and daytime Family Films! Beginning July 8, VTA will set out the popular FREE popcorn and FREE soda plus some FREE nostalgia at the historic Victoria Theatre. Passbooks for the series are on sale now at Ticket Center Stage. Call (937) 228-3630, toll free (888) 228-3630 or purchase online at www.ticketcenterstage.com.
The American Tap Dance Foundation (ATDF), Tony Waag, Artistic/Executive Director, announced today its 2016 spring and summer season of tap dance events and performances, offering audiences an opportunity to experience top tap dance talent in a variety of performance settings and explore tap dance history in Tap's hometown, New York City.
Rubicon's Broadway Musical Concert Series continues with three performances of a concert reading of THE SECRET GARDEN (based on the novel by Frances Hodgson Burnett with Lyrics by Marsha Norman and Music by Lucy Simon.
Rubicon's Broadway Musical Concert Series continues with three performances of a concert reading of THE SECRET GARDEN (based on the novel by Frances Hodgson Burnett with Lyrics by Marsha Norman and Music by Lucy Simon.
BBC Culture today released a comprehensive new poll of the 100 Greatest American Films of all time. Among the esteemed list is the 1952 film SINGIN' IN THE RAIN, at No. 7, and THE WIZARD OF OZ, coming in #34 on the list.
The Old Globe's presentation of Kiss Me, Kate, the classic musical comedy featuring a book by Sam and Bella Spewack and an iconic score by Cole Porter, begins tonight, July 1, on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Globe's Conrad Prebys Theatre Center.
The complete cast and creative team have been announced for The Old Globe's presentation of Kiss Me, Kate, the classic musical comedy featuring a book by Sam and Bella Spewack and an iconic score by Cole Porter.
Every other show on Broadway seems to be an adaptation of a movie. So the question is, which ones will be next? Our wonderful readers weighed in, as they did last week, and came up with some great suggestions!
A conversation with Tony Waag, Executive/Artistic Director of the American Tap Dance Foundation, in anticipation of their upcoming 'Rhythm in Motion' contemporary tap dance showcase in New York City, April 22 through April 26. 'Rhythm in Motion' presents forward thinking, groundbreaking tap dance choreography, 'shaking tap dance to its core.' Last year's 'Rhythm in Motion' included tap dance with video, computers, sound manipulating machines and electronically rigged platforms.
There was a time when it seemed as if any talent contender in a beauty pageant would lay into 'Don't Cry Out Loud' (later, Dolly Parton's 'I Will Always Love You' seemed to supplant it). It crept out of every radio station ad nauseum. Its almost iconic 'ear candy' status rendered it cringe-inducing, as far as I was concerned. Moreover, its composer and interpreter, Australian Peter Allen, was not the kind of performer I enjoyed - I prefer my talent without the 'over the top' exclamation point; he belonged, to my way of thinking, to the Liberace/Barry Manilow/Liza Minelli kind of performer. (Admittedly, I have a number of friends who take issue with this and who, rope in hand, would gladly pursue me if lynching were acceptable.) Their 'showmanship' and 'over the top' self-promotion proved exhausting. However, the intervening years have reconciled me to Allen's music, and THE BOY FROM OZ. with a book by Martin Sherman and Nick Enright and a parade of Allen songs, has, in Theatre Memphis' latest offering, even somewhat endeared me to him.
Actors Co-op takes 'pride' in announcing its third show in its 2014-2015 season (and 23rd year of producing theatrical excellence in Los Angeles!) with the unforgettable classic, PRIDE AND PREJUDICE, written by Helene Jerome, based on the novel by Jane Austen and directed by Linda Kerns.
Actors Co-op takes "pride" in announcing its third show in its 2014-2015 season (and 23rd year of producing theatrical excellence in Los Angeles!) with the unforgettable classic, PRIDE AND PREJUDICE, written by Helene Jerome, based on the novel by Jane Austen and directed by Linda Kerns.